Cultural identity and diaspora

Diaspora and Visual Culture: Representing Africans and Jews

Volumn , Issue , 2014, Pages 21-33

  Hall, Stuart ^a  

^a UNIVERSITY OF LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85073867368     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781315006161-10     Document Type: Chapter

References (12)

1. Taken from J. Rutherford (ed.) (1990), Identity: Community, Culture, Difference, London: Lawrence & Wishart, pp. 222-37.
2. Frantz Fanon, “On national culture,” in The Wretched of the Earth, London, 1963, p. 170.
3. Christopher Norris, Deconstruction: Theory and practice, London, 1982, p. 32.
4. Stuart Hall, Resistance Through Rituals, London, 1976.
5. Edward Said, Orientalism, London, 1985, p. 55.
6. Benedict Anderson, Imagined Communities: Reflections on the origin and rise of nationalism, London, 1982.
7. Frantz Fanon, Black Skin, White Masks, London, 1986, p. 109.
8. Homi Bhabha, “Foreword” to Fanon, White Masks., pp. xiv-xv.
9. Jamaica Hansard, 9, 1983-4, p. 363.
10. Kobena Mercer, “Diaspora culture and the dialogic imagination,” in M. Cham and C. Watkins (eds), Blackframes: Critical perspectives on black independent cinema, 1988, p. 57.
11. Anderson, “Diaspora culture and the dialogic imagination,” in M. Cham and C. Watkins (eds), Blackframes: Critical perspectives on black independent cinema., p. 15.
12. Frantz Fanon, Black Skin, White Masks, p. 188.