An Introduction to Theories of Popular Culture, Second Edition

An Introduction to Theories of Popular Culture, Second Edition

Volumn , Issue , 2004, Pages 1-294

  Strinati, Dominic ^a  

^a UNIVERSITY OF LEICESTER   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85138398029     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203645161     Document Type: Book

References (281)

1. Abercrombie, N. (1990) ‘Popular culture and ideological effects’, in N.Abercrombie, S.Hill and B.S.Turner (eds), Dominant Ideologies, London, Unwin Hyman.
2. Abercrombie, N. Hill, S. and Turner, B.S. (1980) The Dominant Ideology Thesis, London, Allen and Unwin.
3. Adorno, T. (1991) The Culture Industry, London, Routledge,
4. Allen, R. (1990) ‘From exhibition to reception: reflections on the audience in film history’, Screen vol. 31, no. 4.
5. Althusser, L. (1969) For Marx, Harmondsworth, Penguin.
6. Althusser, L. (1971) Lenin and Philosophy and Other Essays, London, New Left Books.
7. Althusser, L. and Balibar, E. (1970) Reading Capital, London, New Left Books.
8. Anderson, P. (1976-1977) ‘The antinomies of Antonio Gramsci’, New Left Review no. 100.
9. Anderson, P. (1979) Considerations on Western Marxism, London, Verso.
10. Ang, I. (1989) Watching Dallas, London, Routledge.
11. Ang, I. (1991) Desperately Seeking the Audience, London, Routledge.
12. Arnold, M. [1869] (1932) Culture and Anarchy, Cambridge, Cambridge University Press.
13. Badcock, C. (1975) Lévi-Strauss: Structuralism and Sociological Theory, London, Hutchinson.
14. Baehr, H. (1981) ‘The impact of feminism on media studies—just another commercial break?’, in D.Spender (ed.), Men’s Studies Modified, Oxford, Pergamon Press.
15. Balio, T. (ed.) (1985) The Hollywood Film Industry, Madison, University of Wisconsin Press.
16. Barker, M. (1989) Comics: Ideology, Power and the Critics, Manchester, Manchester University Press.
17. Barrett, M. (1988) Women’s Oppression Today, London, Verso.
18. Barrett, M. (1991) The Politics of Truth, Cambridge, Polity Press.
19. Barthes, R. (1967) Writing Degree Zero, London, Cape (originally published in 1953).
20. Barthes, R. (1968) Elements of Semiology, New York, Hill and Wang (originally published in 1964).
21. Barthes, R. (1973) Mythologies, London, Paladin Books (originally published in 1957).
22. Barthes, R. (1977) Image—Music—Text, London, Fontana.
23. Barthes, R. (1983) Barthes: Selected Writings, ed. S.Sontag, London, Fontana.
24. Barthes, R. (1988) The Semiotic Challenge, Oxford, Blackwell.
25. Baudrillard, J. (1987) The Evil Demon of Images, Sydney, Power Publications.
26. Baudrillard, J. (1988) Selected Writings, ed. M.Poster, Cambridge, Polity Press.
27. Beauvoir, S.de (1972) The Second Sex, Harmondsworth, Penguin.
28. Bell, D. (1965) ‘America as a mass society: a critique’, in The End of Ideology, New York, Free Press (revised edition).
29. Bendix, R. (1969) Nation Building and Citizenship, New York, Anchor Books.
30. Benjamin, W. [1936] (1973) ‘The work of art in the age of mechanical reproduction’, in Illuminations, London, Fontana.
31. Benn, M. (1986) ‘Campaigning against pornography’, in J.Curran, J.Ecclestone, G.Oakley and A.Richardson (eds), Bending Reality: The State of the Media, London, Pluto Press.
32. Bennett, T. (1979) Formalism and Marxism, London and New York, Methuen.
33. Bennett, T. (1982) ‘Theories of the media, theories of society’, in M. Gurevitch, T.Bennett, J.Curran and J.Woollacott (eds), Culture, Society and the Media, London, Methuen.
34. Bennett, T. (1986) ‘Introduction: “the turn to Gramsci”’, in T.Bennett, C.Mercer and J.Woollacott (eds), Popular Culture and Social Relations, Milton Keynes, Open University Press.
35. Bennett, T.and Woollacott, J. (1987) Bond and Beyond: The Political Career of a Popular Hero, Basingstoke, Macmillan.
36. Berger, A. (1992) Popular Culture Genres: Theories and Texts, London, Sage.
37. Bigsby, C. (ed.) (1975) Superculture, Bowling Green, Ohio, Bowling Green University Press.
38. Booker, C. (1969) The Neophiliacs: A Study of the Revolution in English Life in the Fifties and Sixties, London, Collins.
39. Bordwell, D., Staiger, J. and Thompson, K. (1988) The Classical Hollywood Cinema, London, Routledge.
40. Bottomore, T. (1989) The Frankfurt School, London, Routledge.
41. Bourdieu, P. (1984) Distinction, London, Routledge.
42. Bourdieu, P. (1993) The Field of Cultural Production, Cambridge, Polity Press.
43. Boyne, R. and Rattansi, A. (eds) (1990) Postmodernism and Society, Basingstoke, Macmillan.
44. British Film Institute (BFI) (1993) British Film Institute: Film and Television Handbook 1994, London, British Film Institute.
45. Brookeman, C. (1984) American Culture and Society since the 1930s, London and Basingstoke, Macmillan.
46. Buci-Glucksmann, C. (1980) Gramsci and the State, London, Lawrence and Wishart.
47. Budd, M. and Steineman, C. (1989) ‘Television, cultural studies and the “blind spot”’, in G.Burns and R.Thompson (eds), Television Studies: Textual Analysis, New York, Praeger.
48. Bullock, A. and Stallybrass, O. (eds) (1977) The Fontana Dictionary of Modern Thought, London, Fontana.
49. Burke, P. (1978) Popular Culture in Early Modern Europe, London, Temple Smith.
50. Butler, J. (1985) ‘Miami Vice: the legacy of film noir’, Journal of Popular Film and Television, Fall issue.
51. Campbell, C. (1987) The Romantic Ethic and the Spirit of Modern Consumerism, Oxford, Basil Blackwell.
52. Caughie, J. (1991) ‘Adorno’s reproach: repetition, difference and television genre’, Screen vol. 32, no. 2.
53. Centre for Contemporary Cultural Studies (1978) On Ideology, London, Hutchinson.
54. Chandler, R. (1980) Pearls are a Nuisance, London, Pan Books.
55. Clarke, A. (1986) ‘This is not the boy scouts: television police series and definitions of law and order’, in T.Bennett, C.Mercer and J.Woollacott (eds), Popular Culture and Social Relations, Milton Keynes, Open University Press.
56. Clarke, A. (1992) “You’re nicked!”: television police series and the fictional representation of law and order’, in D.Strinati and S.Wagg (eds), Come On Down?: Popular Media Culture in Post-war Britain, London, Routledge.
57. Cohen, P. (1980) Folk Devils and Moral Panics: The Creation of the Mods and Rockers, Oxford, Martin Robertson (second edition).
58. Collins, A. (1993) ‘Intellectuals, power and quality television’, Cultural Studies vol. 7, no. 1.
59. Collins, J. (1989) Uncommon Cultures: Popular Culture and Post-modernism, New York and London, Routledge.
60. Collins, J. (1992) ‘Postmodernism and television’, in R.Allen (ed.), Channels of Discourse, Reassembled, London, Routledge (second edition).
61. Connor, S. (1989) Postmodernist Culture, Oxford, Basil Blackwell.
62. Cook, P. (ed.) (1985) The Cinema Book, London, British Film Institute.
63. Cormack, M. (1992) Ideology, London, Batsford.
64. Corrigan, T. (1991) A Cinema Without Walls, London, Routledge.
65. Craib, I. (1984) Modern Social Theory, London and New York, Harvester Wheatsheaf.
66. Culler, J. (1976) Saussure, London, Fontana.
67. Culler, J. (1983) Barthes, London, Fontana.
68. Curran, J., Gurevitch, M. and Woollacott, J. (1982) ‘The study of the media: theoretical approaches’, in M.Gurevitch et al. (eds), Culture, Society and the Media, London, Methuen.
69. Curran, J. and Gurevitch, M. (eds) (1991) Mass Media and Society, London, Edward Arnold.
70. Dant, T. (1991) Knowledge, Ideology and Discourse, London and New York, Routledge.
71. Deighton, L. (1978) The Ipcress File, London, Triad Granada (originally published in 1962).
72. Denning, M. (1987) Cover Stories: Narrative and Ideology in the British Spy Thriller, London and New York, Routledge and Kegan Paul.
73. Denzin, N. (1991) Images of Postmodern Society: Social Theory and Contemporary Cinema, London, Sage.
74. DiMaggio, P. (1986) ‘Cultural entrepreneurship in nineteenth centuryBoston: the creation of an organizational base for high culture in America’, in R.Collins, J.Curran, N.Garnham, P.Scannell, P. Schlesinger and C.Sparks (eds), Media, Culture and Society: A Critical Reader, London, Sage Publications.
75. Docherty, T. (1993) Postmodernism: A Reader, New York and London, Harvester Wheatsheaf.
76. Drummond, P. and Paterson, R. (eds) (1986) Television in Transition, London, British Film Institute.
77. Durkheim, E. (1915) The Elementary Forms of the Religious Life, London, George Allen and Unwin.
78. Dworkin, A. (1980) ‘Pornography and grief’, in L.Lederer (ed.), Take Back The Night, New York, William Morrow.
79. Dyer, G. (1982) Advertising as Communication, London and New York, Methuen.
80. Dyer, R. (1973) Light Entertainment, London, British Film Institute.
81. Eagleton, T. (1991) Ideology: An Introduction, London and New York, Verso.
82. Eco, U. (1979) ‘The narrative structure in Fleming’, in The Role of the Reader, Bloomington, Indiana, University of Indiana Press.
83. Eco, U. (1983) The Name of the Rose, London, Secker and Warburg.
84. Eco, U. (1990a) Foucault’s Pendulum, London, Pan Books.
85. Eco, U. (1990b) The Limits of Interpretation, Bloomington, Indiana, University of Indiana Press.
86. Eliot, T.S. (1979) Notes towards the Definition of Culture, London, Faber and Faber.
87. Elster, J. (1985) Making Sense of Marx, Cambridge, Cambridge University Press.
88. Elster, J. (1986) An Introduction to Karl Marx, Cambridge, Cambridge University Press.
89. Fairclough, N. (1989) Language and Power, London and New York, Longman.
90. Featherstone, M. (1988) ‘In pursuit of the postmodern’, Theory, Culture and Society vol. 5, nos 2-3.
91. Featherstone, M. (1991) Consumer Culture and Postmodernism, London, Sage.
92. Fiori, G. (1973) Antonio Gramsci: Life of a Revolutionary, New York, Schocken Books.
93. Fiske, J. (1987) Television Culture, London and New York, Methuen.
94. Fiske, J. (1989a) ‘Popular television and commercial culture: beyond political economy’, in G.Burns and R.Thompson (eds), Television Studies: Textual Analysis, New York, Praeger.
95. Fiske, J. (1989b) Understanding Popular Culture, Boston and London, Unwin Hyman.
96. Fiske, J. (1991) ‘Postmodernism and television’, in J.Curran and M. Gurevitch (eds), Mass Media and Society, London, Edward Arnold.
97. Fiske, J.and Hartley, J. (1978) Reading Television, London and New York, Methuen.
98. Foucault, M. (1980) Power/Knowledge: Selected Interviews and other Writings 1972-1977, ed. C.Gordon, New York, Harvester Wheatsheaf.
99. Franklin, S., Lury, C. and Stacey, J. (eds) (1991) Off-centre: Feminism and Cultural Studies, London, HarperCollins.
100. Frazer, E. (1987) ‘Teenage girls reading Jackie’, Media, Culture and Society vol. 9.
101. Friedan, B. (1963) The Feminine Mystique, Harmondsworth, Penguin.
102. Frith, S. (1983) Sound Effects: Youth, Leisure and the Politics of Rock, London, Constable.
103. Frith, S.and Savage, J. (1993) ‘Pearls and swine: the intellectuals and the mass media’, New Left Review no. 198.
104. Gamman, L. and Marshment, M. (eds) (1988) The Female Gaze: Women as Viewers of Popular Culture, London, The Women’s Press.
105. Gane, M. (1991a) Baudrillard: Critical and Fatal Theory, London, Routledge.
106. Gane, M. (1991b) Baudrillard’s Bestiary: Baudrillard and Culture, London, Routledge.
107. Garnham, N. and Williams, R. (1986) ‘Pierre Bourdieu and the sociology of culture; an introduction’, in R.Collins, J.Curran, N. Garnham, P.Scannell, P.Schlesinger and C.Sparks (eds), Media, Culture and Society: A Critical Reader, London, Sage Publications.
108. Gendron, B. (1986) ‘Theodor Adorno meets the Cadillacs’, in T. Modleski (ed.), Studies in Entertainment, Bloomington, Indiana, Indiana University Press.
109. Gill, R. (1988) ‘Altered images?: women in the media’, Social Studies Review vol. 4, no. 1.
110. Gill, R (1993) ‘ldeology, gender and popular radio: a discourse analytic approach’, Innovation vol. 6, no. 3.
111. Giner, S. (1976) Mass Society, London, Martin Robertson.
112. Gitlin, T. (1989) ‘Postmodernism: roots and politics’, in I.Angus and S.Jhally (eds), Cultural Politics in Contemporary America, New York and London, Routledge.
113. Gitlin, T. (1994) ‘Prime time ideology; the hegemonic process in television entertainment’, in H.Newcomb (ed.), Television: The Critical View, New York and Oxford, Oxford University Press (fifth edition).
114. Golding, P. and 2 G. (1991) ‘Culture, communications and political economy’, in J.Curran and M.Gurevitch (eds), Mass Media and Society, London, Edward Arnold.
115. Goldthorpe, J., Lockwood, D., Bechhofer, F. and Platt, J. (1969) The Affluent Worker in the Class Structure, Cambridge, Cambridge University Press.
116. Gramsci, A. (1971) Selections From the Prison Notebooks, London, Lawrence and Wishart.
117. Greer, G. (1971) The Female Eunuch, New York, McGraw-Hill.
118. Gurevitch, M., Bennett, T., Curran, J. and Woollacott, J. (eds) (1982) Culture, Society and the Media, London, Methuen.
119. Hall, S. (1980) ‘Encoding/Decoding’, in S.Hall, D.Hobson, A.Lowe and P.Willis (eds), Culture, Media, Language, London, Hutchinson.
120. Hall, S. (1981) ‘Cultural studies: two paradigms’, in T.Bennett et al. (eds), Culture, Ideology and Social Process, Milton Keynes, Open University Press.
121. Hall, S. Critcher, C., Jefferson, T., Clarke, J. and Roberts, B. (1978) Policing the Crisis: Mugging, the State and Law and Order, London, Macmillan.
122. Hall, S. and Jacques, M. (eds) (1983) The Politics of Thatcherism, London, Lawrence and Wishart.
123. Hall, S. and Jefferson, T. (1976) Resistance through Rituals: Youth Sub-cultures in Post-war Britain, London, Unwin Hyman.
124. Hansen, B. (1981) ‘Doo-Wop’, in J.Miller (ed.) (1981) The Rolling Stone Illustrated History of Rock and Roll, London, Pan Books.
125. Hartman, H. (1979) ‘The unhappy marriage of Marxism and feminism’, Capital and Class Summer issue; reprinted in L.Sargent (ed.), Women and Revolution: A Discussion of the Unhappy Marriage of Marxism and Feminism, London, Pluto Press, 1981.
126. Harvey, D. (1989) The Condition of Postmodernity, Oxford, Basil Blackwell.
127. Hawkes, T. (1977) Structuralism and Semiotics, London, Methuen.
128. Hebdige, D. (1979) Sub-culture: The Meaning of Style, London, Methuen.
129. Hebdige, D. (1987) Cut ‘n’ Mix: Culture, Identity and Caribbean Music, London, Routledge.
130. Hebdige, D. (1988) Hiding in the Light: On Images and Things, London, Routledge.
131. Held, D. (1980) Introduction to Critical Theory, London, Hutchinson.
132. Hill, S. (1990) ‘Britain: the dominant ideology thesis after a decade’, in N.Abercrombie, S.Hill and B.S.Turner (eds), Dominant Ideologies, London, Unwin Hyman.
133. Hoggart, R. (1958) The Uses of Literacy, Harmondsworth, Penguin.
134. Horkheimer, M. and Adorno, T. (1973) Dialectic of Enlightenment, London, Allen Lane (originally published in 1947).
135. Hutcheon, L. (1989) The Politics of Postmodernism, London, Routledge.
136. Instrell, R. (1992) ‘Blade Runner: the economic shaping of a film’, in J.Orr and C.Nicholson (eds), Cinema and Fiction, Edinburgh, Edinburgh University Press.
137. Jameson, F. (1984) ‘Postmodernism, or the cultural logic of late capitalism’, New Left Review no. 146.
138. Jameson, F. (1991) Postmodernism, London and New York, Verso.
139. Jay, M. (1973) The Dialectical Imagination, London, Heinemann.
140. Jencks, C. (1984) The Language of Post-modern Architecture, London, Academy Editions.
141. Jencks, C. (1986) What is Post-modernism?, London, Academy Editions.
142. Jenkins, R. (1992) Pierre Bourdieu, London and New York, Routledge.
143. Johnson, L. (1979) The Cultural Critics, London, Routledge and Kegan Paul.
144. Joll, J. (1977) Gramsci, London, Fontana.
145. Kawin, B. (1986) ‘Children of the light’, in B.Grant (ed.), Film Genre Reader, Austin, University of Texas Press.
146. Kerr, P. (ed.) (1986) The Hollywood Film Industry, London and New York, Routledge and Kegan Paul.
147. Kornhauser, W. (1960) The Politics of Mass Society, London, Routledge and Kegan Paul.
148. Krutnik, F. (1991) In a Lonely Street: Film Noir, Genre, Masculinity, London and New York, Routledge.
149. Kuhn, A. and Wolpe, A.M. (eds) (1978) Feminism and Materialism, London, Routledge and Kegan Paul.
150. Laing, D. (1985) One Chord Wonders, Milton Keynes, Open University Press.
151. Larrain, J. (1979) The Concept of Ideology, London, Hutchinson.
152. Lash, S. (1990) The Sociology of Postmodernism, London and New York, Routledge.
153. Lash, S. and Urry, J. (1987) The End of Organized Capitalism, Cambridge, Polity Press.
154. Leach, E. (1970) Lévi-Strauss, London, Fontana.
155. Leavis, F.R. (1933) Mass Civilization and Minority Culture, London, Minority Press.
156. Leavis, Q.D. (1932) Fiction and the Reading Public, London, Chatto and Windus.
157. Le Carré, J. (1975) Tinker, Tailor, Soldier, Spy, London and Sydney, Pan Books (originally published in 1974).
158. Lengermann, P. and Niebrugge-Brantley, J. (1992) ‘Contemporary feminist theory’, in G.Ritzer, Sociological Theory, New York, McGraw-Hill (third edition).
159. Levine, L. (1988) High Brow/Low Brow: The Emergence of Cultural Hierarchy in America, Cambridge, Mass., Harvard University Press.
160. Lévi-Strauss, C. (1963) Structural Anthropology, New York and London, Basic Books.
161. Lévi-Strauss, C. (1969) Totemism, Harmondsworth, Penguin.
162. Lévi-Strauss, C. (1970) The Raw and the Cooked, London, Cape.
163. Lévi-Strauss, C. (1977) Structural Anthropology, vol. 2, London, Allen Lane.
164. Lewis, J. (1990) ‘Are you receiving me?’, in A.Goodwin and G. Whannel (eds), Understanding Television, London and New York, Routledge.
165. Lockwood, D. (1982) ‘Fatalism: Durkheim’s hidden theory of order’, in A.Giddens and G.Mackenzie (eds), Social Class and the Division of Labour, Cambridge, Cambridge University Press.
166. Lowenthal, L. (1957) ‘Historical perspectives of popular culture’, in B. Rosenberg and D.White (eds) Mass Culture, Glencoe, Ill., Free Press.
167. Lyotard, J.-F. (1984) The Postmodern Condition, Manchester, Manchester University Press.
168. MacDonald, D. (1957) ‘A theory of mass culture’, in B.Rosenberg and D.White (eds) Mass Culture, Glencoe, Ill., Free Press.
169. McGuigan, J. (1992) Cultural Populism, London, Routledge.
170. McIntosh, M. (1978) ‘The state and the oppression of women’, in A.Kuhn and A.M.Wolpe (eds) Feminism and Materialism, London, Routledge and Kegan Paul.
171. McLellan, D. (1986) Ideology, Milton Keynes, Open University Press.
172. McRobbie, A. (1991a) Feminism and Youth Culture, Basingstoke, Macmillan.
173. McRobbie, A. (1991b) ‘New times in cultural studies’, New Formations 13, Spring issue.
174. McRobbie, A (1993) ‘Cultural studies for the 1990s’, Innovation vol. 6, no. 3.
175. McShine, K. (1989) Andy Warhol: A Retrospective, New York, Museum of Modern Art.
176. McShine, K (1991) Movie and Video Guide 1992, London, Penguin Books.
177. Marcuse, H. (1972) One Dimensional Man, London, Abacus.
178. Marx, K. (1963) Selected Writings in Sociology and Social Philosophy, ed. T.Bottomore and M.Rubel, Harmondsworth, Penguin.
179. Masterman, L. (ed.) (1984) Television Mythologies: Stars, Shows and Signs, London, Comedia.
180. Mattelart, A., Delacourt, X. and Mattelart, M. (1984) International Image Markets, London, Comedia.
181. Mepham, J. (1979) ‘The theory of ideology in Capital’, in J.Mepham and D.Ruben (eds), Issues in Marxist Philosophy, vol. 3, Brighton, Harvester Press.
182. Merquior, J. (1985) Foucault, London, Fontana.
183. Messenger Davies, M. (1989) Television is Good for Your Kids, London, Hilary Shipman.
184. Miller, D. (1987) Material Culture and Mass Consumption, Oxford, Basil Blackwell.
185. Mitchell, J. (1975) Psychoanalysis and Feminism, Harmondsworth, Penguin.
186. Modleski, T. (1986a) ‘Femininity as mas(s)querade: a feminist approach to mass culture’, in C.MacCabe (ed.), High Theory/Low Culture, Manchester, Manchester University Press.
187. Modleski, T. (ed.) (1986b) Studies in Entertainment, Bloomington, Indiana, Indiana University Press.
188. Moores, S. (1993) Interpreting Audiences, London, Sage Publications.
189. Moorhouse, H. (1991) Driving Ambitions: An Analysis of the American Hot Rod Enthusiasm, Manchester, Manchester University Press.
190. Morley, D. (1980) The Nationwide Audience, London, British Film Institute.
191. Morley, D. (1991) ‘Where the global meets the local: notes from the sitting room’, Screen vol. 32, no. 1.
192. Morley, D. (1992) Television, Audiences and Cultural Studies, London and New York, Routledge.
193. Morley, D.and Robins, K. (1989) ‘Spaces of identity: communications technologies and the reconfiguration of Europe’, Screen vol. 30, no. 4.
194. Morson, G. (ed.) (1986) Bakhtin: Essays and Dialogues on his Work, Chicago, Chicago University Press.
195. Morson, G.and Emerson, C. (eds) (1989) Rethinking Bakhtin: Extensions and Challenges, Evanston, Ill., North Western University Press.
196. Mulhern, F. (1981) The Moment of Scrutiny, London, Verso.
197. Mulvey, L. (1975) ‘Visual pleasure and narrative cinema’, Screen vol. 16, no. 3.
198. Mulvey, L. (1981) ‘Afterthoughts on “visual pleasure and narrative cinema” inspired by Duel in the Sun’, Framework Summer issue; reprinted in L.Mulvey, Visual and Other Pleasures, Basingstoke, Macmillan.
199. Murdock, G. (1993) ‘Communications and the constitution of modernity’, Media, Culture and Society, vol. 15.
200. Murdock, G and Golding, P. (1977) ‘Capitalism, communication and class relations’, in J.Curran, M.Gurevitch and J.Woollacott (eds), Mass Communication and Society, London, Edward Arnold.
201. Nava, M. (1992) Changing Cultures, London, Sage.
202. Neale, S. (1980) Genre, London, British Film Institute.
203. Neale, S. (1985) Cinema and Technology, London, Macmillan.
204. Neale, S. (1990) ‘A question of genre’, Screen vol. 31, no. 1.
205. Orwell, G. (1957) Inside the Whale and Other Essays, Harmondsworth, Penguin.
206. Orwell, G. [1946] (1965) The Decline of the English Murder and Other Essays, Harmondsworth, Penguin.
207. Palmer, P. (1988) ‘The social nature of children’s television viewing’, in P.Drummond and R.Paterson (eds), Television and Its Audience, London, British Film Institute.
208. Palmer, P. (1991) Potboilers: Methods, Concepts and Case Studies in Popular Fiction, London and New York, Routledge.
209. Partington, A. (1991) ‘Melodrama’s gendered audience’, in S.Franklin, C.Lury and J.Stacey (eds), Off-centre: Feminism and Cultural Studies, London, HarperCollins.
210. Penley, C. (1988) ‘Introduction. The lady doesn’t vanish: Feminism and film theory’, in Feminism and Film Theory, New York and London, Routledge and the British Film Institute.
211. Pfeil, F. (1985) ‘Makin’ flippy-floppy: postmodernism and the baby-boom PMC’, in M.Davis (ed.), The Year Left: An American Socialist Yearbook 1985, London, Verso.
212. Portoghesi, P. (1982) After Modern Architecture, New York, Rizzoli.
213. Portoghesi, P. (1983) Postmodern Architecture, New York, Rizzoli.
214. Rabinow, P. (ed.) (1984) The Foucault Reader, London, Penguin.
215. Radway, J. (1987) Reading the Romance: Women, Patriarchy and Popular Literature, London, Verso.
216. Ransome, P. (1992) Antonio Gramsci: A New Introduction, New York and London, Harvester Wheatsheaf.
217. Reisman, D., Glazer, N. and Dewney, R. (1961) The Lonely Crowd: A Study of the Changing American Character, New Haven, Conn., Yale University Press (abridged edition).
218. Ritzer, G. (1992) Sociological Theory, New York, McGraw-Hill (third edition).
219. Robbins, D. (1991) The Work of Pierre Bourdieu, Milton Keynes, Open University Press.
220. Rosenberg, B. and White, D. (eds) (1957) Mass Culture, Glencoe, Ill., Free Press.
221. Ross, A. (1989) No Respect: Intellectuals and Popular Culture, New York and London, Routledge.
222. Ross Muir, A. (1988) ‘The status of women working in film and television’, in L.Gamman and M.Marshment (eds), The Female Gaze: Women as Viewers of Popular Culture, London, The Women’s Press.
223. Rylance, R. (1994) Roland Barthes, New York and London, Harvester Wheatsheaf.
224. Sansom, A. (1992) F.R.Leavis, New York and London, Harvester Wheatsheaf.
225. Sargent, L. (ed.) (1981) Women and Revolution: A Discussion of the Unhappy Marriage of Marxism and Feminism, London, Pluto Press.
226. Sarup, M. (1988) An Introductory Guide to Post-structuralism and Postmodernism, New York and London, Harvester Wheatsheaf.
227. Saussure, F.de (1974) Course in General Linguistics, London, Fontana (originally published in English in 1959).
228. Seaton, J. (1986) ‘Pornography annoys’, in J.Curran, J.Ecclestone, G. Oakley and A.Richardson (eds), Bending Reality: The State of the Media, London, Pluto Press.
229. Seiter, E. (1986) ‘The hegemony of leisure: Aaron Spelling presents Hotel’, in P.Drummond and R.Paterson (eds), Television in Transition, London, British Film Institute.
230. Shils, E. (1957) ‘Daydreams and nightmares: reflections on the criticism of mass culture’, The Sewanee Review vol. 65, no. 4.
231. Shils, E. (1962) ‘The theory of mass society’, Diogenes 39.
232. Simon, R. (1982) Gramsci’s Political Thought: An Introduction, London, Lawrence and Wishart.
233. Skeggs, B. (1993) ‘Two minute brother: contestation through gender, “race” and sexuality’, Innovation vol. 6, no. 3.
234. Skeggs, B. (1997) Formations of Class and Gender, London, Sage.
235. Slater, P. (1977) Origin and Significance of the Frankfurt School, London, Routledge and Kegan Paul.
236. Smart, B. (1983) Foucault, Marxism and Critique, London, Routledge and Kegan Paul.
237. Smart, B (1988) Michel Foucault, London, Routledge.
238. Spender, D. (1980) Man Made Language, London, Routledge and Kegan Paul.
239. Spender, D. (ed.) (1983) Feminist Theorists: Three Centuries of Key Women Thinkers, New York, Random House.
240. Sperber, D. (1979) ‘Claude Lévi-Strauss’, in J.Sturrock (ed.), Structuralism and Since, Oxford, Oxford University Press.
241. Sreberny-Mohammadi, A. (1991) ‘The global and the local in international communications’, in J.Curran and M.Gurevitch (eds), Mass Media and Society, London, Edward Arnold.
242. Stacey, J. (1994) Star Gazing: Hollywood Cinema and Female Spectatorship, London, Routledge.
243. Stam, R. (1988) ‘Mikhail Bakhtin and left cultural critique’, in E.Ann Kaplan (ed.), Postmodernism and Its Discontents, London and New York, Verso.
244. Stam, R. (1989) Subversive Pleasures: Bakhtin, Cultural Criticism and Film, Baltimore, Maryland, Johns Hopkins University Press.
245. Storey, J. (1993) An Introductory Guide to Cultural Theory and Popular Culture, Athens, Georgia, University of Georgia Press.
246. Storey, J. (2003) Inventing Popular Culture, Oxford, Blackwell.
247. Storey, J. (1997) An Introductory Guide to Cultural Theory and Popular Culture, London, Prentice Hall, Harvester Wheatsheaf (second edition).
248. Stratton, J. (1989) ‘Beyond art: postmodernism and the case of popular music’, Theory, Culture and Society vol. 6.
249. Strinati, D. (1992a) ‘The taste of America: Americanization and popular culture in Britain’, in D.Strinati and S.Wagg (eds), Come on Down? Popular Media Culture in Post-war Britain, London, Routledge.
250. Strinati, D. (1992b) ‘Postmodernism and popular culture’, Sociology Review vol. 1, no. 4.
251. Strinati, D. (1993) ‘The big nothing?: contemporary culture and the emergence of postmodernism’, Innovation vol. 6, no. 3.
252. Strinati, D and Wagg, S. (eds) (1992) Come On Down?: Popular Media Culture in Post-war Britain, London, Routledge.
253. Strinati, D (2000) An Introduction to Studying Popular Culture, London, Routledge.
254. Sturrock, J. (ed.) (1979) Structuralism and Since, Oxford, Oxford University Press.
255. Swingewood, A. (1977) The Myth of Mass Culture, London, Macmillan.
256. Swingewood, A (1991) A Short History of Sociological Thought, Basingstoke, Macmillan (second edition).
257. Thompson, J.B. (1990) Ideology and Modern Culture, Cambridge, Polity Press.
258. Tomlinson, J. (1991) Cultural Imperialism, London, Pinter Publishers.
259. Tuchman, G. (1981) ‘The symbolic annihilation of women by the mass media’, in S.Cohen and J.Young (eds), The Manufacture of News, London, Constable (revised edition).
260. Tuchman, G. Daniels, A.Kaplan and Benet, J. (eds) (1978) Hearth And Home: Images of Women in the Mass Media, New York, Oxford University Press.
261. Turner, B. (1992) ‘Ideology and utopia in the formation of an intelligentsia: reflections on the English cultural conduit’, Theory, Culture and Society vol. 9.
262. Turner, G. (1990) British Cultural Studies: An Introduction, Boston, Mass., Unwin Hyman.
263. Twitchell, J. (1992) Carnival Culture: The Trashing of Taste in America, New York, Columbia University Press.
264. Van Zoonen, L. (1991) ‘Feminist perspectives on the media’, in J. Curran and M.Gurevitch (eds), Mass Media and Society, London, Edward Arnold.
265. Venturi, R., Scott-Brown, D. and Izenhour, S. (1977) Learning from Las Vegas, Cambridge, Massachusetts Institute of Technology Press.
266. Walby, S. (1990) Theorizing Patriarchy, Oxford, Basil Blackwell.
267. Walkerdine, V. (1986) ‘Video replay: families, films and fantasy’, in V. Burgin, J.Donald and C.Kaplan (eds), Formations of Fantasy, London and New York, Methuen.
268. Webster, D. (1988) Looka Yonder: The Imaginary America of Populist Culture, London, Routledge.
269. White, J. (1986) The Worst Street in North London, London, Routledge and Kegan Paul.
270. Williams, R. (1963) Culture and Society 1780-1950, Harmondsworth, Penguin.
271. Williams, R. (1976) Keywords: A Vocabulary of Culture and Society, London, Fontana.
272. Williams, R. (1977) Marxism and Literature, Oxford and New York, Oxford University Press.
273. Williamson, J. (1978) Decoding Advertisements: Ideology and Meaning in Advertising, London and Boston, Marion Boyars.
274. Winship, J. (1981) ‘Woman becomes an “individual”—femininity and consumption in women’s magazines 1954-1969’, stencilled paper no. 65, Centre for Contemporary Cultural Studies, University of Birmingham, 1981.
275. Winship, J. (1992) ‘The impossibility of Best: enterprise meets domesticity in the practical women’s magazines of the 1980s’, in D.Strinati and S.Wagg (eds), Come On Down?: Popular Media Culture in Postwar Britain, London, Routledge.
276. Wolin, R. (1994) Walter Benjamin: An Aesthetic of Redemption, Berkeley and Los Angeles, University of California Press (second edition).
277. Wood, G. (1988) ‘Horror film’, in W.Gehring (ed.), Handbook of American Film Genres, New York, Greenwood Press.
278. Woollacott, J. (1982) ‘Messages and meanings’, in M.Gurevitch, T. Bennett, J.Curran and J.Woollacott (eds), Culture, Society and the Media, London, Methuen.
279. Worpole, K. (1983) Dockers and Detectives: Popular Reading, Popular Writing, London, Verso.
280. Wren-Lewis, J. (1983) ‘The encoding/decoding model: criticisms and redevelopments for research on decoding’, Media, Culture and Society vol. 5.
281. Wright, W. (1975) Six-guns and Society: A Structural Study of the Western, Berkeley, University of California Press.