Miscegenation, nation formation and cross-racial identifications in the early Francoist folkloric film musical

Hybridity and its Discontents: Politics, Science, Culture

Volumn , Issue , 2005, Pages 56-71

  Labanyi, Jo ^a,b  

^a UNIVERSITY OF LONDON   (United Kingdom)

^b UNIVERSITY OF LONDON   (United Kingdom)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85069599764     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203991954-9     Document Type: Chapter

References (17)

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3. De Certeau, M. (1986) Heterologies: Discourse on the Other, Manchester: Manchester University Press.
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5. Dyer, R. (1979) Stars, London: British Film Institute.
6. Dyer, R. (1993) ‘Entertainment and utopia’, in S. During (ed.), The Cultural Studies, Reader, London and New York: Routledge.
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8. Labanyi, J. (1997) ‘Race, gender and disavowal in the Spanish cinema of the early Franco period: the missionary film and the folkloric musical’, Screen, 38, 3: 215-31.
9. Mayne, J. (1993) Cinema and Spectatorship, London: Routledge.
10. Mitchell, T. (1994) Flamenco Deep Song, London and New Haven: Yale University Press.
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13. Rogin, M. (1996) Blackface, White Noise: Jewish Immigrants in the Hollywood Melting Pot, Berkeley, Los Angeles and London: University of California Press.
14. Silverman, K. (1992) Male Subjectivity at the Margins, New York and London: Routledge.
15. Sommer, D. (1991) Foundational Fictions: The National Romances of Latin America, Berkeley, Los Angeles and London: University of California Press.
16. Sommer, D. (1996) ‘The places of history: regionalism revisited in Latin America’, Modern Language Quarterly, 57, 2: 119-27.
17. Werbner, P. and Modood, T. (1997) Debating Cultural Hybridity: Multi-cultural Identities and the Politics of Anti-racism, London: Zed Books.