No fixed address: The women’s picture from Outrage to Blue Steel

Contemporary Hollywood Cinema

Volumn , Issue , 2013, Pages 229-246

  Cook, Pam ^a  

^a UNIVERSITY OF SOUTHAMPTON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85071071504     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203349847-25     Document Type: Chapter

References (18)

1. Pam Cook, ‘Melodrama and the women’s picture’, in S. Aspinall and R. Murphy (eds), BFI Dossier 18: Gainsborough Melodrama (London: BFI Publishing, 1983), p. 17.
2. Jackie Stacey’s, Star Gazing: Hollywood Cinema and Female Spectatorship (London and New York: Routledge, 1994).
3. In The Desire to Desire: The Woman’s Film of the 1940s (Basingstoke: Macmillan, 1987).
4. David Bordwell and Janet Staiger, ‘Since 1960: the persistence of a mode of film practice’, in D. Bordwell, J. Staiger and K Thompson, The Classical Hollywood Cinema: Film Style and Mode of Production to I960 (New York: Columbia University Press, 1985).
5. Jim Collins, ‘Genericity in the nineties: eclectic irony and the new sincerity’, in J. Collins, H. Radner and A. Preacher Collins (eds), Film Theory Goes to the Movies (New York: Routledge, 1993).
6. Timothy Corrigan, A Cinema Without Walls: Movies and Culture After Vietnam (New York: Routledge, 1991).
7. Edward Buscombe, Stagecoach (London: BFI Publishing, 1993).
8. Judith Mayne, Cinema and Spectatorship (New York and London: Routledge, 1993), p. 27.
9. Barbara Klinger, Melodrama and Meaning: History, Culture and the Films of Douglas Sirk (Bloomington and Indianapolis: Indiana University Press, 1994), p. 54.
10. Pam Cook, ‘Outrage’, in A. Kuhn (ed.), Queen of the ‘B’s: Ida Lupino Behind the Camera (London: Flicks Books, 1995).
11. Carol J. Clover, Men, Women and Chainsaws: Gender in the Modern Horror Film (London: BFI Publishing, 1992), p. 153.
12. Linda Williams, Hard Core: Power, Pleasure and the ‘Frenzy of the Visible’ (London: Pandora, 1991), p. 166.
13. Linda Williams, ‘Learning to scream’, Sight and Sound (NS) vol. 4, no. 12 (December 1994), p. 17.
14. Pam Cook, ‘Cape Fear and femininity as destructive power’, in P. Cook and P. Dodd (eds), Women and Film: A Sight and Sound Reader (London: Scarlet Press, 1993).
15. Jim Hillier, The New Hollywood (London: Studio Vista, 1993), p. 127.
16. Lizzie Francke, Script Girls: Women Screenwriters in Hollywood (London: BFI Publishing, 1994).
17. Jackie Stacey, Star Gazing
18. Miriam Hansen on Rudolph Valentino and female audiences in Babel and Babylon: Spectatorship in American Silent Film (Cambridge, Mass.: Harvard University Press, 1991).