ATTENTION AND TIMING

Ecological Psychoacoustics

Volumn , Issue , 2021, Pages 49-85

  Jones, Mari Riess ^a  

^a OHIO STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85139606011     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.1163/9780080477442_006     Document Type: Chapter

References (86)

1. Allan, L. O. (1979). The perception of time. Perception and Psychophysics 26, 340-354.
2. Barnes, H. l. (1998). Concurrent processing during sequenced finger tapping. In D. A. Rosenbaum and C. E. Collyer (Eds.), Timing of Behavior: Neural, Psychological, and Computational Perspectives. (pp. 145-164). Cambridge, MA: MIT Press.
3. Barnes, R. M. (2002). Attentional capture in sequential auditory arrays. Unpublished doctoral dissertation, The Ohio State University.
4. Barnes, R. M., & lones, M. R. (2000). Expectancy, attention, and time. Cognitive Psychology 41, 254--311.
5. Block, R A, & Zakay, D. (1997). Prospective and retrospective duration judgments: A meta-analytic review. Psychonomic Bulletin and Review 4, 184--197.
6. Boltz, M. (1991). Time estimation and attentional perspective. Perception and Psychophysics 49, 422-433.
7. Boltz, M. (1993). The generational of temporal and melodic expectancies during musical listening. Perception and Psychophysics 53, 585-600.
8. Boltz, M. (1994). Changes in internal tempo and effects on learning and remembering of event durations. Journal of Experimental Psychology: Learning, Memory and Cognition 20, 1154-1171.
9. Boltz, M. (1989). Perceiving the end: Effect of tonal relationships on melodic completion. Journal of Experimental Psychology: Human Perception and Performance 15, 749-761.
10. Bregman, A. (1990). Auditory scene analysis. Cambridge, MA: MIT Press.
11. Brown, S., & Boltz, M. (2002). Attentional processes in time perception: Effects of mental workload and event structure. Journal of Experimental Psychology; Human Performance and Perception 28, 600-615.
12. Deutsch, D. (1972). Effect of repetition of standard and comparison tones on recognition memory for pitch. Journal of Experimental Psychology 93, 156-162.
13. Drake, C., & Botte, M. (1993). Tempo sensitivity in auditory sequences: Evidence for a multiple-look model. Perception and Psychophysics 54, 277-286.
14. Drake, c., Penel, A., & Bigand, E. (2000). Tapping in time with mechanically and expressively performed music. Music Perception 18, 1-23.
15. Ericksen, C. W., & St. James J. D. (1986). Visual attention within and around the field of focal attention: A zoom lens model. Perception and Psychophysics 40, 225-240.
16. Gibson, J. (1979). The ecological approach to visual perception. Boston: Houghton Mifflin.
17. Glass, L., & Mackey, M. C. (1988). From clocks to chaos: The rhythms of life. Princeton, NJ: Princeton University Press.
18. Grondin, S. (2001). From physical time to first and second time moments of psychological time. Psychological Bulletin 127, 22-44.
19. Halpern, A R., & Darwin, C. J. (1982). Duration discrimination in a series of rhythmic events. Perception and Psychophysics 32, 86-89.
20. Ivry, R, & Hazeltine, R. E. (1995). Perception and production of temporal intervals across a range of durations: Evidence for a common timing mechanism. Journal of Experimental Psychology: Human Performance and Perception 21, 3-18.
21. Jones, M. R. (1976). Time, our lost dimension: Toward a new theory of perception, attention and memory. Psychological Review 83, 323-335.
22. Jones, M. R, & Boltz, M. (1989). Dynamic attending and responses to time. Psychological Review 96, 459-491.
23. Jones, M. R, & Boltz, M., et al. (1982). Controlled attending as a function of melodic and temporal context. Perception and Psychophysics 32, 211-218.
24. Jones, M. R, Boltz, M., & Klein, J. (1993). Duration judgments and expected endings. Memory and Cognition 21, 646-665.
25. Jones, M. R, Jagacinski, R J., Yee, w., Floyd, R L., & Klapp, S. (1995). Tests of attentional flexibility in listening to polyrhythmic patterns. Journal of Experimental Psychology: Human Perception and Performance 21, 293-307.
26. Jones, M. R, Moynihan, H., MacKenzie, N., & Puente, J. (2002). Temporal aspects of stimulus-driven attending in dynamic arrays. Psychological Science 13, 313-319.
27. Jones, M. R, Yee, W. (1997). Sensitivity to Time Change: The role of context and skill. Journal of Experimental Psychology: Human Perception and Performance 23, 693-709.
28. Kaplan, D. G. L. (1995). Understanding nonlinear dynamics. New York: Springer-Verlag.
29. Keele, S., Nicolette, R., Ivry, R I., & Pokorny, R A (1989). Mechanisms of perceptual timing: Beatbased or interval-based judgments? Psychological Research 50, 251-156.
30. Kelso, S. J. A (1995). Dynamic patterns: The self-organization of brain and behavior. Cambridge, MA: MIT Press.
31. Kidd, G. R (1993). Temporally directed attention in the detection and discrimination of auditory pattern components. Poster presented at the Acoustical Society of America, Toronto.
32. Killeen, P. R, & Weiss, N. A. (1987). Optimal timing and the Weber function. Psychological Review 94, 455-468.
33. Klein, J. M., & Jones, M. R (1996). Effects of attentional set and rhythmic complexity on attending. Perception and Psychophysics 58, 34-46.
34. Large, E. W. (1994). Dynamic representation of musical structure. Ohio State University.
35. Large, E. W, & Jones, M. R (1999). The dynamics of attending: How people track time-varying events. Psychological Review 106, 119-159.
36. Large, E. W., & Kolen, J. (1995). Resonance and the perception of musical meter. Connection Science 6, 177-208.
37. Large, E. W., & Palmer, C. (2002). Perceiving Temporal Regularity in Music. Cognitive Science 26, 1-37.
38. Large, E. W, Fink, P., & Kelso, J. A. Scott. (2002). Tracking simple and complex sequences. Psychological Research 66(1), 3-17.
39. Li, X., Logan, R J., & Pastore, R. E. (1991). Perception of acoustic source characteristics: Walking sounds. Journal of the Acoustical Society of America 90, 3036-3049.
40. Liberman, M. C. (1982b). The cochlear frequency map for the cat: Labeling auditory-nerve fibers of known characteristic frequency. Journal of the Acoustical Society of America 72, 1441-1449.
41. London, J. (2002). Cognitive constraints on metric systems: some observations and hypotheses. Music Perception 19, 529-550.
42. Mates, J. (l994a). A model of synchronization of motor acts to a stimulus sequence. I. Timing and error corrections. Biological Cybernetics 70(5), 463-473.
43. Mates, J. (1994b). A model of synchronization of motor acts to a stimulus sequence. II. Stability analysis, error estimation and simulations. Biology Cybern 70(5), 475-484.
44. McAuley, J. D. (1995). Perception of time phase: Toward an adaptive oscillator model of rhythmic pattern processing. Bloomington: Indiana University.
45. McAuley, J. D., & Jones, M. R. (2003). Modeling effects of rhythmic context on perceived duration: A comparison of interval and entrainment approaches to short-interval timing. Journal of Experimental Psychology: Human Perception and Performance 29, 1102-1125.
46. McAuley, D. J., & Kidd, G. R (1998). Effect of deviations from temporal expectations on tempo discrimination of isochronous tone sequences. Journal of Experimental Psychology: Human Perception and Performance 24, 1786-1800.
47. Meck, W. H. (1996). Neuropharmacology of timing and time perception. Cognitive Brain Research 3, 227-242.
48. Michon, J. A. (1976). Timing in temporal tracking. Assen, The Netherlands: van Gorcum & Co.
49. Monahan, c., & Hirsh, I. (1990). Studies in auditory timing: 2. Rhythm patterns. Perception and Psychophysics 47, 227-242.
50. Moore-Ede, M. c., Sulzrnan, F. M., & Fuller, C. A. (1982). The clocks that time us. Cambridge, Massachusetts: Harvard University Press.
51. Osman, A., & Albert, R (2000). The beat goes on: Rhythmic modulation of cortical potentials by imagined tapping. Poster presented at the Annual Meeting of the Cognitive Neuroscience Society, San Francisco.
52. Palmer, A. R (1987). Physiology of the cochlear nerve and cochlear nucleus. In M. P. Haggard and E. F. Evans (Eds.), Hearing. Churchill Livingston, Edinburgh.
53. Palmer, C. (1989). Mapping musical thought to musical performance. Journal of Experimental Psychology: Human Perception and Performance 15, 331-346.
54. Palmer, C. (1997). Music performance. In J. T. Spence, J. M. Darley, and D. J. Foss (Eds.), Annual review of psychology (vol. 48, pp. 115-138). Palo Alto, CA: Annual Reviews.
55. Palmer, C., & Pfordresher P. Q. (2003). Incremental planning in sequence production. Psychological Review 110, 683-712.
56. Palmer, C., & van de Sande, C. (1995). Range of planning in music performance. Journal of Experimental Psychology: Human Perception and Performance 21, 947-962.
57. Palmer, J. D. (1976). An introduction to biological rhythms. New York: Academic Press.
58. Pashler, H. (2001). Perception and production of brief durations: Beat based versus interval-based timing. Journal of Experimental Psychology: Human Perception and Performance 27, 485-493.
59. Pikovsky, A., Rosenblum, M., & Kurths, J. (2001). Synchronization: A universal concept in nonlinear sciences. Cambridge University Press, Cambridge.
60. Posner, M. I., Snyder, C. R. R., & Davidson, B. J. (1980). Attention and the detection of signals. Journal of Experimental Psychology: General 109, 160-174.
61. Povel, D. J., & Essens, P. (1985). Perception of temporal patterns. Music Perception 2(4), 411-440
62. Repp, B. H. (1987). The sound of two hands clapping: An exploratory study. Journal of the Acoustical Society of America 81, 1100-1109.
63. Repp, B. H. (1995). Detectability of duration and intensity increments in melody tones: A partial connection between music perception and performance. Perception and Psychophysics 57, 1217-1232.
64. Repp, B. H. (1996). Patterns of note onset asynchronies in expressive piano performance. Journal of the Acoustical Society of America JOO, 3917-3932.
65. Repp, B. H. (1998). Obligatory "expectations" of expressive timing induced by perception of musical structure. Psychological Research 61, 33-43.
66. Repp, B. H. (1999). Detecting deviations from metronomic timing in music: Effects of perceptual structure on the mental timekeeper. Perception and Psychophysics 61, 529-548.
67. Repp, B. H. (2000). Compensation for subliminal timing perturbations in perceptual-motor synchronization. Psychological Research 63, 106-128.
68. Repp, B. H. (2001 a). Phase correction, phase resetting, and phase shifts after subliminal timing perturbations in sensorimotor synchronization. Journal of Experimental Psychology: Human Perception, and Performance 27, 600-621.
69. Repp, B. H. (2001b). Processes underlying adaptation to temp changes in sensori-motor synchronization. Human Movement Science 20, 277-312.
70. Repp, B. H. (2002a). Automaticity and voluntary control of phase correction following event onset shifts in sensorimotor synchronization. Journal of Experimental Psychology: Human Perception and Performance 28, 410-430.
71. Repp, B. H. (2002b). Phase correction in sensorimotor synchronization: Nonlinearities in voluntary and involuntary responses to perturbations. Human Movement Science 21, 1-37.
72. Repp, B. H. (2002). Phase correction following a pertubation in sensorimotor synchronization depends on sensory information. Journal of Motor Behavior 34, 291-298.
73. Schulze, H. H. (1978). The detectability of local and global displacements in regular rhythmic patterns. Psychological Research 40, 173-181.
74. Schulze, H. H. (1989). The perception of temporal deviations in isochronic patterns. Perception and Psychophysics 45, 291-296.
75. Schulze, H. H., & Vorburg, D. W. (2002). Linear phase correction models for synchronization: parameter identification and estimation of parameters. Brain and Cognition 48, 80-97.
76. Snyder, J., & Large, E. W. (2003). Neurophysiological correlates of meter perception: Evoked and induced gamma-band (20-60 HZ) activity. Manuscript submitted for publication.
77. Spence, C. J., & Driver, J. (1994). Covert spatial orienting in audition: exogenous and endogenous mechanisms. Journal of Experimental Psychology: Human Perception and Performance 20, 555-574.
78. van Noorden, J.. P. A. S. (1975). Temporal coherence in the perception of tone sequences. Eindhoven: University of Technology.
79. Vorberg, D. W, & Wing, A. (1996). Modeling variability and dependence in timing. In H. K. Heuer and S. W (Ed.), Handbook of perception and action (Vol. 2, pp. 181-262). London: Academic Press.
80. Warren, W. H., & Verbrugge, R. R. (1984). Auditory perception of breaking and bouncing events: A case study in ecological acoustics. Journal of Experimental Psychology: Human Perception and Performance 10, 704-712.
81. Winfree, A. T. (2001). The geometry of biological time (ed. 2; Vol. 12). New York: Springer-Verlag.
82. Wing, A. M. (2002). Voluntary timing and brain function: an information processing approach. Brain and Cognition 48, 7-30.
83. Wing, A. M., & Kristofferson, A. B. (1973a). Response delays and the timing of discrete motor responses. Perception & Psychophysics 14, 5-12.
84. Wing, A. M., & Kristofferson, A. B. (1973b). The timing of interresponse intervals. Perception and Psychophysics 13, 455-460.
85. Yantis, S., & Egeth, H. G. (1999). On the distinction between visual salience and stimulus-driven attentional capture. Journal of Experimental Psychology: Human Perception and Performance 25, 661-676.
86. Yee, W., Holleran, S., & Jones, M. R. (1994). Sensitivity to event timing in regular and irregular sequences: Influences of musical skill. Perception and Psychophysics 56, 461-471.