Affect in artistic and scientific creativity

Affect, Creative Experience, and Psychological Adjustment

Volumn , Issue , 2015, Pages 93-108

  Feist, Gregory J ^a  

^a William and Mary   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85069308123     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781315784557-17     Document Type: Chapter

References (73)

1. Alexenberg, M. L. (1981). The aesthetic experience in creative process. Ramat Gan, Israel: Barllan University Press.
2. Amabile, T. (1993). The Social Psychology of Creativity. New York: Springer Verlag.
3. Andreasen, N. C, & Glick, I. D. (1988). Bipolar affective disorder and creativity: Implications and clinical management. Comprehensive Psychiatry. 29, 207-216.
4. Andreason, N. C, & Powers, P. (1974). Overinclusive thinking in mania and schizophrenia. British Journal of Psychiatry, 125, 452-456.
5. Barron, F. (1955). The disposition toward originality. Journal of Abnormal and Social Psychology, 51, 478-485.
6. Barron, F. (1963). Creativity and psychological health. New York: Van Nostrad.
7. Beveridge, W. I. B. (1957). The art of scientific investigation (3rd ed.). New York: Vintage.
8. Bush, M. (1969). Psychoanalysis and scientific creativity. Journal of the American Psychoanalytic Association, 17, 136-190.
9. Chandrasekhar, S. (1987). Truth and beauty: Aesthetics and motivations in science. Chicago: Chicago University Press.
10. Csikszentmihalyi, M. (1978). Phylogenetic and ontogenetic functions of artistic congition. In S. Madeja (Ed.), The arts, cognition and basic skills (pp. 114-127). St. Louis, MO: CERMEL.
11. Curtin, D. W. (1982). The aesthetic dimension of science. New York: Philosophical Library.
12. Dudek, S. Z. (1968). Regression and creativity. Journal of Nervous and Mental Disease, 147, 535-546.
13. Dyson, F. J. (1982). Manchester and Athens. In D. W. Curtin (Ed.), The aesthetic dimension of science (pp. 41-62). New York: Philosophical Library.
14. Einstein, A. (1988). Mein Weltbild (Original work published 1934) Frankfurt: Ullstein Materialien.
15. Epstein, S. (1990). Cognitive-experiential self theory. In L. A. Pervin (Ed.), Handbook of personality-Theory and research (pp. 165-192). New York: Guilford Press.
16. Estrada, C. A., Isen, A. M., & Young, M. J. (1994). Positive affect improves creative problem solving and influences reported source of practice satisfaction in physicians. Motivation and Emotion, 18, 285-299.
17. Eysenck, H. J. (1993). Creativity and personality. Suggestion for a theory. Psychological Inquiry, 4, 147-178.
18. Eysenck, H. J. (1995). Genius: The natural history of creativity. Cambridge, England: Cambridge University Press.
19. Feist, G. J. (1991). Synthetic and analytic thought: Similarities and differences among art and science students. Creativity Research Journal, 4, 145-155.
20. Feist, G. J. (1993). A structural model of scientific eminence. Psychological Science, 4, 366-371.
21. Feist, G. J. (1994). Affective consequences of insight in art and science students. Cognition and Emotion, 8, 489-502.
22. Feist, G. J. (1998). Affective states and traits in creativity: Evidence for non-linear relationships. In M. A. Runco (Ed.), Handbook of creativity research (Vol. 2) Cresskill, NJ: Hampton Press.
23. Feist, G. J., & Gorman, M. E. (1999). The psychology of science: Review and integration of a nascent discipline. Review of General Psychology, 2, 3-47.
24. Feist, G. J., & Runco, M. A. (1993). Trends in the creativity literature. An analysis of the research in the Journal of Creative Behavior (1967-1989). Creativity Research Journal, 6, 271-286.
25. Fiedler, K. (1988). Emotional mood, cognitive style, and behavior regulation. In K. Fiedler & J. Forgas (Eds.), Affect, cognition, and social behavior (pp. 100-119). Toronto: Hogrefe.
26. Freud, S. (1958). On creativity and the unconscious. (“Papers on Applied Psychoanalysis�? [Vol. 41 Collected Works of Sigmund Freud) New York: Harper. (Original work published in 1925).
27. Fromm, E. (1973). The anatomy of human destructiveness. New York: Holt, Rinehart & Winston.
28. Gamble, K. R., & Kellner, H. (1968). Creative functioning and cognitive regression. Journal of Personality and Social Psychology, 9, 266-271.
29. Gardner, H. (1973). The arts and human development. New York: Wiley.
30. Gray, J. J. (1969). The effect of productivity on primary process and creativity. Journal of Projective Techniques and Personality Assessment, 33, 213-218.
31. Gruber, H. E. (1995). Insight and affect in the history of science. In R. J. Sternberg & J. E. Davidson (Eds.). The nature of insight (pp. 397-431). Cambridge, MA: MIT Press.
32. Hartshorne, C. (1982). Science as the search for the hidden beauty in the world. In D. W. Curtin (Ed.), The aesthetic dimension of science (pp. 85-106). New York: Philosophical Library.
33. Hersch, C. (1962). The cognitive functioning of the creative person: A developmental analysis. Journal of Projective Techniques, 26, 193-200.
34. Hilgard, E. R. (1962). Impulsive versus realistic thinking. An examination of the distinction between primary and secondary processes in thought. Psychological Bulletin, 59, 477-488.
35. Isen, A., & Daubman, K. A. (1984). The influence of affect on categorization. Journal of Personality and Social Psychology, 52, 1122-1131.
36. Isen, A. M., Daubman, K. A., & Nowicki, G. P. (1987). Positive affect facilitates creative problem solving. Journal of Personality and Social Psychology, 52, 1122-1131.
37. Isen, A., Johnson, M. M., Mertz, E., & Robinson, G. F. (1985). The influence of positive effect on the unusualness of word associations. Journal of Personality and Social Psychology, 48, 1413-1426.
38. Jamison, K. R. (1993). Touched with fire: Manic-depressive illness and the artistic temperament. New York: Free Press.
39. Koestler, A. (1964). The act of creation. New York: Macmillan.
40. Kris, E. (1952). Psychoanalytic explorations in art. New York: Schoken Books.
41. Kuhn, T. (1977). The essential tension: Selected studies in scientific tradition and change. Chicago: University of Chicago Press.
42. Larson, R. W. (1990). Emotions and the creative process: Anxiety, boredom, and enjoyment as predictors of creative writing. Imagination, Cognition, and Personality, 9, 275-292.
43. Lazarus, R. S. (1991). Emotion and adaptation. New York: Oxford University Press.
44. Lipscomb, W. N. (1982). Aesthetic aspects of science. In D. W. Curtin (Ed.), The aesthetic dimension of science (pp. 1-24). New York: Philosophical Library.
45. Lombroso, C. (1891/1976). Genius and insanity. In A. Rothenberg & C. R. Hausman (Eds.), The creativity question (pp. 79-86). Durham, NC: Duke University Press.
46. Ludwig, A. M. (1992). Creative achievement and psychopathology: Comparison among professions. American Journal of Psychotherapy, 46, 330-354.
47. Ludwig, A. M. (1995). The price of greatness. New York: Guilford Press.
48. MacKinnon, D. W. (1970). Creativity: A multi-faceted phenomenon. In J. Roslansky (Ed.), Creativity (pp. 19-32). Amsterdam: North-Holland.
49. MacKinnon, D. W. (1975). IPAR’s contribution to the conceptualization and study of creativity. In I. Taylor & J. Getzels (Eds.), Perspectives on creativity (pp. 60-89). Chicago: Adeline.
50. Matthews, G. (1986). The effects of anxiety on intellectual performance: When and why are they found? Journal of Research on Personality, 20, 385-401.
51. Mendelsohn, G. A. (1976). Associative and attentional processes in creative performance. Journal of Personality, 44, 341-369.
52. Mynatt, C. R., Doherty, M. E., & Tweney, R. D. (1977). Confirmation bias in simulated research environment: An experimental study of scientific inference. Quarterly Journal of Experimental Psychology, 29, 85-95.
53. Mynatt, C. R., Doherty, M. E., & Tweney, R. D. (1978). Consequences of confirmation and disconfirmation in a simulated research environment. Quarterly Journal of Experimental Psychology, 30, 395-406.
54. O’Quin, K., & Derks, P. (1996). Humor and creativity: A review of the empirical literature. In M. A. Runco (Ed.), Creativity research handbook (Vol. 1, pp. 223-252). Cresskill, NJ: Hampton Press.
55. Otto, J. H., & Schmitz, B. B. (1993). Veränderungen positiver Gefühlszustande durch analytische und kreative Informationsverarbeitung [Changes in positive mood states induced by analytical and creative information processing]. Zeitscrift für Experimentaelle und Angewandte Psychologic 40, 235-266.
56. Pine, F., & Holt, R. R. (1960). Creativity and primary process: A study of adaptive regression. Journal of Abnormal and Social Psychology, 61, 370-379.
57. Poincare, H. (1952). Mathematical creation. In B. Ghiselin (Ed.), The creative process (pp. 33-42). New York: Plume and Meridan Books.
58. Rank, O. (1964). The myth of the birth of the hero. New York: Vintage. (Original work published 1932)
59. Richards, R. (1994). Creativity and bipolar mood swings: Why the association? In M. P. Shaw & M. A. Runco (Eds.), Creativity and affect (pp. 44-72). Norwood, NJ: Ablex.
60. Richards, R. L., & Kinney, D. K. (1990). Mood swings and creativity. Creativity Research Journal, 3, 202-217.
61. Richards, R. L. Kinney, D. K., Lunde, I., Benet, M., & Merzel, A. (1988). Creativity in manic-depressives, cyclothymes, their normal relatives, and control subjects. Journal of Abnormal Psychology, 97, 281-289.
62. Root-Bernstein, R. S. (1989). Discovering. Cambridge, MA: Harvard University Press.
63. Rosenberg, E. L., Ekman, P., & Blumenthal, J. (1998). Facial expression and the affective component of cynical hostility. Health Psychology, 17, 1-15.
64. Runco, M. A. (1994). Creativity and its discontents. In M. P. Shaw & M. A. Runco (Eds.), Creativity and affect (pp. 102-123). Norwood, NJ: Ablex.
65. Russ, S. (1993). Affect and creativity: The role of affect and play in the creative process. Hillsdale, NJ: Erlbaum.
66. Sagan, C. (1996). The demon-haunted world: Science as a candle in the dark. New York: Random House.
67. Sashin, J. I. (1993). Duke Ellington: The creative process and the ability to experience and tolerate affect. In S. L. Ablon, D. Brown, E. J. Khantzian, & J. E. Mack (Eds.), Human feelings: Explorations in affect, development and meaning (pp. 317-332). Hillsdale, NJ: Analytic Press.
68. Shaw, M., & Runco, M. A. (Eds.). (1994). Creativity and affect. Norwood, NJ: Ablex.
69. Skinner, B. F. (1953). Science and human behavior. New York: Macmillan.
70. Suler, J. R. (1980). Primary process thinking and creativity. Psychological Bulletin, 88, 144-165.
71. Wayne, J. (1974). The male artist as stereotypical female. Arts in Society, 11, 107-114.
72. Wild, C. (1965). Creativity and adaptive regression. Journal of Personality and Social Psychology, 2, 161-169.
73. Yang, C. N. (1982). Beauty and theoretical physics. In D. W. Curtin (Ed.), The aesthetic dimension of science (pp. 25-40). New York: Philosophical Library.