To see or not to see: conflicting eyes in the travel art of Augustus Earle

Orientalism Transposed The Impact of the Colonies on British Culture

Volumn , Issue , 2018, Pages 117-139

  Bell, Leonard ^a  

^a UNIVERSITY OF AUCKLAND   (New Zealand)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85133105384     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780429426667-6     Document Type: Chapter

References (43)

1. W.J.T. Mitchell, ‘Imperial Landscape’, in Mitchell, ed., Landscape and Power (Chicago: University of Chicago Press, 1994): 24-7.
2. Michael Jacobs, The Painted Voyage: Art, Travel and Exploration 1564-1875 (London: British Museum Press, 1995): 101, 133.
3. Harold Spencer, ‘Augustus Earle: A Study of Early Nineteenth Century Travel Art and its Place in English Landscape and Genre Traditions’ (Harvard): PhD thesis, 1967.
4. Eric McCormick, Introductory essay and annotations in Augustus Earle, Narrative of a Nine Months’ Residence in New Zealand and Journal of a Residence in Tristan da Cunha (London: OUP, 1966).
5. Anthony Murray-Oliver, Augustus Earle in New Zealand (Christchurch: Whitcombe & Tombs, 1968).
6. Jocelyn Hackforth-Jones, Augustus Earle: Travel Artist (Martinborough, New Zealand: Alister Taylor, 1980).
7. Augustus Earle, Narrative of a Nine Months’ Residence in New Zealand in 1827, together with a Journal of Residence in Tristan da Cunha, an Island situated between South America and the Cape of Good Hope (London: Longman, Rees, Orme, Brown, Green and Longman, 1832): 339, 289.
8. Linda Nochlin, ‘The Imaginary Orient’, Art in America, May 1983: 118-31, 186-90.
9. Rani Kabbani, Europe’s Myths of Orient: devise and rule (London: Macmillan, 1986).
10. Griselda Pollock, Avant-Garde Gambits: Gender and the Colour of Art History (London: Thames and Hudson, 1992).
11. John Mackenzie’s Orientalism: History, Theory and the Arts (Manchester: Manchester University Press, 1995).
12. Leonard Bell, ‘Augustus Earle’s The Meeting of the Artist and the Wounded Chief, Hongi, Bay of Islands, New Zealand, 1827.
13. Jonathan Lamb, Bridget Orr and Alex Calder, eds, Voyages and Beaches: Europe and the Pacific 1769-1840 (Honolulu: University of Hawaii Press, forthcoming).
14. J.R. Abbey, Travel in Aquatint and Lithography 1770-1860: From the Library of J.R. Abbey (London: Dawsons, 1972)
15. Barbara Stafford, Voyage into Substance: art, science, nature and the illustrated travel account 1768-1840 (Cambridge, Mass: MIT Press, 1984).
16. Nochlin, The Imaginary Orient’; Albert Boime, The Magisterial Gaze: Manifest Destiny and American Landscape Painting c. 1830-1865 (Washington and London: Smithsonian Institution Press, 1991).
17. Alan Wallach, ‘Making a Picture of a View from Mount Holyoke’, in David Miller, ed., American Iconology (New Haven and London: Yale UP, 1993): 80-91.
18. Timothy Mitchell, ‘Orientalism and the Exhibitionary Other’, in Nicholas Dirks, ed., Colonialism and Culture (Ann Arbor: University of Michigan Press, 1992): 289-317.
19. Mary Louise Pratt, ‘Scratches on the Face of the Country or, What Mr Barrow saw in the Land of the Bushmen’, Critical Inquiry 12, 1 (1985): 124.
20. Pratt, Imperial Eyes: Travel Writing and Transculturation (London and New York: Routledge, 1992):59.
21. Michel Foucault, ‘The Eye of Power’, in Power/Knozoledge: Selected Interviews and Other Writings iq y z -jj (Brighton: The Harvester Press, 1977): 52.
22. Angela Miller, The Empire of the Eye: Landscape Representation and American Cultural Politics, 1825-J5 (Ithaca and London: Cornell UP, 1993): 39-49.
23. Nicholas Chevalier: The Fortunes and Functions of his Paintings’, Art New Zealand 44 (1987): 78-81.
24. Nicholas Chevalier’s Journey through Canterbury in 1866: Contexts and Connections’, Bulletin of New Zealand Art History 14 (1993): 97-106.
25. Marion Minson, Encounter with Eden: New Zealand ijjo - i Sjo: Paintings and Drawings from the Rex Nan Kivell Collection, National Library of Australia (Wellington: National Library of New Zealand, 1990): 28
26. Alex Calder, ‘Maning’s Tapu: Colonialism and Ethnography in New Zealand’, Social Analysis 38 (1996): 14.
27. Andrew Wilton, Turner and the Sublime (London: British Museum Publications, 1980).
28. Peter Bicknell, Beauty, Horror and Immensity: Picturesque Landscape in Britain (Cambridge: Cambridge UP, 1981).
29. James Twitchell, Romantic Horizons: Aspects of the Sublime in English Poetry and Painting (Columbia: University of Missouri Press, 1983).
30. Simon Schama, Landscape and Memory (London: Fontana, 1996).
31. George Kahrl, Tobias Smollett: Traveller-Novelist (Chicago: University of Chicago Press, 1945).
32. John Skinner, Constructions of Smollett: A Study in Genre and Gender (Newark and London: University of Delaware Press and Associated University Presses, 1996): 18-24.
33. Mikhail Bakhtin, Problems of Dostoyevsky’s Poetics (Minneapolis: University of Minnesota Press, 1984): 193.
34. Linda Hutcheon, A Theory of Parody: The Teachings of Twentieth Century Art Forms (London: Methuen, 1985): 32ft.
35. Hackforth-Jones, Augustus Earle: 17, interprets Solitude simply in terms of ‘Romantic melancholy, in which “castaway” subject matter and expressions of gloom and solitude… were popular themes’.
36. Gustave Flaubert, ‘Dictionary of Received Ideas’ [compiled from 1850], in Bouvard and Pécuchet (Harmondsworth: Penguin, 1976): 325.
37. Paul Auster, The Invention of Solitude (London and Boston: Faber and Faber, 1988): 166.
38. Alan Frost, ‘New South Wales as a Terra Nullius: The British Denial of Aboriginal Land Rights’, Historical Studies 19, 77 (1981): 513-23.
39. Henry Reynolds, Frontier: Aborigines, Settlers and Land (Sydney: Allen & Unwin, 1987) and Law of the Land (Ringwood, Victoria: Penguin, 1987).
40. Tim Bonyhady, Images in Opposition: Australian Landscape Painting 1801-1890 (Melbourne: OUP, 1985): Bell, Colonial Constructs: European Images of Maori 1840-1914 (Auckland and Melbourne: Auckland UP and Melbourne UP, 1992).
41. David Bunn, ‘“Our Wattled Cot”: Mercantile and Domestic Space in Thomas Pringle’s African Landscapes’, in Mitchell, ed., Landscape and Power: 127-74.
42. David James, ‘An English Painter in First Empire Brazil, with a catalogue of the Brazilian works of Augustus Earle’ (trans. G. Brodsky), Revista do patrimonio Historico ed Artistico Nacional 12 (Rio de Janeiro, 1955).
43. Hugh Honour, The Image of the Black in Western Art: From the American Revolution to World War One, Part One (Houston: Meril Foundation, 1989).