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Volumn , Issue , 2005, Pages 39-55

Fingers to the bone or spaced out on creativity?: Labor process and ideology in the production of pop

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EID: 85069815183     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203995020-10     Document Type: Chapter
Times cited : (14)

References (42)
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    • Hesmondhalgh, D.1
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    • The British dance music industry: A case study of independent cultural production
    • Hesmondhalgh, D. (1998) “The British dance music industry: a case study of independent cultural production,�? British Journal of Sociology, 49, 234-51.
    • (1998) British Journal of Sociology , vol.49 , pp. 234-251
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  • 18
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    • The Music Industry as Workplace: An Approach to Analysis
    • A. Beck (ed.), London: Routledge Harwood
    • Jones, M. (2002) “The Music Industry as Workplace: an Approach to Analysis,�? in Cultural Work: Understanding the Cultural Industries, A. Beck (ed.), London: Routledge Harwood.
    • (2002) Cultural Work: Understanding the Cultural Industries
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  • 19
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    • From Craft to Art: The Case of Sound Mixers and Popular Music
    • S. Frith and A. Goodwin (eds), London: Routledge
    • Kealy, E. (1990) “From Craft to Art: the Case of Sound Mixers and Popular Music,�? in On Record: Rock, Pop and the Written Word, S. Frith and A. Goodwin (eds), London: Routledge, pp. 207-20.
    • (1990) On Record: Rock, Pop and the Written Word , pp. 207-220
    • Kealy, E.1
  • 20
    • 0005629520 scopus 로고
    • Motion and Feeling Through Music
    • C. Keil and S. Feld, Chicago: University of Chicago Press
    • Keil, C. (1994) “Motion and Feeling Through Music,�? in Music Grooves: Essays and Dialogues, C. Keil and S. Feld, Chicago: University of Chicago Press, pp. 53-76.
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  • 22
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    • Lees, G. (1987) Singers and the Song, New York: Oxford University Press.
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    • Creation as Craft
    • A. Rothenberg and C. Hausman (eds), Durham: Duke University Press
    • Poe, E. (1976/1846) “Creation as Craft,�? in The Creativity Question, A. Rothenberg and C. Hausman (eds), Durham: Duke University Press, pp. 57-61.
    • (1846) The Creativity Question , pp. 57-61
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    • Simon, G. (1981) The Big Bands (4th edn), New York: Schirmer.
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  • 34
    • 0009022020 scopus 로고
    • Characterizing Rock Music Culture: The Case of Heavy Metal
    • S. Frith and A. Goodwin (eds), London: Routledge
    • Straw, W. (1990) “Characterizing Rock Music Culture: the Case of Heavy Metal,�? in On Record: Rock, Pop and the Written Word, S. Frith and A. Goodwin (eds), London: Routledge, pp. 97-110.
    • (1990) On Record: Rock, Pop and the Written Word , pp. 97-110
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  • 35
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    • Popular Music and Postmodernism in the 1980s
    • S. Frith, A. Goodwin and L. Grossberg (eds), London: Routledge
    • Straw, W. (1993) “Popular Music and Postmodernism in the 1980s,�? in Sound and Vision: the Music Video Reader, S. Frith, A. Goodwin and L. Grossberg (eds), London: Routledge, pp. 3-21.
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    • The ‘sound’ of music: Technological rationalization and the production of popular music
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    • (1989) New Formations , vol.8 , pp. 99-111
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  • 42


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.