The poetics of healing in malay shamanistic performances

The Performance of Healing

Volumn , Issue , 2016, Pages 115-141

  Laderman, Carol ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85121191257     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781315538860-5     Document Type: Chapter

References (26)

1. Basso, Ellen. 1984. A Musical View of the Universe: Kalopalo Myth and Ritual Performances. Philadelphia: University of Pennsylvania Press.
2. Bauman, Richard. [1977] 1984. Verbal Art as Performance. Prospect Heights, III.: Waveland Press.
3. Blacking, J. 1985. The Context of Venda Possession Music: Reflection on the Effectiveness of Symbols. Yearbook of Traditional Music 17:64-87.
4. Epton, Nina. 1966. Sumarah and the Ghostly Sultan. In Trances, ed. Stuatt Wavell, Audrey Butt, and Nina Epton. London: George Allen & Unwin, Ltd.
5. Erringron, Shelly. 1975. A Study of Genre: Meaning and Form in the Malay Hikayat Hang Tuah. Ph.D. diss., Dept. of Anthropology, Cornell University.
6. Freeman, Derek. 1970. Report on the Iban. New York: Athlone Press.
7. Ghulam-Sarwar Yousof. 1976. The Kelantan “Mak Yong” Dance Theatre: A Study of Performance Srructure. Ph.d. diss., Dept. of Drama and Theatre, University of Hawaii.
8. Kapferer, Bruce. 1983. A Celebration of Demons: Exorcism and the Aesthetics of Healing in Sri Lanka. Bloomington: Indiana University Press.
9. Kessler, Clive S. 1977. Conflict and Sovereignty in Spirit Seances. In Case Studies in Spirit Possession, ed. V. Crapanzano and V. Garrison. New York: John Wiley & Sons.
10. Laderman, Carol. 1981. Symbolic and Empirical Reality: A New Approach to the Analysis of Food Avoidances. American Ethnologist 9 (3):468-493.
11. Laderman, Carol. 1983. Wives and Midwives: Childbirth and Nutrition in Rural Malaysia. Berkeley, Los Angeles, London: University of California Press.
12. Laderman, Carol. 1988. Wayward Winds: Malay Shamanism and Theory of Personality. Social Science & Medicine 21 (8):799-810.
13. Laderman, Carol. 1991. Taming the Wind of Desire: Psychology, Medicine, and Aesthetics in Malay Shamanistic Performance. Berkeley, Los Angeles, London: University of California Press.
14. Lex, Barbara. 1979. The Neurobiology of Ritual Trance. In The Spectrum of Ritual: A Biogenetic Structural Analysis, ed. E. G. d’Aquila, C. D. Laughlin, Jr., and J. McManus. New York: Columbia University Press.
15. Lord, Albert. [1960] 1976. The Singer of Tales. New York: Athenaeum.
16. Matusky, Patricia Ann. 1988. Music in the Malay Shadow Puppet Theater. Ph.D. diss. Dept. of Music, University of Michigan.
17. Mohd. Taib Osman. 1976. The Bomoh and the Practice of Malay Medicine. The South-East Asian Review 1 (1): 16-26.
18. Needham, Rodney. 1967. Percussion and Transition. Man 11:606-614.
19. Neher, A. 1962. A Physiological Explanation of Unusual Behavior in Ceremonies Involving Drums. Human Biology 34:151-161.
20. Roseman, Marina. 1986. Sound in Ceremony: Power and Performance in Temiar Curing Ritual. Ph.D. diss., Dept. of Anthropology, Cornell Univetsity.
21. Roseman, Marina. 1988. The Pragmatics of Aesthetics: The Performance of Healing among Senoi Emiar. Social Science & Medicine 21 (8):811-818.
22. Rouget, Gilbert. 1980. Music and Trance: A Theory of the Relations between Music and Possession. Chicago: University of Chicago Press.
23. Siegel, James. 1979. Shadow and Sound: The Historical Thought of a Sumatran People. Chicago: University of Chicago Press.
24. Sweeney, P. L. Amin. 1972. The Ramayana and the Malay Shadow-Play. Kuala Lumpur: The National University of Malaysia Ptess.
25. Sweeney, P. L. Amin. 1987. A Full Hearing: Orality and Literacy in the Malay World. Berkeley, Los Angeles, London: University of California Press.
26. Zurbuchen, Mary S. 1987. The Language of Balinese Shadow Theater. Princeron: Princeron University Press.