Imaging the Shtetl: Diaspora culture, photography and eastern European Jews

Diaspora and Visual Culture: Representing Africans and Jews

Volumn , Issue , 2014, Pages 193-206

  Zemel, Carol ^a  

^a UNIVERSITY AT BUFFALO   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85073851335     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781315006161-23     Document Type: Chapter

References (9)

1. Michael Andre Bernstein, Foregone Conclusions; Against Apocalyptic History (Berkeley, University of California Press, 1994) p. 16.
2. Lucjan Dobroszycki and Barbara Kirshenblatt-Gimblett, Image before oar Eyes (New York, Schocken Books), pp. 1-38.
3. Benedict Anderson, Imagined Communities, Reflections on the Origin and Spread of Nationalism (London, Verso, 1991).
4. Homi K. Bhabha, “Introduction: Narrating a Nation,” pp. 1-7, in Nation and Narration, Homi K. Bhabha, ed. (London and New York, Routledge, 1990).
5. Homi K. Bhabha The Location of Culture (London and New York, Routledge, 1994).
6. Ezra Mendelson, “The Jewries of Interwar Poland,” in Hostages of Modernization; Studies on Modern Anti-Semitism, 1870-1933/39, Herbert A. Strauss, ed., v. 3/2, (Walter de Gruyter & Co., 1993), pp. 989-95.
7. Simon Dubnov, Nationalism and History: Essays on Old and New Judaism (Philadelphia, 1958), pp. 186-7.
8. Lucjan Dobroszycki and Barbara Kirshenblatt-Gimblett, Image before my Eyes, pp. 20-31.
9. Jerzy Malinowski, “The Yung Yiddish (Young Yiddish) Group and Jewish Modern Art in Poland 1918—1923,” Polin 6 (pp. 223—30).