Waiting and Uncertainty in Computer Music Networks

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 2004, Pages

  Rohrhuber, Julian ^a   de Campo, Alberto ^b  

^a Hochsch fur Bildende Kunste Hamburg   (Germany)

^b Kunsthochschule fur Medien Koln   (Germany)

Author keywords

[No Author keywords available]

Indexed keywords

DETERMINISTICS; DIFFERENT TIME SCALE; GRANULAR SYNTHESIS; GROUP PERFORMANCE; JUST-IN-TIME; TIME CODING; UNCERTAINTY;

COMPUTER MUSIC;

EID: 85139838416     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (12)

1. Blauert, J. (1997). “Spatial Hearing”. MIT Press, Cambridge, Mass.
2. Cariani, P. (2001). “Neural Timing Nets” at http://cariani.com.
3. Collins et al. (2003), "Live Coding Techniques for Laptop Performance." in Organised Sound 8:3
4. Gabor, D. (1947). “Acoustical Quanta and the Theory of Hearing.” in Nature No. 4044, May 1947.
5. Kubik, G. (1994). “Theory of African Music”. S. Noetzel.
6. McCartney, J., et al (2002f). SuperCollider 3 open source software. Available at http://supercollider.sourceforge.net
7. McCartney, J. (2003). “A Few Quick Notes on Opportunities and Pitfalls of the Application of Computers in Art and Music.” of Ars Electronica "CODE" Symposium Proceedings, Linz, Austria.
8. Roads, C. (2002). “Microsound”. MIT Press, Cambridge, Mass., see pp 1-41.
9. Rohrhuber (2003f). JITLib and BroadcastServer are both part of the SC3 distribution. For a discussion of live coding see
10. Rohrhuber, J. (2004) “Shared ProxySpace”. http://swiki.hfbkhamburg.de:8888/MusicTechnology/630
11. Toplap (2004). http://www.toplap.org
12. Watanabé, S. (1969). "The Concept of Time in Modern Physics and Bergson' s Pure Duration." in Gunter, P., ed. (1969), “Bergson and the Evolution of Physics”. University of Tennessee Press.