Objects of art/objects of nature: Visual representation and the investigation of nature

Merchants and Marvels: Commerce, Science, and Art in Early Modern Europe

Volumn , Issue , 2013, Pages 63-82

  Long, Pamela O ^a,b  

^a SAINT MARY'S COLLEGE   (United States)

^b JOHNS HOPKINS UNIVERSITY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85071815943     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203950999-9     Document Type: Chapter

References (18)

1. David Summers, The Judgment of Sense: Renaissance Naturalism and the Rise of Aesthetics (Cambridge: Cambridge University Press, 1987).
2. Alan Gabbey, “Between Ars and Philosophia Naturalis: Reflections on the Historiography of Early Modern Mechanics,�? in Renaissance and Revolution: Humanists, Scholars, Craftsmen and Natural Philosophers in Early Modern Europe, ed. J. V. Field and Frank A. J. L. James (Cambridge: Cambridge University Press, 1993), 133-145
3. Peter Dear, Discipline and Experience: The Mathematical Way in the Scientific Revolution (Chicago: University of Chicago Press, 1995)
4. Steven Shapin and Simon Schaffer, Leviathan and the Air-Pump: Hobbes, Boyle, and the Experimental Life (Princeton, N.J.: Princeton University Press, 1985).
5. J. J. Pollitt, The Ancient View of Greek Art: Criticism, History, and Terminology (New Haven: Yale University Press, 1974), 63-64.
6. William A. Wallace, “Traditional Natural Philosophy,�? in The Cambridge History of Renaissance Philosophy, ed. Charles B. Schmitt et al. (Cambridge: Cambridge University Press, 1988), 201-235.
7. Richard A. Goldthwaite, Wealth and the Demand for Art in Italy, 1300-1600 (Baltimore: Johns Hopkins University Press, 1993)
8. Lisa Jardine, Worldly Goods: A New History of the Renaissance (New York: Doubleday, 1996)
9. Pamela O. Long, “Power, Patronage, and the Authorship of An: From Mechanical KnowHow to Mechanical Knowledge in the Last Scribal Age,�? Isis 88 (March 1997): 1-41
10. Randolph Starn and Loren Partridge, Arts of Power: Three Halls of State in Italy, 1300-1600 (Berkeley and Los Angeles: University of California Press, 1992).
11. Pamela O. Long, Openness, Secrecy, Authorship: Technical Arts and the Culture of Knowledge from Antiquity to the Renaissance (Baltimore: Johns Hopkins University Press, 2001).
12. Colonna, Hypnerotomachia, 19-28.
13. Evelyn S. Welch, Art and Authority in Renaissance Milan (New Haven, Conn.: Yale University Press, 1996)
14. Gregory Lubkin, A Renaissance Court: Milan under Galeazzo Maria Sforza (Berkeley and Los Angeles: University of California Press, 1994).
15. Jane Campbell Hutchison, Albrecht Dürer: A Biography (Princeton, N.J.: Princeton University Press, 1990), 14, 23-26, 57-66, and 78-83
16. Hermann Leber, Albrecht Dürers Landschaftsaqarelle: Topographie und Genese (Hildesheim: Georg Olms Verlag, 1988).
17. Serlio, On Architecture, 266-269.
18. Serlio, On Architecture, 286-287.