Introduction: Remembering

Palgrave Studies in Oral History

Volumn , Issue , 2005, Pages 1-17

  Pollock, Della ^a  

^a NONE

Author keywords

Audience Member; Live Representation; Oral History; Oral History Interview; Public Memory

Indexed keywords

EID: 85145161640     PISSN: 27315673     EISSN: 27315681     Source Type: Book Series    
DOI: 10.1007/978-1-4039-7958-2_1     Document Type: Chapter

References (51)

1. Alcoff, Linda. “The Problem of Speaking for Others.” Cultural Critique 20 (1991): 5–32.
2. Anzaldua, Gloria and Cherrie Moraga, eds. This Bridge Called My Back: Writing by Radical Women of Color. New York: Kitchen Table Press, 1983.
3. Armstrong, Ann Elizabeth. “Paradoxes in Community-Based Pedagogy: Decentering Students through Oral History Performance.” Theatre Topics 10.2 (2000): 113–128.
4. Bal, Mieke, Jonathon Crewe, and Leo Spitzer, eds. Acts of Memory: Cultural Recall in the Present. Hanover, NH: Dartmouth College, 1999.
5. Basting, Anne Davis. “ ‘God is a Talking Horse’: Dementia and the Performance of Self.” TDR: The Drama Review 45.3 (2001): 78–94.
6. Bauman, Richard. Story, Peformance, and Event: Contextual Studies of Oral Narrative. Cambridge: Cambridge University Press, 1986.
7. Verbal Art as Performance. Prospect Heights, IL: Waveland Press, 1977.
8. Boal, Augusto. Games for Actors and Non-Actors. New York: Routledge, 1992.
9. Theatre of the Oppressed. New York: Theatre Communications Group, 1985.
10. Burnham, Linda Frye. “Reaching for the Valley of the Sun: The American Festival Project’s Untold Stories.” TDR: The Drama Review 44.3 (2000): 75–112.
11. Butler, Judith. Gender Trouble: Feminism and the Subversion of Identity. New York: Routledge, 1990.
12. Bodies That Matter: On the Discursive Limits of “Sex.” New York: Routledge, 1993.
13. Conquergood, Dwight. “Performance Studies: Interventions and Radical Research.” TDR: The Drama Review 46.2 (2002): 145–156.
14. “Beyond the Text: Toward a Performative Cultural Politics.” The Future of Performance Studies: Visions and Revisions. Ed. Sheron J. Dailey. Annandale, VA: National Communication Association, 1998, pp. 25–36.
15. Cvetkovich, Ann. “AIDS Activism and Public Feelings: Documenting ACT UP’s Lesbians.” An Archive of Feelings: Trauma, Sexuality, and Lesbian Public Cultures. Durham, NC: Duke University Press, 2003, pp. 156–204.
16. Denzin, Norman K. Performance Ethnography: Critical Pedagogy and the Politics of Culture. Thousand Oaks, CA: Sage, 2003.
17. Diamond, Elin, ed. Performance and Cultural Politics. New York: Routledge, 1996.
18. Fraden, Rena with Angela Y. Davis. Imagining Medea: Rhodessa Jones and Theatre for Incarcerated Women. Chapel Hill, NC: University of North Carolina Press, 2001.
19. Frisch, Michael, ed. Special Issue: “Oral History Theatre and Performance.” The Oral History Review 18.2 (1990).
20. Haedicke, Susan C. and Tobin Nellhaus, eds. Performing Democracy: International Perspectives on Urban Community-Based Performance. Ann Arbor: University of Michigan Press, 2001.
21. Jerome, Judith and Leslie Satin, eds. Special Issue: “Performing Autobiography.” Women and Performance 10.19–20 (1999).
22. Kalb, Jonathon. “Documentary Solo Performance: The Politics of the Mirrored Self.” Theater 31.3 (2001): 13–29.
23. Kaufman, Moisés and the Members of Tectonic Theater. The Laramie Project. New York: Random House, 2001.
24. Kondo, Dorinne. “(Re)Visions of Race: Contemporary Race Theory and the Cultural Politics of Racial Crossover in Documentary Theatre.” Theatre Journal 52 (2000): 81–107.
25. Kuftinec, Sonja. “[Walking Through A] Ghost Town: Cultural Hauntologie in Mostar, Bosnia-Herzegovnia or Mostar: A Performance Review.” Text and Performance Quarterly 18.2 (1998): 81–95.
26. Kuhn, Annette. Family Secrets: Acts of Memory and Imagination. London: Verso, 1995.
27. Madison, D. Soyini. “Performance, Personal Narratives, and the Politics of Possibility.” The Future of Performance Studies: Visions and Revisions. Ed. Sheron J. Dailey. Annandale, VA: National Communication Association, 1998, pp. 276–286.
28. “ ‘That Was My Occupation’: Oral Narrative, Performance, and Black Feminist Thought.” Exceptional Spaces: Essays in Performance and History. Ed. Della Pollock. Chapel Hill, NC: University of North Carolina at Chapel Hill Press, 1998, pp. 319–342.
29. Miller, Lynn C., Jacqueline Taylor, and M. Heather Carver, eds. Voices Made Flesh: Performing Women’s Autobiography. Madison, WI: University of Wisconsin Press, 2003.
30. Myerhoff, Barbara. Number Our Days. New York: Simon and Schuster, 1978.
31. Oliver, Kelly. Witnessing: Beyond Recognition. Minneapolis: University of Minnesota Press, 2001.
32. Phelan, Peggy. Unmarked: The Politics of Performance. New York: Routledge, 1993.
33. Pollock, Della. Telling Bodies Performing Birth. New York: Columbia University Press, 1999.
34. Raphael, Tim. “Staging the Real: Breaking the ‘Naturalist Habit’ in the Representation of History.” Theatre Topics 9.2 (1999): 127–139.
35. Rogers, Dwight, Paul Frellick, and Leslie Babinski. “Staging a Study: Performing the Personal and Professional Struggles of Beginning Teachers.” Dancing the Data. Ed. Carl Bagley and Mary Beth Cancienne. New York: Peter Lang, 2002, pp. 53–69.
36. Rohd, Michael. Theatre for Community, Conflict, and Dialogue. Portsmouth, NH: Heineman, 1998.
37. Salverson, Julie. “Change on Whose Terms? Testimony and an Erotics of Injury.” Theater 31.3 (2001): 119–125.
38. ———.“Anxiety and Contact in Attending a Play about Land Mines.” Between Hope and Despair: Pedagogy and the Remembrance of Historical Trauma. Ed. Roger J. Simon, Sharon Rosenberg, and Claudia Eppert. New York: Rowman and Littlefield, 2000, pp. 59–74.
39. “Performing Emergency: Witnessing, Popular Theatre, and the Lie of the Literal.” Theatre Topics 6.2 (1996): 181–191.
40. Schechner, Richard. Performance Theory (New York: Routledge, 1977, 1988).
41. Schrager, Samuel. “What is Social in Oral History?” International Journal of Oral History 4.2 (1983): 76–98.
42. Schweitzer, Pam. “Many Happy Retirements.” Playing Boal: Theatre, Therapy, Activism. Ed. Mady Schutzman and Jan Cohen-Cruz. New York: Routledge, 1994, pp. 64–80.
43. Slim, Hugo and Paul Thompson. Listening for a Change: Oral History and Community Development. Philadelphia: New Society Publishers, 1995.
44. Smith, Anna Deavere. Twilight Los Angeles, 1992: On the Road: A Search for American Character. New York: Anchor, 1994.
45. Fires in the Mirror: Crown Heights, Brooklyn and Other Identities. New York: Anchor, 1993.
46. Strickling, Chris Anne. “Actual Lives: Cripples in the House.” Theatre Topics 12.2 (2002): 143–162.
47. Taylor, Diana. “ ‘You are Here’: The DNA of Performance.” TDR: The Drama Review 46.1 (2002): 149–169.
48. Thomson, Rosemarie Garland. “Staring Back: Self-Representations of Disabled Performance Artists.” American Quarterly 52.2 (2000): 334–338.
49. Trinh, Minh-ha T. Woman, Native, Other: Writing Postcoloniality and Feminism. Bloomington, IN: Indiana University Press, 1989.
50. Turner, Victor. The Anthropology of Performance. New York: PAJ Publications, 1986.
51. Van Erven, Eugene. Community Theatre: Global Perspectives. New York: Routledge, 2001.