Sizing up record collections: Gender and connoisseurship in rock music culture

Sexing the Groove: Popular Music and Gender

Volumn , Issue , 2013, Pages 3-16

  Straw, Will ^a  

^a MCGILL UNIVERSITY   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85076164021     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203351338-8     Document Type: Chapter

References (23)

1. Baekeland, Frederick (1994) 'Psychological Aspects of Art Collecting', in Susan M. Pearce (ed.) Interpreting Objects and Collections, London: Routledge, pp. 205-19.
2. Baudrillard, Jean (1994) 'The System of Collecting', in John Elsner and Roger Cardinal (eds) The Cultures of Collecting, Cambridge, MA: Harvard University Press, pp. 7-24.
3. Baym, Nina (1985) 'Melodramas of Beset Manhood: How Theories of American Fiction Exclude Women Authors', in Elaine Showalter (ed) The New Feminist Criticism: Essays on Women, Literature, Theory, New York: Pantheon Books.
4. Belk, Rusell W. and Wallendorf, Melanie (1994) 'Of Mice and Men: Gender Identity in Collecting', in Susan M. Pearce (ed.) Interpreting Objects and Collections, London: Routledge, pp.240-53.
5. Bourdieu, Pierre (1984) Distinction: A Social Critique of Judgement, trans. Richard Nice, Cambridge MA: Harvard University Press.
6. Bruce, Bryan (1990) 'Right Wing Chic: Adam Parfrey and R. Kern Fingered!!' CineAction 19/20 (May): 3-10.
7. Grossberg, Lawrence (1984) 'Another Boring Day in Paradise: Rock and Roll and the Empowerment of Everyday Life', Popular Music 4: 225-58.
8. Hornby, Nick (1995) High Fidelity, New York: Riverhead Books.
9. Juno, Andrea and Vale, V. (1993) 'Introduction', Incredibly Strange Music (San Francisco: Re/Search Publications) 1: 2-5.
10. Keightley, Keir (1996) "'Turn it Down!" She Shrieked: Gender, Domestic Space, and High Fidelity, 1948-1959', Popular Music 15 (2): 1-28.
11. Kimmel, Michael S. (1994) 'Consuming Manhood: The Feminization of American Culture and the Recreation of the Male Body, 1832-1920', Michigan Quarterly Review 33(1) (Winter): 7-36.
12. Lucas, Tim (1994) Throat Sprockets, New York: Delta.
13. Medovoi, Leerom (1992) 'Mapping the Rebel Image: Postmodernism and the Masculinist Politics of Rock in the U.S.A.', Cultural Critique 2 0 (Winter): 1 53-88.
14. Moore, Rob (1993) Liner notes to the CD album Here's to the Lovers, by the group Love Jones, Toronto: BMG Music.
15. Neale, Steve (1983) 'Masculinity as Spectacle', Screen 24(6) (November-December): 2-16.
16. Ross, Andrew (1990) No Respect: Intellectuals and Popular Culture, London: Routledge.
17. Sedgwick, Eve Kosofsky (1990) Epistemology of the Closet, Berkeley and Los Angeles: University of California Press.
18. Shiner, Lewis (1995) Glimpses, New York: Avon Books.
19. Straw, Will (1995) 'The Booth, the Floor and the Wall: Dance Music and the Fear of Falling', in Will Straw, Stacey Johnson, Rebecca Sullivan and Paul Friedlander (eds) Popular Music: Style and Identity, Montreal: The Centre for Research on Canadian Cultural Industries and Institutions/International Association for the Study of Popular Music, pp. 249-54.
20. Vincentelli, Elisabeth (1994) Letter excerpted in 'Year of the Woman' Music Supplement, Village Voice 8 (I March): 24.
21. Weisbard, Eric (1994a) Letter excerpted in 'Year of the Woman' Music Supplement, Village Voice 8 (I March): 24.
22. Weisbard, Eric (1994b) 'Over & Out: Indie Rock Values in the Age of Alternative Million Sellers', The Village Voice Rock &. Roll Quarterly Summer: 15-19.
23. Willis, Sharon (1993/94) 'The Fathers Watch the Boy's Room', Camera Obscura 32 (September-January): 42-73.