The making of authorships: Transversal navigation in the wake of Hamlet Robert Wilson, Wolfgang Wiens, and Shakespace

Shakespeare After Mass Media

Volumn , Issue , 2016, Pages 265-286

  Hopkins, D J ^a   Reynolds, Bryan ^b  

^a UNIVERSITY OF CALIFORNIA   (United States)

^b UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85125005836     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (19)

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2. Barthes, Roland. 1977. "From Work To Text." In Image-Music-Text. Trans, by Stephen Heath. New York: Hill and Wang, 155-164.
3. Eagleton, Terry. 1983. Literary Theory. Minneapolis: Univ. of Minnesota Press.
4. Foucault, Michel. 1979. "What Is an Author?" In Textual Strategies: Perspectives in Post-structuralist Criticism. Ed. and Trans, by Josué V. Hararı. Ithaca, NY: Cornell Univ. Press, 141-160.
5. Hamlet, Alley Theatre. 1995. Program. Ed. by Gregory Boyd and Valdemar Zialcita. Alley Theatre, Houston, TX. May.
6. Hamlet: A Monologue. 1995. Dir. Robert Wilson. Lincoln Center, New York City. 6-8 July.
7. Hamlet: A Monologue. 1995. Adapted by Robert Wilson and Wolfgang Wiens. Second version. Byrd Hoffman Foundation, New York City.
8. Hamlet, The First Quarto. [1603] 1998. William Shakespeare. Ed. by Kathleen O. Irace. New York: Cambridge Univ. Press.
9. Hamlet, The Second Quarto [1604-1605] 1964. William Shakespeare. Facsimile reproduction. Ed. by Charlton Hinman. Oxford: Clarendon Press.
10. Hedrick, Don and Bryan Reynolds. 2000. "Shakespace and Transversal Power." In Shakespeare Without Class: Misappropriations of Cultural Capital. New York: St. Martin's Press, 3-47.
11. Kessel, Marion, dir. The Making of a Monologue: Robert WilsonsHamlet. 1995. Documentary video. Arts Alive!/Alley Theatre.
12. Maguire, Laurie E. 1996. Shakespearean Suspect Texts. New York: Cambridge Univ. Press.
13. The Making of a Monologue: Robert Wilsons Hamlet. 1995. Documentary video. Dir. Marion Kessel. Arts Alive!/Alley Theatre.
14. Marcus, Leah. 1996. Unediting the Renaissance. New York: Routledge.
15. Reynolds, Bryan. 1997. "The Devil's House, Or worse': Transversal Power and An-titheatrical Discourse in Early Modern England." Theatre Journal A3, 142-67.
16. Reynolds, Bryan. 2001. Becoming Criminal: Transversal Theater and Cultural Dissidence in Early Modern England. Baltimore: Johns Hopkins Univ. Press.
17. Reynolds, Bryan and Joseph Fitzpatrick. 1999. "The Transversality of Michel de Certeau: Foucault's Panoptic Discourse and the Cartographic Impulse." Diacritics 29: 3, 63-80.
18. Rouse, John. 1992. "Textuality and Authority in Theater and Drama: Some Contemporary Possibilities." Critical Theory and Performance. Ed. by Janelle G. Reinelt and Joseph R. Roach. Ann Arbor: Univ. of Michigan Press, 146-157.
19. Worthen, W. B. 1998. "Drama, Performativity, and Performance." PMLA 113(October): 1093-1107.