Playing at being: Psychoanalysis and the avatar

The Video Game Theory Reader

Volumn , Issue , 2013, Pages 103-127

  Rehak, Bob ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85083162647     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203700457-12     Document Type: Chapter

References (7)

1. Henry Jenkins and Kurt Squire, “The Art of Contested Spaces,” in Game On: TheHistoryand Culture of Video Games, ed. Lucien King [New York: Universe, 2002], 65.
2. Jacques Lacan, “The Mirror Stage as Formative of the Function of the I as Revealed in Psychoanalytic Experience,” in Ecrits, trans. Alan Sheridan (New York: W.W. Norton, 1977), 1-7.
3. Ted Friedman, “Civilization and Its Discontents: Simulation, Subjectivity, and Space,” in On a Silver Platter: CD-ROMS and the Promises of a New Technology, ed. Greg M. Smith (New York: New York University Press, 1999), 137.
4. Daniel Dayan, “The Tutor-Code of Classical Cinema,” in Movies and Methods, Vol. 1, ed. Bill Nichols [Berkeley: University of California Press, 1976], 438-450.
5. Julio L. Moreno, “Subjective Cinema: And the Problem ofFilm in the First Person,” Quarterly of Film, Radio, and Television 7 (1953): 349.
6. Pascal Bonitzer, “Partial Vision: Film and the Labyrinth.” Trans. Fabrice Ziolkowski. Wide Angle 4, No. 4 (1981): 58.
7. Louis Althusser, “Ideology and Ideological State Apparatuses (Notes toward an Investigation),” in Mapping Ideology, ed. Slavoj ZiZek (London: Verso, 1994), 100-140.