A kingdom of shadows

A Midsummer Night's Dream: Critical Essays

Volumn , Issue , 2012, Pages 217-240

  Montrose, Louis A ^a  

^a NONE

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EID: 85076277417     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (33)

1. Annabel Patterson, Shakespeare and the Popular Voice (Oxford and Cambridge, Mass., 1989), pp. 56-7.
2. John Walter and Keith Wrightson, ‘Dearth and the Social Order in Early Modem England’, Past & Present, 71 (1976), 22-42.
3. Buchanan Sharp, In Contempt ofAll Authority: Rural Artisans and Riot in the West ofEngland, 1586-1660 (Berkeley, 1980)
4. John Walter, ‘A “Rising of the People�?? The Oxford Rising of 1596', Past & Present, 107 (1985), 90-143.
5. S. Schoenbaum, William Shakespeare: A Compact Documentary Life (Oxford, 1977), pp. 14-44.
6. Clifford Davidson, "‘What hempen home-spuns have we swagg’ring here?" Amateur Actors in A Midsummer Night’s Dream and the Coventry Civic Plays and Pageants’, Shakespeare Studies, 19 (1987), 87-99.
7. Mervyn James, Society, Politics and Culture: Studies in Early Modern England (Cambridge, 1986), pp. 16-47
8. Charles Phythian-Adams, ‘Ceremony and the Citizen: The Communal Year at Coventry 1450-1550', in Crisis and Order in English Towns, 15001700:Essays in Urban History, ed. Peter Clark and Paul Slack (1972), pp. 57-85
9. Miri Rubin, Corpus Christi: The Eucharist in Late Medieval Culture (Cambridge, 1991), p. 266.
10. Roy Strong, The Cult of Elizabeth (1977)
11. Penry Williams, The Tudor Regime (Oxford, 1979), pp. 293-310, 351-405.
12. Philip Corrigan and Derek Sayer, The Great Arch: English State Formation as Cultural Revolution (Oxford, 1985), pp. 43-71.
13. David Cressy, Bonfires and Bells: National Memory and the Protestant Calendar in Elizabethan and Stuart England (Berkeley, 1989), pp. 1-129.
14. Mervyn James, Society, Politics and Culture, p. 41.
15. Harold C. Gardiner, S. J., Mysteries’ End (New Haven, 1946)
16. R.W. Ingram, ‘Fifteenseventy- nine and the Decline of Civic Religious Drama in Coventry,' in The Elizabethan Theatre VIII, ed. G.R. Hibbard (Port Credit, Ontario), pp. 114-28.
17. Robert Langham, A Letter, with Introduction, Notes and Commentary by R.J.P. Kuin (Leiden, 1983), pp. 52-5.
18. Anca Vlasopolos, ‘The Ritual of Midsummer: A Pattern for A Midsummer Night’s Dream’, Renaissance Quarterly, 31 (1978), 21-9
19. C.L. Barber, Shakespeare’s Festive Comedy: A Study of Dramatic Form in Relation to Social Custom (Princeton, 1959), pp. 119-24
20. Louis A. Montrose, ‘Gifts and Reasons: The Context of Peele’s Araygnement ofParis’, ELH, A Journal ofEnglish Literary History, 47 (1980), 433-61.
21. Helen M. Ostovich, "‘So Sudden and Strange a Cure�?: A Rudimentary Masque in Every Man Out of His Humour’, English Literary Renaissance, 22 (1992), 315-32.
22. Richard Dutton, Mastering the Revels: The Regulation and Censorship ofEnglish Renaissance Drama (Iowa City, 1991), pp. 136-7.
23. Compare G.K. Hunter, John Lyly: The Humanist as Courtier (London, 1962), pp. 329-30.
24. Gerald Eades Bentley, The Profession ofDramatist in Shakespeare’s Time 1590-1642 (1971; rpt. Princeton, 1986), p. 147.
25. E.K. Chambers, The Elizabethan Stage (4 vols., Oxford, 1923), 71-105.
26. Janet Clare, ‘Art made tongue-tied by authority ': Elizabethan and Jacobean Dramatic Censorship (Manchester, 1990)
27. Louis Adrian Montrose, ''‘Shaping Fantasies�?: Figurations of Gender and Power in Elizabethan Culture’, Representations, 2 (1983), 61-94
28. Thomas Churchyard, A Discourse of The Queen’s Majesty’s Entertainment in Suffolk and Norfolk (1578), rpt. in Records of Early English Drama: Norwich, 1540-1642, ed. David Galloway (Toronto, 1984), p. 302.
29. Bernard Garter, The Joyful Receiving of the Queen’s Most Excellent Majesty into Her Highness’ City ofNorwich (1578), rpt. in Records ofEarly English Drama: Norwich, pp. 266-7,271.
30. Lawrence Babb, The Elizabethan Malady: A Study ofMelancholia in English Literature from 1580 to 1642 (East Lansing, Mich., 1951)
31. Michael MacDonald, Mystical Bedlam:Madness, Anxiety, and Healing in Seventeenth-century England (Cambridge, 1981)
32. Lacey Baldwin Smith, Treason in Tudor England: Politics and Paranoia (Princeton, 1986)
33. Karin Coddon, "‘Suche Strange Desygns�?:Madness, Subjectivity, and Treason in Hamlet and Elizabethan Culture’, Renaissance Drama, n.s., 20 (1989), 51-75.