Comparing Student Satisfaction With Distance Education to Traditional Classrooms in Higher Education: A Meta-Analysis

International Journal of Phytoremediation

Volumn 21, Issue 1, 2002, Pages 83-97

  Allen, Mike ^a   Bourhis, John ^a   Burrell, Nancy ^a   Mabry, Edward ^a  

^a NONE

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85071204278     PISSN: 15226514     EISSN: 15497879     Source Type: Journal    
DOI: 10.1207/S15389286AJDE1602_3     Document Type: Article

References (9)

1. Aldrich, Robert. 1958. “The High Price of Independence.”. Films and Filming 4.9,: 7–35.
2. Cochran, David. 2000. America Noir: Underground Writers and Filmmakers of the Postwar Era, Washington, D. C.: Smithsonian Institution Press.
3. Combs, Richard. 1978. Robert Aldrich, London: British Film Institute.
4. Grost, Michael. “Kiss Me Deadly and World for Ransom; Classic Film and Television Home Page.”. http://www.members.aol.com/MGM4273/a
5. Myrick, MartinC., 1999. “John Lewis & the Film Score for Odds Against Tomorrow,”. In Odds Against Tomorrow: The Critical Edition. Ed. John Schultheiss, 299–307. Northridge, CA: California State University Press.
6. Rouverol, Jean. 2000. Refugees from Hollywood: A Journal of the Blacklist Years, Albuquerque: University of New Mexico Press.
7. Silver, Alain, and James, Ursini. 1995. What Ever Happened to Robert Aldrich? His Life and His Films, New York: Limelight Editions.
8. Truffaut, Francois. 1956. “Recontre avec Robert Aldrich,”. Cahiers du Cinema, 64: 2–11.
9. Wood, Robin. 1996. “Ideology, Genre, Auteur.”. Film Genre Reader. Ed. Barry Keith Grant. Austin: University of Texas Press,: 59–73.