Digitextuality and click theory: Theses on convergence media in the digital age

New Media: Theories and Practices of Digitextuality

Volumn , Issue , 2003, Pages 3-28

  Everett, Anna ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85071807608     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203953853-9     Document Type: Chapter

References (40)

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3. W. Russell Neuman, The Future of the Mass Audience (New York: Cambridge University Press, 1991).
4. “The Black Press in the Age of Digital Reproduction: Two Exemplars,�? in The Black Press: New Literary and Historical Essays, ed. Todd Vogel (New Brunswick, N.J.: Rutgers University Press, 2001), 246.
5. Julia Kristeva, “Revolution in Poetic Language,�? in The Kristeva Reader, ed. Toril Moi (New York: Columbia University Press, 1986), 111.
6. C. Hugh Holman and William Harmon, A Handbook to Literature, 6th ed. (New York: Macmillan, 1992), 251.
7. Lev Manovich, The Language of Digital Media (Cambridge, Mass.: MIT Press, 2001).
8. Peter Lunenfeld, Snap to Grid: A User’s Guide to Digital Arts, Media, and Cultures (Cambridge, Mass.: MIT Press, 2000).
9. John Thornton Caldwell, Televisuality: Style, Crisis, and Authority in American Television (New Brunswick, N.J.: Rutgers University Press, 1995), 26.
10. Tapscott, Growing Up Digital: The Rise of the Net Generation (New York: McGraw-Hill, 1998), 7.
11. Wheeler Winston Dixon, It Looks at You: The Returned Gaze of Cinema (Albany: State University of New York Press, 1995), 37.
12. David Bordwell and Kristin Thompson, Film Art: An Introduction (New York: Knopf, 1997), 78.
13. Lev Manovich, The Language of New Media (Cambridge, Mass.: MIT Press, 2001), 25.
14. Jean Baudrillard, Simulations, trans. Paul Foss, Paul Patton, and Philip Beitchman (New York: Semiotext(e), 1983), 142.
15. Metro paper’s online archive .
16. Margaret Morse, Virtualities: Television, Media Art, and Cyberculture (Bloomington: Indiana University Press, 1998), 1.
17. the interactivefx company’s website at .
18. interactivefx, at .
19. Mitchell Stephens, The Rise of the Image the Fall of the Word (New York: Oxford University Press, 1998).
20. Anna Everett, “P.C. Youth Violence: What’s the Internet or Video Gaming Got to Do with It?" Denver Law Review 77, no. 4 (2000): 690.
21. Sherry Turkle, Life on the Screen: Identity in the Age of the Internet (New York: Touchstone, 1995), 10.
22. “Let’s Give a Toast to Prohibition, Circa 2000,�? Los Angeles Times, July 30, 2000, M5.
23. Laura M. Holson and Seth Schiesel’s article, “MCI to Buy Sprint in Swap of Stock for $108 Billion,�? New York Times, October 5, 1999, C13.
24. David Pogue, “Year of Living Geekely: Even the Dogs Evolved,�? New York Times, 27 December 2001, D1.
25. Staci D. Kramer’s essay “Content’s King�? at Cableworld .
26. Jean-François Lyotard, “Can Thought Go On Without a Body?" in The Inhuman, trans. Geoffrey Bennington and Rachel Bowlby (Stanford, Calif.: Stanford University Press, 1991), 13.
27. Posthuman Bodies (Bloomington: Indiana University Press, 1995).
28. “Kinesics,�? in Random House Webster’s College Dictionary (New York; Random House, 2000), 731.
29. Merriam-Webster’s New Collegiate Dictionary, 10th ed. (Springfield, Mass.: Merriam-Webster, 1994), 1005.
30. Roland Barthes, S/Z: An Essay, trans. Richard Miller (New York: Hill and Wang, 1974), 90.
31. George Landow, Hyper/Text/Theory (Baltimore: Johns Hopkins University Press, 1994), 23.
32. “Google Seeks to Void Overture’s Patents,�? Los Angeles Times, June 20, 2002, C2.
33. Jay David Bolter and Richard Grusin, Remediation: Understanding New Media (Cambridge, Mass.: MIT Press, 1999).
34. Vivian Sobchack, “The Scene of the Screen: Envisioning Cinematic and Electronic Presence,�? in Electronic Media and Technoculture, ed. John Thornton Caldwell (New Brunswick, N.J.: Rutgers University Press), 138.
35. Lunenfeld, Snap to Grid, 3, 5.
36. André Bazin, “The Myth of Total Cinema,�? (Berkeley and Los Angeles: University of California Press, 1967), 17.
37. Lev Manovich, “What Is Digital Cinema?" , 5.
38. Rudolph Arnheim, “The Complete Film,�? Film As Art (Berkeley and Los Angeles: University of California Press, 1957), 154.
39. Jean Epstein, “Bonjour Cinema and Other Writings�? (1928), reprinted in Afterimage 10(1981): 34-35.
40. Germaine Dulac, “The Essence of the Cinema: The Visual Idea�? (1925), reprinted in The Avant-Garde Film: A Reader of Theory and Criticism, ed. P. Adams Sitney (New York: New York University Press, 1978), 36.