Suspense and disorientation: Two poles of emotionally charged literary uncertainty

Suspense: Conceptualizations, Theoretical Analyses, and Empirical Explorations

Volumn , Issue , 2013, Pages 189-197

  Cupchik, Gerald C ^a  

^a UNIVERSITY OF TORONTO   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85121598657     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (21)

1. Berlyne, D. E. (1960). Conflict, arousal, and curiosity. New York: McGraw-Hill.
2. Berlyne, D. E. (1971). Aesthetics and psychobiology. New York: Appleton-Century-Crofts.
3. Brewer, W. F., & Lichtenstein, E. H. (1981). Event schemas, story schemas, and story grammars. In C. R. Cooper (Ed.), Attention and performance IX (pp. 363-379). Hillsdale, NJ: Lawrence Erlbaum Associates.
4. Cohen, J. (1966). Subjective time. In J. T. Fraser (Ed.), The voices of time (pp. 257-275). New York: George Braziller.
5. Cupchik, G. C. (1995). Emotion in aesthetics: Reactive and reflective models. Poetics, 23, 177-188.
6. Cupchik, G. C., & Laszlo, J. (1994). The landscape of time in literary reception: Character experience and narrative action. Cognition and Emotion, 8, 297-312.
7. Cupchik, G. C., & Winston, A. S. (1992). Reflection and reaction: A dual-process analysis of emotional responses to art. In L. Y. Dorfman, D. A. Leontiev, V. M. Petrov, & V. A. Sozinov (Eds.), Art and emotions (Vol. 2, pp. 65-72). Perm, CIS: The Perm State Institute of Culture.
8. de Wied, M. (1991). The role of time structures in the experience offilm suspense and duration. Unpublished doctoral dissertation, University of Amsterdam.
9. de Wied, M. (1995). The role of temporal expectancies in the production of film suspense. Poetics, 23, 107-123.
10. Flavell, J. H. (1963). The developmental psychology of Jean Piaget. New York: Van Nostrand.
11. Iser, W. (1978). The act of reading. Baltimore: Johns Hopkins University.
12. Izard, C. E. (1971). The face of emotion. New York: Appleton-Century-Crofts.
13. Kreitler, H., & Kreitler, S. (1972). The psychology of the arts. Durham, NC: Duke University Press.
14. Miller, N. E. (1971). Collected papers. New York: Aldine Atherton.
15. Schmidt, S. J. (1982). Foundations for the empirical science of literature. Hamburg, Germany: Buske.
16. Sternberg, M. (1978). Expositional modes and temporal ordering infiction. Baltimore: Johns Hopkins University Press.
17. Stutterheim, C. F. P. (1966). Time in language and literature. In J. T. Fraser (Ed.), The voices of time (pp. 163-179). New York: George Braziller.
18. The Oxford English Dictionary (2nd ed.). (1989). London: Clarendon.
19. Truffaut, F. (1967). Hitchcock. New York: Simon & Schuster.
20. Vorderer, P. (1993). Audience involvement and program loyalty. Poetics, 22, 89-98.
21. Winston, A. S. (1992). Sweetness and light: Psychological aesthetics and sentimental art. In G. C. Cupchik & J. Laszlo (Eds.), Emerging visions: Contemporary approaches to the aesthetic process (pp. 118-136). New York: Cambridge University Press.