A midsummer night’s dream as a comic version of the theseus myth

A Midsummer Night's Dream: Critical Essays

Volumn , Issue , 2012, Pages 259-274

  Freake, Douglas ^a  

^a NONE

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EID: 85076316477     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (11)

1. Hughes, Shakespeare and the Goddess of Complete Being (London:Faber and Faber, 1992), 3.
2. Campbell, “Mythological Themes in Creative Literature and Art,�? in Myths, Dreams and Religion, ed. Joseph Campbell (New York: Dutton, 1970), 141.
3. Brower, Mirror on Mirror: Translation, Imitation, Parody (Cambridge:Mass.: Harvard University Press, 1974), 17.
4. Erich Neumann, The Origins and History ofConsciousness (Princeton:Princeton University Press, 1954; rpt. 1970), 2.
5. Tidworth, “From the Renaissance to Romanticism�? in The Quest for Theseus, A.G. Ward et al. (New York: Praeger, 1970), 195.
6. Lamb, Texas Studies in Literature and Language 21 (1979): 478-91.
7. David Ormerod’s “A Midsummer Night’s Dream: The Monster in the Labyrinth,�? in Shakespeare Studies 11 (1978): 39-52.
8. Frye, The Myth ofDeliverance: Reflections on Shakespeare’s Problem Comedies (Toronto: University of Toronto Press, 1983), 80-81.
9. “The Indian Boy’s Dream Wherein Every Mother’s Son Rehearses His Part: Shakespeare’s A Midsummer Night’s Dream,�? Shakespeare Studies 20 (1988): 15-32, especially 24-26.
10. C.G. Jung and C. Kennyi, Essays on a Science of Mythology: The Myth ofthe Divine Child and the Mysteries ofEleusis, Bollingen Series (1949; rpt. Princeton: Princeton University Press, 1973), 85.
11. Ronald Schleifer, “Structuralism,�? The Johns Hopkins Guide to Literary Theory and Criticism, eds. Michael Groden and Martin Kreiswirth (Baltimore: Johns Hopkins University Press, 1994), 700.