The audience’s role in Othello

Othello: New Critical Essays

Volumn , Issue , 2013, Pages 89-101

  Richmond, Hugh Macrae ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85073866885     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203055656-6     Document Type: Chapter

References (17)

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2. Critical Essays on Shakespeare’s “Richard III.” Ed. Hugh Macrae Richmond. New York: G. K. Hall, 1999.
3. Dreher, Diane E. Domination and Defiance: Fathers and Daughters in Shakespeare. Lexington: University of Kentucky, 1986.
4. Evans, Bertrand. Shakespeare s Comedies. Oxford: Clarendon Press, 1960.
5. Evans, Bertrand. Shakespeare’s Tragic Practice. Oxford: Clarendon Press, 1979.
6. Grebanier, Bernard. Then Came Each Actor. New York: David MacKay, 1975
7. Halliday, F. E.A Shakespeare Companion, 1564-1964. Harmondsworth: Penguin, 1964.
8. Holland, Norman. The Dynamics of Literary Response. New York: Oxford University Press, 1968.
9. Kieman, Pauline. Staging Shakespeare at the New Globe. London: Macmillan, 1999.
10. Richmond, Hugh M. “A Letter to the Actor Playing Lear” in Illuminations. Ed. Jay Halio and Hugh M. Richmond. Newark: University of Delaware Press, 1998.
11. Rosenberg, Marvin. The Masks of Othello. Berkeley: University of California Press, 1961.
12. Shakespeare, William. The Riverside Shakespeare. Ed. G. Blakemore Evans, Boston: Houghton Mifflin, 1997.
13. The Shakespere Allusion-Book. Ed. C. M. Ingleby, et al. Freeport N.Y.: Books for Libraries, 1970.
14. Sacks, Sheldon. Fiction and the Shape of Belief. Berkeley: University of California Press, 1964.
15. Sher, Antony, The Year of the King. London: Hogarth, 1985.
16. Spivack, Bernard. Shakespeare and the Allegory of Evil. New York: Columbia University Press, 1958.
17. Wells, Stanley. Dictionary of Shakespeare. Oxford: Oxford University Press, 1998.