Paul Virilio

Paul Virilio

Volumn , Issue , 2007, Pages 1-139

  James, Ian ^a  

^a UNIVERSITY OF CAMBRIDGE   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85108598930     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203007631     Document Type: Book

References (80)

1. Virilio, P. (1986) Speed and Politics, trans. M. Polizzotti, New York: Semiotext(e). Published originally in 1977, Virilio’s first work examining the impact of speed on politics throughout history is a key point of departure for his later work.
2. Virilio, P. (1989) War and Cinema, trans. P. Camiller, London: Verso. Examines the interrelation of photographic and cinematic technology on the waging of war from the First World War onwards.
3. Virilio, P. (1990) Popular Defense and Ecological Struggles, trans. M. Polizzotti, New York: Semiotext(e). Here Virilio deals with the origins of warfare and of military space and also examines the way in which social space and political struggle are shaped by vectors of speed and modes of transport.
4. Virilio, P. (1991a) The Lost Dimension, trans. D. Moshenberg, New York: Semiotext(e). Published originally in 1984 as L’Espace critique, this is Virilio’s major work on the transformation of space brought about by modern transport and communications.
5. Virilio, P. (1991b) The Aesthetics of Disappearance, trans. P. Beitchman, New York: Semiotext(e). Dating from 1980, this work is the first to introduce this key notion in Virilio’s thinking. In particular it gives an account of the transformation of perceptual modes brought about by cinema.
6. Virilio, P. (1993) L’Insécurité du territoire, second edition, Paris: Galilée. This work extends Virilio’s analysis of Bunker Archeology and develops key political concepts such as ‘total peace’.
7. Virilio, P. (1994a) Bunker Archeology, trans. G. Collins, New York: Princeton Architectural Press. Virilio incorporates his own photographs of the Atlantic Second World War bunkers in this founding analysis of the relation between military and political space.
8. Virilio, P. (1994b) The Vision Machine, trans. J. Rose, London: British Film Institute. This is an extended account of the impact of modern visual media on individual perception and collective experience.
9. Virilio, P. (1995) The Art of the Motor, trans. J. Rose, Minneapolis MN: University of Minnesota Press. Virilio gives an account of the impact of modern visual media on perception and aesthetic forms.
10. Virilio, P. (1997a) Open Sky, trans. J. Rose, London: Verso. Virilio continues his account of the modern media, their impact on the organization of space and the becoming virtual of experience.
11. Virilio, P. (2000a) The Information Bomb, trans. C. Turner, London: Verso. In this work Virilio extends his account of the impact of digital media and communication on social forms.
12. Virilio, P. (2000b) A Landscape of Events, trans. J. Rose, Cambridge MA: MIT Press. In this work Virilio argues that modern technology has changed the way in which events occur and historical temporality unfolds.
13. Virilio, P. (2000c) Strategy of Deception, trans. C. Turner, London: Verso. Virilio extends the account of contemporary warfare developed initially in Desert Screen.
14. Virilio, P. (2000d) Polar Inertia, trans. P. Camiller, London: Sage. This is the key work in which Virilio introduces concepts such as light-time and in which he suggests that modern technologies of speed and electronic viewing risk reducing us to a state of immobility and incarceration.
15. Virilio, P. (2002) Ground Zero, trans. C. Turner, London: Verso. In this work Virilio extends his account of chronopolitcs, contemporary warfare and technocratic culture and social organization.
16. Virilio, P. (2003a) Unknown Quantity, London: Thames and Hudson. This is a catalogue which accompanied an exhibition by Virilio held at the Fondation Cartier in Paris in which his theory of the accident is developed.
17. Virilio, P. (2003b) Art and Fear, trans. J. Rose, London: Continuum. In this work Virilio offers an extended polemic against the state of contemporary art.
18. Virilio, P. (2005a) Negative Horizon, trans. M. Degener, London: Continuum. A major work by Virilio which, develops all the major themes and concerns of his thinking.
19. Virilio, P. (2005b) City of Panic, trans. J. Rose, Oxford: Berg. Virilio continues his critique of modern warfare and ‘infowar’; he also develops further his thinking about global strategic space and the impact of speed on the ecology of space.
20. Virilio, P. (2005c) L’Accident originel, Paris: Galilée. Here Virilio develops further his theory of the accident.
21. Virilio, P. (2005d) L’Art à perte de vue, Paris. Galilée. In this volume Virilio continues his meditation on contemporary art.
22. Virilio, P. (2005e) Desert Screen: War at the Speed of Light, trans. M. Degener, London: Continuum. This is Virilio’s groundbreaking critique of the first Gulf war, taken by many to be a critical analysis of postmodern warfare.
23. Virilio, P. and Parent, C. (1996) Architecture Principe 1966 et 1996, Paris: Éditions de l’imprimeur. This volume collects all the issues of this key avant-garde architectural journal of the 1960s, on which Virilio collaborated with Claude Parent. It also includes material giving a retrospective perspective on the work of the review.
24. Virilio, P. and Parent, C. (1999) The Function of the Oblique: The Architecture of Claude Parent and Paul Virilio 1963-1969, trans. P. Johnston, London: Architectural Association. This is an account of the theoretical perspective developed by Virilio in his collaboration with Parent.
25. Virilio is a highly prolific giver of interviews. Listed below are the those interviews he has given which have been gathered into full-length volumes. For a full bibliographical list of Virilio’s interviews in French and English see Armitage’s Virilio Live listed below (Armitage 2001: 205-6, 209-11).
26. Armitage, J. (2001) Virilio Live: Selected Interviews, London: Sage. A collection of interviews with a number of different interlocutors.
27. Virilio, P. (1997b) Voyage d’hiver, Marseille: Éditions Paranthèses. A series of interviews with Marianne Brausch touching on questions of urbanism and architecture.
28. Virilio, P. (1999) The Politics of the Very Worst, trans. M. Cavaliere and S. Lotringer, New York: Semiotext(e). Virilio discusses technology and politics with Philippe Petit.
29. Virilio, P. and Baj, E. (2003) Discours sur l’horreur de l’art, Lyon: Atelier de création libertaire. Virilio discusses art with the Italian anarchist and avantgarde artist, Enrico Baj.
30. Virilio, P. and Lotringer, S. (1997) Pure War, trans. B. O’Keefe, second edition, New York: Semiotext(e). Virilio develops this key concept in discussion with Sylvère Lotringer.
31. Virilio, P. and Lotringer, S. (2002) Crepuscular Dawn, trans. M. Taormina, New York: Semiotext(e). Virilio develops his thinking about biotechnology in his discussion with Lotringer.
32. Virilio, P. and Lotringer, S. (2005) The Accident of Art, London: Semiotext(e). Virilio continues his discourse on modern art and the question of the accident in these interviews.
33. Armitage, J., ed. (2000) Paul Virilio: From Modernism to Hypermodernism and Beyond, London: Sage. A valuable collection of critical essays on Virilio covering all the major aspects of his work.
34. Der Derian, J. ed. (1998) The Virilio Reader, Oxford: Blackwell. An excellent collection of introductory readings of Virilio.
35. Redhead, S. (2004a) Paul Virilio: Theorist for an Accelerated Culture, Edinburgh: Edinburgh University Press. The first single-author, full-length work to be published on Virilio in English.
36. Redhead, S. (2004b) The Paul Virilio Reader, Edinburgh: Edinburgh University Press. The second volume of introductory readings on Virilio to be published in English.
37. Apollonio, U. (1973) Futurist Manifestos, trans. R. Brain et al., Boston MA: MFA Publications.
38. Baudrillard, J. (1995) The Gulf War did not Take Place, trans. P. Patton, Sydney: Power Publications.
39. Benjamin, W. (1974) Illuminations, trans. H. Zohn, London: Fontana.
40. Best, S. and Kellner, D. (2001) The Postmodern Adventure: Science, Technology, and Cultural Studies at the Third Millennium, London: Routledge.
41. Clausewitz, C. (1968) On War, trans. J. J. Graham, Harmondsworth: Penguin.
42. Conley, V. A. (1997) The Environment in Poststructuralist Thought, London: Routledge.
43. Crosby, A. (1997) The Measure of Reality, Cambridge: Cambridge University Press.
44. Cubitt, S. (1998) Digital Aesthetics, London: Sage.
45. Cubitt, S. (2001) Simulation and Social Theory, London: Sage.
46. Davis, C. (2004) After Poststructuralism: Reading, Stories, and Theory, London: Routledge.
47. Deleuze, G. (2001) Difference and Repetition, trans. P. Patton, London: Continuum.
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60. Husserl, E. (1970) The Crisis of European Sciences and Transcendental Phenomenology, trans. D. Carr, Evanston IL: Nothwestern University Press.
61. Husserl, E. (1997) Thing and Space. 1907 Lectures, Collected Works VII, trans. R. Rojcewicz, Dordrecht: Kluwer.
62. James, I. (2006) ‘Phenomenology in Diaspaora: Paul Virilio and the Question of Technology’ in French Cultural Studies, 17 (3), London: Sage.
63. Joly, C. (2004) Claude Parent, Paul Virilio, Église Sainte-Bernadette à Nevers, Paris: J.-M. Place.
64. Kaplan, D. M. (2004) Readings in the Philosophy of Technology, Lanham MD: Rowman and Littlefield.
65. Kroker, A. (1992) The Possessed Individual: Technology and the French Postmodern, New York: St Martin’s Press.
66. Leach, N. (ed.) (2002) The Hieroglyphs of Space: Reading and Experiencing the Modern Metropolis, London: Routledge.
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68. Martin, L. H. (1998) Technologies of the Self, Amherst MA: University of Massachusetts Press.
69. McQuire, S. (1998) Visions of Modernity: Representation, Memory, Time and Space in the Age of the Camera, London: Sage.
70. Merleau-Ponty, M. (2002) Phenomenology of Perception, trans. C. Smith. London: Routledge.
71. Morgenthau, H. (1993) Politics Among Nations, New York: McGraw-Hill.
72. Plotnitsky, A. (2002) The Knowable and the Unknowable: Modern Science, Nonclassical thought and the ‘Two Cultures’, Ann Arbor MI: University of Michigan Press.
73. Smith, A. (1993) The Wealth of Nations, Oxford: Oxford University Press.
74. Sokal, A. and Bricmont J. (1998) Intellectual Impostures: Postmodern Philosophers’ Abuse of Science, London: Profile.
75. Stiegler, B. (1994) Technics and Time I, The Fault of Epimetheus, trans. R. Beardsworth and G. Collins, Stanford CA: Stanford University Press.
76. Stiegler, B. (1996) La Technique et le temps II, La Désorientation, Paris: Galilée.
77. Steigler, B (2001) La Technique et le temps III, Le Temps du cinéma et la question du malêtre, Paris: Galilée.
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