‘singing is silence’ Being and Nothing in the Visual Poetry of E. E. Cummings

Iconicity in Language and Literature

Volumn 1, Issue , 1999, Pages 199-214

  Webster, Michael ^a  

^a GRAND VALLEY STATE UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85138597502     PISSN: 18735037     EISSN: None     Source Type: Book Series    
DOI: 10.1075/ill.1.17web     Document Type: Conference Paper

References (15)

1. Cummings, E[dward]. E[stlin]. 1953. i: six nonlectures. Cambridge: Harvard University Press.
2. Cummings, E[dward]. E[stlin]. 1965. E. E. Cummings: A Miscellany Revised. ed. by George J. Firmage. New York: October House.
3. Cummings, E[dward]. E[stlin]. 1969. Selected Letters of E. E. Cummings. ed. by F. W. Dupee and George Stade. New York: Harcourt, Brace & World.
4. Cummings, E[dward]. E[stlin]. 1994. Complete Poems 1904–1962. ed. by George J. Firmage. New York: Liveright.
5. Cureton, Richard D. 1986. “Visual Form in E. E. Cummings’ No Thanks”. Word & Image 2: 245–77.
6. Friedman, Norman. 1960. E. E. Cummings: The Art of His Poetry. Baltimore: Johns Hopkins University Press.
7. Friedman, Norman. 1964. E. E. Cummings: The Growth of a Writer. Carbondale: Southern Illinois University Press.
8. Friedman, Norman. 1984. “E. E. Cummings and the Modernist Movement”. In Guy Rotella (ed.), Critical Essays on E. E. Cummings. Boston: G. K. Hall, 160–175.
9. Friedman, Norman. 1996. (Re) Valuing Cummings: further essays on the poet, 1962– 1993. Gainesville: University Press of Florida.
10. Halporn, James W., Martin Ostwald, and Thomas G. Rosenmeyer. 1994. The Meters of Greek and Latin Poetry. Indianapolis: Hackett.
11. Heusser, Martin. 1997a. “Transcendental Modernism: E. E. Cummings’ Moon Poems”. In Andreas Fischer, Martin Heusser, and Thomas Hermann (eds), Aspects of Modernism: Studies in Honour of Max Nänny. Tübingen: Gunter Narr, 55–74.
12. Heusser, Martin. 1997b. I Am My Writing: The Poetry of E. E. Cummings. Tübingen: Stauffenburg Verlag.
13. Steiner, Wendy. 1982. The Colors of Rhetoric: Problems in the Relation between Modern Literature and Painting. Chicago: University of Chicago Press.
14. Stokes, Adrian. 1968. The Quattro Cento: A Different Conception of the Italian Renaissance. New York: Schocken.
15. Wegner, Robert E. 1965. The Poetry and Prose of E.E. Cummings. New York: Harcourt, Brace & World.