The talkie: Early cinematic conversations

Talk, Talk, Talk: The Cultural Life of Everyday Conversation

Volumn , Issue , 2013, Pages 83-93

  Conley, Tom ^a  

^a HARVARD UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85071822653     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203700266-15     Document Type: Chapter

References (14)

1. Richard Abel, The Ciné Goes to Town: French Cinema, 1896-1914 (Berkeley: University of California Press, 1994).
2. Leo Charney and Vanessa Schwartz, eds., Cinema and the Invention of Everyday Life (Berkeley: University of California Press, 1996)
3. Leo Charney's Drifi: Cinema and Modernity (Durham, NC: Duke University Press, 1998).
4. Noël Burch, Life to These Shadows (Berkeley: University of California Press, 1991)
5. Jacques Derrida's concept of logocentrism, developed in De la grammatologie(Paris: Minuit, 1967)
6. Marie-Claire Ropars-Wuilleumier, Le Texte divisé(Paris: PUF, 1981)
7. Dudley Andrew, Mists of Regret: Culture and Sensibility of the Classic French Film(Princeton, NJ: Princeton University Press, 1995), 104.
8. Andre Bazin, "L'évolution du langage cinématographique," in Quest-ce que le cinéma(Paris: Editions du Cerf, 1996).
9. Jean-Louis Leutrat, 'La Chienne' de Jean Renoir (Brussels: Editions Yellow Now, 1994), 80.
10. Gilles Deleuze, L'image-temps (Paris: Minuit, 1985), 23-26.
11. Mikkail Bakhtin, "banquet genre" he takes up in his Rabelais, trans. Robert Rovini (Paris: Gallimard, 1970)
12. Michel Jeanneret expands on it in hisDes mets et des mots(Paris: José Cord, 1987)."Hearing Voices," 251-52
13. Christian Metz, L'énonciation impersonnelle ou le site du film (Paris: Méridiens-KJincksieck, 1991), 25, 36.
14. Jean-Louis Leutrat's careful reading of the sequence in "Autoportrait de l'artiste en auto," Lendemains 18 (1993): 4-16.