Bruce springsteen and masculinity

Sexing the Groove: Popular Music and Gender

Volumn , Issue , 2013, Pages 100-117

  Palmer, Gareth ^a  

^a UNIVERSITY OF SALFORD   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85076148318     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203351338-14     Document Type: Chapter

References (11)

1. Frosh, S. (1994) Sexual Difference: Masculinity and Psychoanalysis, London: Routledge, p. 91.
2. Pfeil, F. (1995) White Guys, London: Verso, p. 78.
3. Moss, P. (1992) ‘Where is the Promised Land? Qass and Gender in Bruce Springsteen’s Rock Lyrics’, Geografiska 74 B: 3.
4. Morgan, D. (1992) Discovering Men, London: Roudedge, p. 76.
5. Humphries, P. and Hunt, C. (1985) Bruce Springsteen: Blinded by the Light, London: Nexus, p.7.
6. Cross, C.R. and Philips, C., the editors of Backstreets magazine (1989) Backstreets, New York: Harmony, p. 62.
7. Dyer, R. (1989) ‘The Right to Look’, New Statesman and Society 9 June: 31-4.
8. Morse, M. (1986) ‘Post-Synchronizing Rock Music and Television’, Journal of Communication Inquiry 10(1): 15-28.
9. Lash, S. and Urry, J. (1994) ‘Postrnodernist SenSibility’, in Reader in Cultural Theory, London: Polity, p. 139.
10. Street, J. (1986) Rebel Rock, London: Blackwell, is a good example.
11. Sweeting, A. (1992) ‘The Boss is Back’, Guardian 28 March.