Continuity in the Fourth Symphony (first movement)

Perspectives on Anton Bruckner

Volumn , Issue , 2017, Pages 114-144

  Laufer, Edward ^a  

^a UNIVERSITY OF TORONTO   (Canada)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85071544826     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (12)

1. Hellmut Federhofer, 'Heinrich Schenkers Bruckner Verständnis', in Archiv für Musikwissenschaft, 34/3 (1982), pp. 198-217
2. 'Some aspeas of prolongation procedures in the Ninth Symphony', in Bruckner Studies, ed. Jackson and Hawkshaw (Cambridge University Press, 1997), pp. 209-55
3. Anton Bruckner, Sämtliche Werke. Kritische Gesamtausgabe, 4. Band, Brucknerverlag, Wiesbaden (1936, new edition 1949)
4. Fundamentals of Musical Composition (St Martin's Press, New York, 1967), pp. 8-15
5. Charles Burkhart, 'Schenker's Motivic Parallelisms', in Journal of Music Theory, 22 (1978), p. 174
6. John Rothgeb, Introduction to the Theory of Heinrich Schenker (New York: Longman, 1982), pp. 3-10
7. 'Voice-leading Procedures in Development Sections', in Studies in Music, 13 (1991), pp. 69-120
8. David Beach, 'A Recurring Pattern in Mozart's Music', in Journal of Music Theory, 27 (1983), pp. 1-29
9. 'The Initial Movement of Mozart's Piano Sonatas K. 280 and K. 332: Some Striking Similarities', in Intégrale, 8 (1994), pp. 125-46
10. 'Schubert's Experiments with Sonata Form: Formal-Tonal Design verses Underlying Struaure', in Music Theory Spectrum, 15 (1993), pp. 1-18
11. Channan Willner, 'Chromaticism and the Mediant in Four Late Haydn Works', in Theory and Practice, 13 (1988), pp. 79-114
12. Floros, Brahms und Bruckner (Wiesbaden: Breitkopf und Härtel, 1980)., pp. 161 and 171