‘Ladies, just follow his lead!' Salsa, gender and identity

Sport, Dance and Embodied Identities

Volumn , Issue , 2020, Pages 115-137

  Wieschiolek, Heike ^a  

^a UNIVERSITY OF HAMBURG   (Germany)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85091544758     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (46)

1. Alen Rodriguez, Olavo (1992), ‘The Afro-French Settlement and the Legacy of Its Music to the Cuban People’, in Gerard H. Behague (ed.), Music and Black Ethnicity. The Caribbean and South America, pp. 109-18. Miami: North-South Center.
2. Alen Rodriguez, Olavo (1998), From Afrocuban Music to Salsa, Berlin: Piranha.
3. Aparicio, Frances R. (1998), Listening to Salsa. Gender, Latin Popular Music, and Puerto Rican Cultures, Hanover/London: Wesleyan University Press.
4. Archetti, Eduardo P. (1999), Masculinities. Football, Polo and the Tango in Argentina, Oxford/New York: Berg.
5. Birdwhistell, Ray L. (1970), Kinesics and Context: Essays on Body Motion Communication, Philadelphia: University of Pennsylvania Press.
6. Blacking, John (1985), ‘Movement, Dance, Music, and the Venda Girls’ Initiation Cycle’, in Paul Spencer (ed.), Society and the Dance. The Social Anthropology of Process and Performance, pp. 64-91. Cambridge: Cambridge University Press.
7. Brake, Mike (1985), Comparative Youth Cultures, London: Routledge and Kegan Paul.
8. Brownell, Susan (2000), ‘Why Should an Anthropologist Study Sports in China?', in Noel Dyck (ed.), Games, Sports and Cultures, pp. 43-63. Oxford/New York: Berg.
9. Calvo Ospina, Hernando (1997), Salsa: Havanna Heat - Bronx Beat, Stuttgart: Schmetterling-Verlag.
10. Colon, Willie (1999), ‘Foreword’, in Sue Steward, Salsa. Musical Heartbeat of Latin America, pp. 6-7. London: Thames and Hudson.
11. Cornelius, Steven (2001), ‘Afro-Cuban Music’, in The Garland Encyclopedia of World Music, Vol. 3, pp. 783-9. New York/London: Garland Publishing.
12. D’Andrade, Roy (1987), ‘A Folk Model of the Mind’, in Dorothy Holland and Naomi Quinn (eds), Cultural Models in Language and Thought, pp. 112-48. Cambridge: Cambridge University Press.
13. Duany, Jorge (1984), ‘Popular Music in Puerto Rico: Toward an Anthropology of Salsa’, Revista de Müsica Latino Americana/Latin American Music Review, vol. 5, no.2: 186-216.
14. Dyck, Noel (2000), ‘Games, Bodies, Celebrations and Boundaries: Anthropological Perspectives on Sport’, in Noel Dyck (ed.), Games, Sports and Cultures, pp. 13-42. Oxford/New York: Berg.
15. Eichberg, Henning (1986), Die Veränderung des Sports ist gesellschaftlich, Münster: Lit Verlag.
16. Forsythe, Diana (1989), ‘German Identity and the Problems of History’, in Elizabeth Tonkin, Maryon McDonald and Malcom Chapman (eds), History and Ethnicity, London/New York: Routledge, pp. 137-56. (AS A Monographs 27).
17. Frith, Simon (1988), Music for Pleasure, Cambridge: Polity Press.
18. Fritsch, Ursula and Knut Dietrich (1981), ‘Europäisches und afrikanisches Tanzen - Durchdringung unterschiedlicher Bewegungskulturen?', in August Nitschke and Hans Wieland (eds), Die Faszination und Wirkung außereuropäischer Tanz-und Sportformen, pp. 70-84. Ahrensburg bei Hamburg: Verlag Ingrid Czwalina.
19. Günther, Helmut (1981), ‘Das überlieferte Bewegungsverhalten’, in August Nitschke and Hans Wieland (eds), Die Faszination und Wirkung außereuropäischer Tanz- und Sportformen, pp. 11-24. Ahrensburg bei Hamburg: Verlag Ingrid Czwalina.
20. Hanna, Judith Lynne (1987), To Dance Is Human. A Theory of Nonverbal Communication, Chicago/London: The University of Chicago Press.
21. Hanna, Judith Lynne (1988), Dance, Sex and Gender. Signs of Identity, Dominance, Defiance, and Desire, Chicago/London: The University of Chicago Press.
22. Kellermann, Paul (1985), ‘Zur Konstitution sozialer Ungleichheit durch die gesellschaftliche Organisation von Arbeit und Bildung’, in Herrmann Strasser and John H. Goldthorpe (eds), Die Analyse sozialer Ungleichheit. Kontinuität, Erneuerung, Innovation, pp. 280-306. Opladen: Westdeutscher Verlag.
23. Klein, Gabriele (1992), FrauenKörperTanz. Eine Zivilisationsgeschichte des Tanzes, Weinheim/Berlin: Quadriga-Verlag.
24. Linde, Charlotte (1987), ‘Explanatory Systems in Oral Life Stories’, in Dorothy Holland and Naomi Quinn (eds), Cultural Models in Language and Thought, pp. 343-66. Cambridge: Cambridge University Press.
25. McRobbie, Angela (1984), ‘Dance and Social Fantasy’, in A. McRobbie and M. Nava (eds), Gender and Generation, London: Macmillan.
26. Manuel, Peter (1985), ‘The Anticipated Bass in Cuban Popular Music’, Revista de Música Latino Americana/Latin American Music Review, vol. 6, no.2: 248-61.
27. Martin, Joel (1967), American Dancing, New York: Dance Horizons.
28. Mungham, Geoff (1976), ‘Youth in Pursuit of Itself, in G. Mungham and G. Pearson (eds), Working Class Youth Cultures, London: Routledge & Kegan Paul.
29. Netti, Bruno (1978), Eight Urban Musical Cultures. Tradition and Change, Urbana, IL: University of Illinois Press.
30. Nitschke, August and Hans Wieland (1981), Die Faszination und Wirkung außereuropäischer Tanz- und Sportformen, Ahrensburg bei Hamburg: Verlag Ingrid Czwalina.
31. Pacini Hernández, Deborah (1998), ‘Popular Music of the Spanish-speaking Regions’, The Garland Encyclopedia of World Music, Vol. 2, pp. 100-6. New York/London: Garland Publishing.
32. Polhemus, Ted (1993), ‘Dance, Gender and Culture’, in Helen Thomas (ed.), Dance, Gender and Culture, pp. 3-15. London: Macmillan.
33. Quintero, Sabina (1998), ‘Salsa’, Die Musik in Geschichte und Gegenwart. Allgemeine Enzyklopädie der Musik, Vol. 8. Kassel: Bärenreiter.
34. Reed, Susan A. (1998), ‘The Politics and Poetics of Dance’, Annual Review of Anthropology, no. 27: 503-32.
35. Sachs, Curt (1937), World History of the Dance, New York: Norton.
36. Schenda, Rudolf (1986), ‘Die Verfleißigung der Deutschen. Materialien zur Indoktrination eines Tugend-Bündels’, in Utz Jeggle (ed.), Volkskultur in der Moderne. Probleme und Perspektiven empirischer Kulturforschung, pp. 88-108. Reinbek: Rowohlt.
37. Spencer, Paul (1985), ‘Introduction: Interpretations of the Dance in Anthropology’, in Paul Spencer, Society and the Dance. The Social Anthropology of Process and Performance, pp. 1-45. Cambridge: Cambridge University Press.
38. Steward, Sue (1999), Salsa. Musical Heartbeat of Latin America, London: Thames & Hudson.
39. Stokes, Martin (ed.) (1994), Ethnicity, Identity and Music. The Musical Construction of Place, Oxford/New York: Berg.
40. The New Grove Dictionary of Music and Musicians (2001), Vol. 6, London: Macmillan.
41. Thomas, Helen (ed.) (1993), Dance, Gender and Culture, London: Macmillan.
42. Ward, Andrew H. (1993), ‘Dancing in the Dark: Rationalism and the Neglect of Social Dance’, in Thomas, Helen (ed.), Dance, Gender and Culture, pp. 16-33. London: Macmillan.
43. Washabaugh, William (ed.) (1998), The Passion of Music and Dance. Body Gender and Sexuality, Oxford/New York: Berg.
44. Wieschiolek, Heike (1999), '… ich dachte immer, von den Wessis lernen heißt siegen lernen!' Arbeit und Identität in einem mecklenburgischen Betrieb, Frankfurt/New York: Campus.
45. Wittman, Carl (1987), ‘Loving Dance’, in F. Abbott (ed.), New Men, New Minds, Freedom, CA: The Crossing Press.
46. Wulff, Helena (2001), ‘Anthropology of Dance’, in Neil J. Smelser and Paul B. Baltes (eds), International Encyclopaedia of the Social and Behavioural Sciences, Oxford: Pergamon/Elsevier Science.