Androgyny and the eternal feminine in Schoenberg’s Oratorio die Jakobsleiter

Political and Religious Ideas in the Works of Arnold Schoenberg

Volumn , Issue , 2013, Pages 61-83

  Shaw, Jennifer ^a  

^a FLINDERS UNIVERSITY   (Australia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85076175601     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781315052229-8     Document Type: Chapter

References (34)

1. Roy E. Carter (Berkeley and Los Angeles: University of California Press, 1978), 96.
2. Arnold Schonberg, Harmonielehre (Leipzig and Vienna: Universal Edition, 1911), 112-13.
3. Jeffrey Kallberg, Chopin at the Boundaries: Sex, History and Musical Genre (Cambridge, Mass., and London: Harvard University Press, 1996), 62-86.
4. Robert Walser, Running with the Devil: Power, Gender, and Madness in Heavy Metal Music (Hanover and London: Wesleyan University Press, 1993), 124-36.
5. Jean-Jacques Nattiez, Wagner Androgyne: A Study in Interpretation, trans. Stewart Spencer (Princeton: Princeton University Press, 1993).
6. Brian Hyer, Journal of the American Musicological Society 47 (1994): 531-40.
7. Plato, Symposium, ed. Louise Ropes Loomis, trans. B. Jowett (New York: Walter J. Black, 1942), 178-83.
8. Kari Weil Discusses Freud’s reinterpretation of Plato’s myth: Androgyny and the Denial of Difference (Charlottesville and London: University Press of Virginia, 1992), 2-3.
9. Marjorie Garber, Vested Interests: Cross-Dressing and Cultural Anxiety (New York: Routledge, Chapman and Hall, 1992), 215-17.
10. Carl Schorske, “Gustav Klimt and the Crisis of the Liberal Ego,�? in Fin-de-Siècle Vienna: Politics and Culture (New York: Vintage Books, 1981), 208-78.
11. Wilhelm Fliess, Vom Leben und Tod: Biologische Vorträge [Of Life and Death: Biological Essays] (Jena: Diederichs, 1909).
12. Douglas Jarman Discusses Fliess’s influence on Berg’s music in “Alban Berg, Wilhelm Fliess and the Secret Programme of the Violin Concerto,�? International Alban Berg Society Newsletter 12 (1982): 5-6.
13. Lewis Wicks, “Schoenberg’s Erwartung and the Reception of Psychoanalysis in Musical Circles in Vienna until 1910/1911,�? Studies in Music 23 (1989): 88-106.
14. Peter Heller, “A Quarrel over Bisexuality,�? in The Turn of the Century: German Literature and Art, 1890-1915.
15. Edward Carpenter, Intermediate Types Among Primitive Folk: A Study in Social Evolution (London: George Allen and Co., 1914), 71-83.
16. Walter B. Bailey, Programmatic Elements in the Works of Schoenberg (Ann Arbor: UMI Research Press, 1984), 88-97.
17. Charlotte M. Cross discusses Tagore’s philosophy of death in “Schoen-berg’s Weltanschauung and His Views of Music: 1874-1915.
18. Sara Friedrichsmeyer, The Androgyne in Early German Romanticism: Schlegel, Novalis and the Metaphysics of Love (Berne, Frankfurt, and New York: Peter Lang, 1983), 15-22.
19. Karl H. Wörner, Die Musik in der Geistesgeschichte: Studien zur Situation der Jahre um 1910 (Bonn: H. Bouvier and Co., 1970), 171-200.
20. Jacob Boehme, The Three Principles of the Divine Essence, trans. John Sparrow (London: John Watkins, 1910), 160-61.
21. Michel Poizat, The Angel’s Cry: Beyond the Pleasure Principle in Opera, trans. Arthur Denner (Ithaca and London: Cornell University Press, 1992), 105.
22. Marilyn Chapin Massey, Feminine Soul: The Fate of an Ideal (Boston: Beacon Press, 1985.
23. Erwin Stein, trans. Eithne Wilkins and Ernst Kaiser (London: Faber and Faber, 1964), 35.
24. Harriet Anderson, Utopian Feminism: Women’s Movements in Fin-de-Siecle Vienna (New Haven and London: Yale University Press, 1992).
25. Elaine Showalter Discusses this point in Sexual Anarchy: Gender and Culture at the Fin de Siecle (New York: Viking Press, 1990), 8-9.
26. Edward Carpenter, The Intermediate Sex: A Study of Some Transitional Types of Men and Women, 5th ed. (London: Allen and Unwin, 1918).
27. Rosa Mayreder, Zur Kritik der Weiblichkeit, 2d ed. (Jena: Diederichs, 1907).
28. Herman Scheffauer as A Survey of the Woman Problem (New York: George H. Doran, 1913).
29. Mayreder, Zur Kritik der Weiblichkeit, 2d. ed., 261-98.
30. Willi Reich, Schoenberg: A Critical Biography, trans. Leo Black (New York and Washington: Praeger, 1971).
31. Schönberg, Die Jakobsleiter Oratorium, 27; trans. Christensen, “Die Jakobsleiter’: 2:47.
32. Schönberg, Die Jakobsleiter Oratorium, 3; trans. Christensen, “Die Jakobsleiter,�? 2:33.
33. Ethan Haimo, Schoenberg’s Serial Odyssey(Oxford and London: Oxford University Press, 1990), 85.
34. Anne C. Schreffler, "‘Mein Weg geht jetzt vorüber’: The Vocal Origins of Webern’s Twelve-Tone Composition,�? Journal of the American Musicological Society 47 (1994): 294-98.