Introduction

The Video Game Theory Reader

Volumn , Issue , 2013, Pages 1-24

  Wolf, Mark J P ^a   Perron, Bernard ^b  

^a His research interests involve social media and political engagement   (United States)

^b UNIVERSITÉ DE MONTRÉAL   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85083209408     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203700457-7     Document Type: Editorial

References (12)

1. Henry Jenkins, “Power to the Players: Why video games need the protection of the First Amendment,” Technology Review (June 7, 2002).
2. Donald D. Spencer, Game Playing with Computers (New York: Spartan Books, 1968).
3. A. G. Bell, Games Playing With Computers (London: George Allen & Unwin Ltd., 1972).
4. Chris Crawford, The Art of Computer Game Design (Electronic Version, 1984), 1.
5. Rochelle Slovin, “Hot Circuits: Reflections on the 1989 Video Game Exhibition of the American Museum of the Moving Image,” in Wolf, The Medium of the Video Game, 137-154.
6. Charles Bernstein, “Play it Again, Pac-Man,” in Wolf, The Medium of the Video Game, 155-168.
7. Sue Adamo, “Hollywood is Game,” Film Comment 19, no 1 (January/February, 1983): 40-41.
8. Greg M. Smith, “Introduction: A Few Words about Interactivity,” in On a Silver Platter. CD-ROMs and the Promises of a New Technology, ed. Greg M. Smith (New York: New York UniversityPress, 1999), 2.
9. Alain Le Diberder, “L’interactivite, une nouvelle frontiere du cinema,” (Dossier: Numerique, Virtuel, Interactif. Demain le Cinema) Cahiers du Cinema 503 (June 1996): 122-126.
10. Justine Cassell and Henry Jenkins, “Chess For Girls? Feminism and Computers Games,” in From Barbie to Mortal Kombat: Gender and Computer Games, eds. Justine Cassell and Henry Jenkins (Cambridge, MA: MIT Press, 1998), 5.
11. Mark J. P. Wolf, Abstracting Reality: Art, Communication, and Cognition in the Digital Age (Lanham, MA: UniversityPress ofAmerica, 2000).
12. Janet H. Murray, Hamlet on the Holodeck. The Future of Narrative in Cyberspace (New York: The Free Press, 1997), 71.