Gametime: History, narrative, and temporality in combat flight simulator 2

The Video Game Theory Reader

Volumn , Issue , 2013, Pages 275-301

  Crogan, Patrick ^a  

^a UNIVERSITY OF ADELAIDE   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85083181884     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203700457-20     Document Type: Chapter

References (10)

1. James L. Davis, “Virtual Systems: Generating a New Reality,” AerospaceAmerica 31 (August 1993), 33.
2. Erkki Huhtamo, “Encapsulated Bodies in Motion: Simulators and the Quest for Total Immersion,” in CriticalIssues in ElectronicMedia, ed. Simon Penny (Albany, NY: State University ofNewYorkPress, 1995), 174.
3. Manuel De Landa, “Economics, Computers, and the War Machine,” in Ars Electronica: Facingthe Future. A Survey ofTwo Decades, ed. Timothy Druckrey (Cambridge, MA: MIT Press, 1999).
4. Birgit Richard, “Norn Attacks and Marine Doom,” in Ars Electronica: Facing the Future: A Survey ofTwo Decades, ed. Timothy Druckrey (Cambridge, MA: MIT Press, 1999), 339-340.
5. David Thomson, “Zap Happy: World War II Revisited,” Sight and Sound 11, No. 7 (July 2001), 34-37.
6. Angela Ndalianis, “Special Effects, Morphing Magic, and the 1990s Cinema of Attractions,” in MetaMorphing: Visual Transformation and the Culture of Quick-Change, ed. Vivian Sobchack (Minneapolis: University ofMinnesota Press, 2000), 259.
7. Christian Metz, “Notes Toward a Phenomenology of the Narrative,” in Film Language: A Semiotics of the Cinema (New York: Oxford UniversityPress, 1974).
8. Hayden White, “The Value of Narrativity in the Representation of Reality,” Critical Inquiry 7, No. 1 (Autumn, 1980), 5-23.
9. Andrew Wilson, The Bomb and the Computer: Wargaming from Ancient Chinese Mapboard to Atomic Computer (New York: Delacorte Press, 1969).
10. Paul Virilio, Desert Screen: War at the Speed of Light, trans. Michael Degener (London: The Athlone Press, 2002).