‘The Uncanny Structure of Cultural Difference’ in the Sculpture of Anish Kapoor

Gothic Studies

Volumn 5, Issue 2, 2003, Pages 81-96

  Teverson, Andrew ^a  

^a UNIVERSITY OF LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85119165676     PISSN: 13627937     EISSN: 2050456X     Source Type: Journal    
DOI: 10.7227/GS.5.2.7     Document Type: Article

References (18)

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2. Bhabha, Homi, ‘DissemiNation: Time, Narrative and the Margins of the Modern Nation’ in The Location of Culture (London: Routledge, 1994), pp. 139–70.
3. Bhabha, Homi, ‘Anish Kapoor: Making Emptiness,’ in Anon., Anish Kapoor (London: Hayward Gallery and University of California Press, 1998), pp. 11–41.
4. Borges, Jorge Luis, Seven Nights, trans. Eliot Weinberger (New York: New Directions, 1984).
5. Caiger-Smith, Martin, Exhibition Booklet (London: Hayward Gallery, 1998).
6. Celant, Germano, Anish Kapoor (London: Thames and Hudson, 1996).
7. Hayward Gallery, Anish Kapoor Information Pack (Unpublished, 1998).
8. Kant, Immanuel, The Critique of Judgement, trans. James Creed Meredith (Oxford: Clarendon Press, 1952).
9. Kapoor, Anish, and Homi Bhabha, ‘A Conversation’, Exhibition Catalogue to Anish Kapoor (Tel Aviv: Tel Aviv Museum of Art, 1993), pp. 76–55.
10. Lyotard, Jean-François, The Differend: Phrases in Dispute, trans. Georges Van Den Abbeele (Manchester: Manchester University Press, 1988).
11. Lyotard, Jean-François, ‘The Sublime and the Avant-Garde’, The Lyotard Reader, ed. Andrew Benjamin (Oxford: Blackwell, 1989), pp. 196–211.
12. Lyotard, Jean-François, ‘Answering the Question: What is Postmodernism?’, trans. Régis Durand, in The Postmodern Condition: A Report on Knowledge, trans. Geoff Bennington and Brian Massumi (Manchester: Manchester University Press, 1984), p. 71–82.
13. Macdonald, Marianne, ‘Anish Kapoor: The Colour Issue’, The Observer Life Magazine, 12 April 1998, p. 4.
14. Maxwell, Douglas, ‘Anish Kapoor Interviewed’, Art Monthly, May 1990, pp. 6–12.
15. Meer, Ameena, ‘Anish Kapoor’, Bomb, 30 (1989–90), 38.
16. Mishra, Vijay, The Gothic Sublime (New York: State University of New York Press, 1994).
17. Newman, Barnett, ‘The Sublime is Now’ in Art in Theory 1900–1990, eds Charles Harrison and Paul Wood (Oxford: Blackwell, 1992), pp. 572–74.
18. Tazzi, Pier Luigi, ‘Journey’ in Anon., Anish Kapoor (London: Hayward Gallery and University of California Press, 1998), pp. 104–13.