Virtual Performer

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 1993, Pages 138-145

  Katayose, Haruhro ^a   Kanamori, Tsutomu ^a   Kamei, Katsuyuki ^a   Nagashima, Yoichi ^a   Sato, Kosuke ^a   Inokuchi, Seiji ^a   Simura, Satosi ^b  

^a Labs Image Info Sci and Technol   (Japan)

^b Osaka Univertiy of Arts ^*  (Japan)

Author keywords

[No Author keywords available]

Indexed keywords

MULTI AGENT SYSTEMS; MUSIC;

ACTION PLAN; KARAOKE SYSTEMS; MODEL-BASED OPC; MULTI AGENT; MULTI SENSOR; NON-VERBAL COMMUNICATIONS; REAL-TIME CONTROL; SENSOR MODULES; SYSTEM ENVIRONMENT;

COMPUTER MUSIC;

EID: 85136969738     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (13)

1. L.Chadabe. Interactive Composing. Proc. ICMC, pp.298-306, 1983.
2. Joe Chung et al. Adevelopement environment for string hyperinstrument. Proc. ICMC, pp.150-152. 1991.
3. D. Zeltzer. Autonomy, Interaction and Presence. MIT Media Lab, MA, 1991.
4. Roger Dannenberg. An On-Line Algorithm for Real-Time Accompaniment.Proc. ICMC, pp.193-198, 1984.
5. Wataru Inoue et al. Automated Accompaniment System for singing. Proc. of Summer Symposium'92, pp79-82, JMACS, (in Japanese) 1992.
6. T. Kanamori, H. Katayose, S. Shimura, and S. Inokuchi. Gesture Sensor in Virtual Perofrmer. Proc. ICMC, 1993.
7. H. Katayose and Seiji Inokuchi. Kansei Music System. CMJ, 13(4), pp.72-77, 1990.
8. Tod Machover and Joe Chung. Hyperinstrument: musically intelligent and interactive performacne and creativity systems. Proc. ICMC pp.186-190, 1989.
9. Robert Rowe. Machine Listening and Composing with Cypher. CMJ, 16(1), 1992.
10. Miller Puckette. The Patcher. ProcICMC, pp420-429, 1988.
11. N. Takeuchi, H. Katayose and S. Inokuchi. Virtual Performer: Adaptive KARAOKE system. Proc. 46th Annual Conference, IPSJ, vol 2, pp. 147-148 (in Japanese), 1993.
12. Sanae Wake et al. The session System Reacting to the Sentiment of Player. Proc. of Summer Symposium'92, pp.43-46, JMACS, (in Japanese) 1992.
13. Barry Vercoe. The Synthetic Performer in the Context of Live Performance.Proc. ICMC, pp.199-200, 1984.