Introduction: The multiple viewpoint: Diasporic visual cultures

Diaspora and Visual Culture: Representing Africans and Jews

Volumn , Issue , 2014, Pages 1-18

  Mirzoeff, Nicholas ^a  

^a STONY BROOK UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85073864785     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781315006161-8     Document Type: Editorial

References (37)

1. Anderson, Benedict (1992), Imagined Communities, 2nd edn, London:Verso.
2. Appadurai, Aijun (1993),“The Heart of Whiteness,” Callaloo 16.4 (1993): 796-807.
3. Appadurai, Arjun (1996), Modernity at Large: Cultural Dimensions of Globalization, Minneapolis: University of Minnesota Press.
4. Berman, Paul (1994), Blacks and Jews: Alliances and Arguments, New York: Delacortc Press.
5. Boyarin, Jonathan (1993), Storm from Paradise, Minneapolis: Minnesota University Press.
6. Chambers, Iain (1994), Migrancy Culture Identity, London: Routledge.
7. Chow, Rey (1993), Writing Diaspora, Bloomington: Indiana University Press.
8. Clifford, James (1991), The Predicament of Culture, Cambridge Ma.: Harvard University Press.
9. Clifford, James (1997), Routes: Travel and Translation in the Late Twentieth Century, Cambridge Ma.: Harvard University Press.
10. Cubitt, Sean (1995), “Dispersed Visions: ‘About Place’,” ThirdText 32 (Autumn 1995): 65-74.
11. Derrida, Jacques (1976), Of Grammatology, Baltimore: Johns Hopkins Press.
12. Derrida, Jacques (1996), Archive Fever: A Freudian Impression, Chicago: Chicago University Press.
13. Dubois, W.E.B. (1989 [1903]), The Souls of Black Folk, London: Penguin.
14. Faber, Eli (1998), Jews, Slaves and the Slave Trade: Setting the Record Straight, New York: New York University Press.
15. Fanon, Frantz (1967), Black Skin, White Masks, New York: Grove Weidenfeld.
16. Fusco, Coco (1995), English Is Broken Here: Notes in Cultural Fusion in the Americas, New York: New Press.
17. Gilman, Sander (1991), The Jew’s Body, New York: Routledge.
18. Gilroy, Paul (1993), The Black Atlantic: Modernity and Double Consciousness, Cambridge Ma: Harvard University Press.
19. Iampolski, Mikhail (1998), The Memory of Tiresias: Intertextuality and Film, Berkeley: University of California Press.
20. Kitaj, R.B. (1989), First Diasporist Manifesto, London:Thames and Hudson.
21. Lippard, Lucy (1990), Mixed Blessings: New Art in a Multicultural America, New York: Pantheon.
22. Mayne, Judith (1993), Cinema and Spectatorship, New York: Routledge.
23. Mbembe, Achille (1995), “Figures of the Subject in Times of Crisis,” Public Culture 7: 323-52.
24. Mudimbe, V.Y. (1995), “Introduction” to Nations, Identities, Cultures, special issue of South Atlantic Quarterly 94: 4 (Fall 1995).
25. Owen, Frank (1996),“Let Them Eat Software,” Village Voice (February 6, 1996).
26. Powers, Martin J. (1995),“Art and History: Exploring the Counterchange Condition,” Art Bulletin Vol. LXXVII no. 3 (September 1995): 382—7.
27. Said, Edward (1993), Culture and Imperialism, New York: Alfred Knopf.
28. Salzmann, Jack (ed.) (1992), Bridges and Boundaries: African Americans and American Jews, New York: George Brazilier.
29. Sherman, Daniel and Rogoff, Irit (1994), Museum Culture, Minneapolis: Minnesota University Press.
30. Shohat, Ella and Starn, Robert (1998), “Narrativizing Visual Culture: Towards a Polycentric Aesthetics,” in Nicholas Mirzoeff (ed.), The Visual Culture Reader, London and New York: Routledge.
31. Steiner, Wendy (1995), The Scandal of Pleasure, Chicago: University of Chicago Press.
32. Takaki, Ronald (1995), “A Different Mirror,” in Points of Entry: Tracing Cultures, San Francisco: The Friends of Photography.
33. Thompson, Robert Farris (1983), Flash of the Spirit: African and Afro American Art and Philosophy, New York: Random House.
34. Thompson, Robert Farris (1989), “The Song That Named the Land: The Visionary Presence of African-American Art,” in Robert V. Rozelle, Alvia Wardlaw and Maureen A. McKenna (eds), Black Art Ancestral Legacy: The African Impulse in African-American Art, New York: Harry N. Abrams/Dallas Museum of Art.
35. Wilson, Kathleen (1995),“Citizenship, Empire and Modernity in the English Provinces 1720-90,” Eighteenth Century Studies.
36. Yai, Olabiyi Babalola (1994),“In Praise of Metonymy: The Concepts of‘Tradition’ and ‘Creativity’ in the Transmission of Yoruba Artistry over Time and Space,” in Roland Abioudun, Henry J. Drewal, and John Pemberton III (eds), The Yoruba Artist: New Theoretical Perspectives on African Arts, Washington DC: Smithsonian Institution Press, pp. 107-15.
37. Young, Robert (1995), Colonial Desire: Hybridity in Theory, Culture and Race, London: Routledge.