Music and the media

Music and Copyright, Second Edition

Volumn , Issue , 2013, Pages 171-188

  Frith, Simon ^a  

^a UNIVERSITY OF STIRLING   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85079314877     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203036105-16     Document Type: Chapter

References (7)

1. Frith, S. (2002), ‘Legality and the music industry’, in M. Talbot (ed.), The Business of Music, Liverpool: Liverpool University Press, 195-216.
2. Frith, S. (2003), ‘Music and everyday life’, in M. Clayton, T. Herbert and R. Middleton (eds), The Cultural Study of Music, New York and London: Routledge, 92-101.
3. Laing, D. (2003), ‘Jukebox’, in Continuum Encyclopaedia of Popular Music of the World, Volume 1. Media, Industry and Society, London and New York: Continuum, 513-15.
4. Lange, D. (1981), ‘Recognizing the public domain’, Law and Contemporary Problems 44 (4): 147-78.
5. Monopolies and Mergers Commission (1996), Performing Rights Cm3147, London: HMSO.
6. Wall, D. (1996), ‘Reconstructing the soul of Elvis: the social development and legal maintenance of Elvis Presley as intellectual property’, International Journal of the Sociology of Law 24: 117-43.
7. Ware, J., Sprawson, R. and Enser, J. (2000), ‘The music industry in 1997-8', in E. M. Barendt and A. Firth (eds), The Yearbook of Copyright and Media Law 1999, Oxford: Oxford University Press, 222-34.