Authenticity, the media and heritage tourism: Robin Hood and Brother Cadfael as midlands tourist magnets

Culture, Heritage and Representation: Perspectives on Visuality and the Past

Volumn , Issue , 2016, Pages 145-154

  Jones, Roy ^a  

^a CURTIN UNIVERSITY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85109238654     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781315258683-21     Document Type: Chapter

References (11)

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3. Dobson, R.B. and Taylor, J. (1972), ‘The Medieval Origins of the Robin Hood Legend: A Reassessment’, Northern History 7, 1-30.
4. Eco, U. (1986), Travels in Hyperreality: Essays. (San Diego: Harcourt Brace Jovanovich).
5. Hobsbawm, E. (2001), Bandits. (London: Abacus).
6. Lennon, J. and Foley, M. (2000), Dark Tourism. (London: Continuum).
7. MacCannell, D. (1999), The Tourist: A New Theory of the Leisure Class. (Berkeley: University of California Press).
8. McGreevy, P. (1991), ‘Review of A.J. Lamme III, America’s Historic Landscapes: Community Power and the Preservation of Four National Historic Sites’, Environment and Planning A 23(9), 1377-8.
9. Mordue, T. (1999), ‘“Heartbeat Country”: Conflicting Values, Coinciding Visions’, Environment and Planning A 31(4), 629-46.
10. Schama, S. (1995), Landscape and Memory. (London: Random House).
11. Selwyn, T. (1996), ‘Introduction’, in T. Selwyn (ed.) The Tourist Image: Myths and Myth Making in Tourism, 1-32. (Chichester: Wiley).