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Volumn , Issue , 2020, Pages 275-286

Touch in the museum

(1)  Classen, Constance a  

a NONE

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EID: 85119230542     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781003135463-37     Document Type: Chapter
Times cited : (46)

References (29)
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    • Skulls, Mummies and Unicorns’ Horns: Medicinal Chemistry in Early English Museums
    • R.G.W. Anderson, M.L. Caygill, A.G. MacGegor and L. Syson (eds), London: The British Museum Press
    • Arnold, K. (2003), “Skulls, Mummies and Unicorns’ Horns: Medicinal Chemistry in Early English Museums, " in R.G.W. Anderson, M.L. Caygill, A.G. MacGegor and L. Syson (eds) Enlightening the British: Knowledge, Discovery and the Museum in the Eighteenth Century, London: The British Museum Press.
    • (2003) Enlightening the British: Knowledge, Discovery and the Museum in the Eighteenth Century
    • Arnold, K.1
  • 4
    • 85044979983 scopus 로고    scopus 로고
    • Don’t Touch! Hands Off! Art, Blindness and the Conservation of Expertise
    • Candlin, F. (2004), “Don’t Touch! Hands Off! Art, Blindness and the Conservation of Expertise, " Body and Society, 10(1): 71-90.
    • (2004) Body and Society , vol.10 , Issue.1 , pp. 71-90
    • Candlin, F.1
  • 5
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    • ed. A. Blunt and G.C. Bauer, trans. M. Corbett, Princeton NJ: Princeton University Press
    • Chantelou, P. Fréart de (1985), Diary of Cavaliere Bernini’s Visit to France, ed. A. Blunt and G.C. Bauer, trans. M. Corbett, Princeton NJ: Princeton University Press.
    • (1985) Diary of Cavaliere Bernini’s Visit to France
    • Chantelou, P.F.D.1
  • 7
    • 34447566196 scopus 로고    scopus 로고
    • The Senses
    • P. Stearns (ed.), New York: Charles Scribner’s Sons
    • Classen, C. (2001), “The Senses, " in P. Stearns (ed.), Encyclopedia of European Social History, vol. 4, New York: Charles Scribner’s Sons, pp. 353-64.
    • (2001) Encyclopedia of European Social History , vol.4 , pp. 353-364
    • Classen, C.1
  • 8
    • 77049102265 scopus 로고    scopus 로고
    • The Touch of the Blind Man: The Phenomenology of Vividness in Italian Renaissance Art
    • E.D. Harvey (ed.), Philadelphia PA: University of Pennsylvania Press
    • Cranston, J. (2003), “The Touch of the Blind Man: The Phenomenology of Vividness in Italian Renaissance Art, " in E.D. Harvey (ed.), Sensible Flesh: On Touch in Early Modern Culture, Philadelphia PA: University of Pennsylvania Press, pp. 224-42.
    • (2003) Sensible Flesh: On Touch in Early Modern Culture , pp. 224-242
    • Cranston, J.1
  • 12
    • 0007669367 scopus 로고
    • ed. E.S. de Beer, Oxford: Clarendon Press
    • Evelyn, J. (1955), The Diary of John Evelyn, ed. E.S. de Beer, vol. 2, Oxford: Clarendon Press.
    • (1955) The Diary of John Evelyn , vol.2
    • Evelyn, J.1
  • 18
    • 0347796046 scopus 로고
    • trans. C. Williams, London: Jonathan Cape
    • La Roche, S. de (1933), Sophie in London, trans. C. Williams, London: Jonathan Cape.
    • (1933) Sophie in London
    • La Roche, S.D.1
  • 21
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    • Coleridge’s Views on Touch and Other Senses
    • Modiano, R. (1982), “Coleridge’s Views on Touch and Other Senses, " Bulletin of Research in the Humanities, 81: 28-41.
    • (1982) Bulletin of Research in the Humanities , vol.81 , pp. 28-41
    • Modiano, R.1
  • 23
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    • trans. W.F. Harvey, London: Sands & Co
    • Nyrop, C. (1901), The Kiss and Its History, trans. W.F. Harvey, London: Sands & Co.
    • (1901) The Kiss and Its History
    • Nyrop, C.1
  • 26
    • 0012311885 scopus 로고    scopus 로고
    • Prologue: From the Museum of Touch
    • M. Kwint, C. Breward andJ. Aynsley (eds), Oxford: Berg
    • Stewart, S. (1999), “Prologue: From the Museum of Touch, " in M. Kwint, C. Breward andJ. Aynsley (eds), Material Memories, Oxford: Berg, pp. 17-36.
    • (1999) Material Memories , pp. 17-36
    • Stewart, S.1
  • 29
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    • Presence and Absence: On Leonardo da Vinci’s Saint John the Baptist
    • C. Farago and R. Zwijinenberg (eds), Minneapolis: University of Minnesota Press
    • Zwijnenberg, R. (2003), “Presence and Absence: On Leonardo da Vinci’s Saint John the Baptist, " in C. Farago and R. Zwijinenberg (eds), Compelling Visuality: The Work of Art in and out of History, Minneapolis: University of Minnesota Press, pp. 112-31.
    • (2003) Compelling Visuality: The Work of Art in and out of History , pp. 112-131
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