The hermeneutics of seeing

Interpreting Visual Culture: Explorations in the Hermeneutics of Vision

Volumn , Issue , 2005, Pages 3-29

  Davey, Nicholas ^a  

^a UNIVERSITY OF DUNDEE   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85069816851     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203984598-9     Document Type: Chapter

References (12)

1. Bernstein, J.M., The Fate of Art, Aesthetic Alienation from Kant to Derrida and Adorno, London, Polity, 1993.
2. Gadamer, H.-G., The Relevance of the Beautiful, ed. R.Bernasconi, London, University of Cambridge Press, 1986.
3. Gadamer, H.-G., Truth and Method, trans. Doepel and Weinsheimer, London, Sheed and Ward, 1989.
4. Gadamer, H.-G. Kunst als Aussage, Tubingen, J.C.B.Mohr, 1993.
5. Heidegger, M., ‘On the Origin of an Art Work’, in Basic Writings, ed. D.Krell, New York, Harper Row, 1977.
6. Heidegger, M., Nietzsche. Vol. 1. The Will to Power as Art, New York, Harper and Row, 1979.
7. Heidegger, M., On The Way to Language, New York, HarperCollins, 1982.
8. Jay, M., Downcast Eyes: The Denigration of Vision in Twentieth Century French Thought, Berkeley, University of California Press, 1994.
9. Kaufman, L., Perception: The World Transformed, London, Oxford University Press, 1979.
10. Levin, D.M., The Poetic Function in Phenomenological Discourse, in W.McBride and C.Schrag (eds) Phenomenology in a Pluralistic Context, Selected Studies in Phenomenological and Existential Philosophy, Albany State University of New York, 1983.
11. Levin, D.M., The Opening of Vision, Nihilism and the Post-Modern Situation, London and New York, Routledge, 1988.
12. Levin D.M. (ed.), Modernity and the Hegemony of Vision, Berkeley, University of California Press, 1993.