Techniques of the imaginary nation: Engendering family photography

Race and the Production of Modern American Nationalism

Volumn , Issue , 2014, Pages 359-382

  Wexler, Laura ^a  

^a NONE

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[No Author keywords available]

Indexed keywords

EID: 85071077190     PISSN: None     EISSN: None     Source Type: Book    
DOI: None     Document Type: Chapter

References (28)

1. Benedict Anderson, Imagined Communities: Reflections on the Origins and Spread of Nationalism, rev. ed. (New York: Verso, 1991), 35-36
2. Anderson, Imagined Communities, 34
3. Jonathan Crary, Techniques of the Observer: On Vision and Modernity in the Nineteenth Century (Cambridge, Mass.: M.I.T. Press, 1992), 17
4. Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction, " in Illuminations, ed. Hannah Arendt, trans. Harry Zohn, (New York: Schocken, 1978), 223, 242
5. David Phillips, "The Birth of Mass Photography: Halftone Technology, Illustrated Magazines, and the Social Transformation of American Print Culture, 1890-1950" (Paper delivered at the Annual Meeting of the Modem Language Association, San Diego, 1994), 2
6. David Phillips, "The Birth of Mass Photography: Halftone Technology, Illustrated Magazines, and the Social Transformation of American Print Culture, 1890-1950" (Paper delivered at the Annual Meeting of the Modem Language Association, San Diego, 1994), 2-3
7. Derek Price, "Surveyors and Surveyed: Photography Out and About, " in Photography: A Critical Introduction, ed. Liz Wells (New York: Routledge, 1997), 75
8. William Wordsworth, "Illustrated Books and Newspapers [1846], " in Poetical Works oJWilliam Wordsworth, ed. William Knight(Edinburgh, 1850
9. Robert Taft, Photography and the American Scene [New York, Dover, 1964], 447)
10. Taft, Photography and the American Scene, 441
11. Crary, Techniques of the Observer, 19
12. Anne McClintock, Imperial Leather (New York, Routledge, 1995), 357
13. Anne McClintock, Imperial Leather (New York, Routledge, 1995), 44
14. Alan Trachtenberg, Reading American Photographs: Images as History, Mathew Brady to Walker Evans (New York: Hill and Wang, 1989), esp. ch. l
15. Grant B. Romer, "Gabriel B. Harrison-The Poetic Daguerreotypist, " Image 22.4 (September 1979)
16. Robert A. Sobieszek and Odette M. Appel, The Daguerreotypes of Southworth and Hawes (New York: Dover, 1980)
17. JacobRiis, Howthe Other Half Lives: Studies Among the Tenements of New York (1890; reprint, New York: Dover, 1971)
18. JacobRiis, Howthe Other Half Lives: Studies Among the Tenements of New York (1890; reprint, New York: Dover, 1971), 137
19. Ruthanne Lum McCunn, Chinese American Portraits: Personal Histories, 1828-1988 (1988; reprint, Seattle, Wash.: University of Washington Press, 1996)
20. Ruthanne Lum McCunn, Chinese American Portraits: Personal Histories, 1828-1988 (1988; reprint, Seattle, Wash.: University of Washington Press, 1996), 99
21. Ruthanne Lum McCunn, Chinese American Portraits: Personal Histories, 1828-1988 (1988; reprint, Seattle, Wash.: University of Washington Press, 1996), lOS
22. Ruthanne Lum McCunn, Chinese American Portraits: Personal Histories, 1828-1988 (1988; reprint, Seattle, Wash.: University of Washington Press, 1996), 105
23. Arthur Dong (Producer and Director) and Lorraine Dong (Writer), Sewing Woman (San Francisco: NAATA, 1982)
24. Vicente Rafael, "Nationalism, Imagery, and the Filipino Intelligentsia in the Nineteenth Century, " Critical Inquiry 16 (Spring 1990): 591-611
25. Chandra Talpade Mohanty, "Introduction, " in Third World Women and the Politics of Feminism, ed. Chandra Talpade Mohanty, Ann Russo, and Lourdes Torres (Bloomington: Indiana University Press, 1991), 23
26. Anna Davin, "Motherhood and Imperialism, " History Workshop 5 (Spring 1978): 13
27. Chandra Talpade Mohanty, "Introduction, " in Third World Women and the Politics of Feminism, ed. Chandra Talpade Mohanty, Ann Russo, and Lourdes Torres (Bloomington: Indiana University Press, 1991), 55
28. Etienne Balibar, "Racism and Nationalism, " in Etienne Balibar and Im111anuel Wallerstein, Nation, Race, Class: Ambiguous Identities (New York: Verso, 1991), 49