Narrative comprehension and film

Narrative Comprehension and Film

Volumn , Issue , 2013, Pages 1-326

  Branigan, Edward ^a  

^a UNIVERSITY OF CALIFORNIA   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85066973279     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9781315003108     Document Type: Book

References (460)

1. Abel, Richard. “Notorious: Perversion par Excellence.�? In A Hitchcock Reader, ed. by Marshall Deutelbaum and Leland Poague. Ames: Iowa State University Press, 1986.
2. Affron, Charles. Cinema and Sentiment. Chicago, TIL: University of Chicago Press, 1982.
3. Allen, Robert C. “Reader-Oriented Criticism and Television.�? In Channels of Discourse: Television and Contemporary Criticism, ed. by Robert C. Allen. Chapel Hill: University of North Carolina Press, 1987.
4. Altman, Rick., Charles F. “Psychoanalysis and Cinema: The Imaginary Discourse.�? Quarterly Review of Film Studies 2 (August 1977): 257-72.
5. Altman, Rick The American Film Musical. Bloomington: Indiana University Press, 1987.
6. Altman, Rick ‘Dickens, Griffith, and Film Theory Today.�? South Atlantic Quarterly 88 (Spring 1989): 321-59.
7. Anderson, John R. Language, Memory, and Thought. Hillsdale, N.J.: Erlbaum, 1976.
8. Anderson, Joseph and Barbara. “Motion Perception in Motion Pictures.�? In The Cinematic Apparatus, ed. by Teresa de Lauretis and Stephen Heath. New York: St Martin’s Press, 1980.
9. Andrew, Dudley. Concepts in Film Theory. New York: Oxford University Press, 1984.
10. Ang, len. “Feminist Desire and Female Pleasure.�? Commentary on Janice Radway’s Reading the Romance: Women, Patriarchy and Popular Literature. Camera Obscura 16 (january 1988): 178-91.
11. Applebee, Arthur N. The Child’s Concept of Story: Ages Two to Seventeen. Chicago, Ill.: University of Chicago Press, 1978.
12. Armes, Roy. “Robbe-Grillet, Ricardou and Last Year At Marienbad.�? Quarterly Review of Film Studies 5 (Winter 1980): 1-17.
13. Arnheim, Rudolf. Film as Art. Berkeley: University of California Press, 1957.
14. Aumont, Jacques. “The Point of View,�? trans. by Arthur Denner. Quarterly Review of Film and Video 11 (1989): 1-22.
15. Ayer, A.J. Probability and Evidence. New York: Macmillan, 1972.
16. Baars, Barnard J. The Cognitive Revolution in Psychology. New York: Guilford, 1986.
17. Bacher, Lutz. “Max Ophuls’s Universal-International Films: The Impact of Production Circumstances on a Visual Style.�? Ph.D. dissertation. Detroit, Mich.: Wayne State University Press, 1984.
18. Bal, Mieke. “The Narrating and the Focalizing: A Theory of the Agents in Narrative.�? Style 17 (Spring 1983): 234-69.
19. Bal, Mieke. Narratology: Introduction to the Theory of Narrative, trans. by Christine van Boheemen. Toronto: University of Toronto Press, 1985.
20. Banfield, Ann. Unspeakable Sentences: Narration and Representation in the Language of Fiction. London: Routledge & Kegan Paul, 1982.
21. Barrow, H.G. and J.M. Tenenbaum. “Computational Approaches to Vision.�? In Handbook of Perception and Human Performance 2: Cognitive Processes and Performance, ed. by Kenneth R. Boff, Lloyd Kaufman, and James P. Thomas. New York: John Wiley & Sons, 1986.
22. Barry, Jackson G. “Narratology’s Centrifugal Force: A Literary Perspective on the Extensions of Narrative Theory.�? Poetics Today 11 (Summer 1990): 295-307.
23. Barthes, Roland. “To Write: An Intransitive Verb?�? In The Structuralist Controversy: The Languages of Criticism and the Sciences of Man, ed. by Richard Macksey and Eugenio Donato. Baltimore, Md.: Johns Hopkins University Press, 1972.
24. Barthes, Roland S/Z, trans. by Richard Miller. New York: Hill & Wang, 1974.
25. Barthes, Roland The Pleasure of the Text, trans. by Richard Miller. New York: Hill & Wang, 1975.
26. Barthes, Roland “An Introduction to the Structural Analysis of Narrative,�? trans. by Lionel Duisit. New Literary History 6 (Winter 1975): 237-72.
27. Barthes, Roland “Introduction to the Structural Analysis of Narratives.�? In Image Music-Text, trans. by Stephen Heath. New York: Hill & Wang, 1977.
28. Barthes, Roland “The Death of the Author.�? In Image-Music-Text, trans. by Stephen Heath. New York: Hill & Wang, 1977.
29. Barthes, Roland “The Realistic Effect,�? trans. by Gerald Mead. Film Reader 3 (1978): 131-5.
30. Barthes, Roland., Camera Lucida: Reflections on Photography, trans. by Richard Howard. New York: Hill & Wang, 1981.
31. Barthes, Roland., “The Reality Effect.�? In French Literary Theory Today: A Reader, ed. by Tzvetan Todorov, trans. by R. Carter. Cambridge: Cambridge University Press, 1982.
32. Barthes, Roland., “The Reality Effect.�? In The Rustle of Language, trans. by Richard Howard. New York: Hill & Wang, 1986.
33. Barthes, Roland., “Introduction to the Structural Analysis of Narratives.�? In The Semiotic Challenge, trans. by Richard Howard. New York: Hill & Wang, 1988.
34. Barthes, Roland., “Semantics of the Object.�? In The Semiotic Challenge, trans. by Richard Howard. New York: Hill & Wang, 1988.
35. Barthes, Roland., “Textual Analysis of a Tale by Edgar Allan Poe.�? In The Semiotic Challenge, trans. by Richard Howard. New York: Hill & Wang, 1988.
36. Barthes, Roland., “The Sequences of Actions.�? In The Semiotic Challenge, trans. by Richard Howard. New York: Hill & Wang, 1988.
37. Bazin, Andre. “Cinema and Exploration.�? In What is Cinema? I, trans. by Hugh Gray. Berkeley and Los Angeles: University of California Press, 1967.
38. Bazin, Andre. “Theater and Cinema - Part One.�? In What is Cinema? I, trans. by Hugh Gray. Berkeley and Los Angeles: University of California Press, 1967.
39. Bazin, Andre. “Theater and Cinema - Part Two.�? In What is Cinema? I, trans. by Hugh Gray. Berkeley and Los Angeles: University of California Press, 1967.
40. Bazin, Andre. “The Evolution of the Language of Cinema.�? In What is Cinema? I, trans. by Hugh Gray. Berkeley and Los Angeles: University of California Press, 1967.
41. Bazin, Andre. “The Ontology of the Photographic Image.�? In What is Cinema? I, trans. by Hugh Gray. Berkeley and Los Angeles: University of California Press, 1967.
42. Bazin, Andre. “The Virtues and Limitations of Montage.�? In What is Cinema? I, trans. by Hugh Gray. Berkeley and Los Angeles: University of California Press, 1967.
43. Bazin, Andre. “A Pure Masterpiece: The River.�? In Jean Renoir, trans. by W.W. Halsey and William H. Simon. New York: Dell, 1973.
44. Bellour, Raymond. “Segmenting/Analyzing.�? In Narrative, Apparatus, Ideology: A Film Theory Reader, ed. by Philip Rosen. New York: Columbia University Press, 1986.
45. Bellour, Raymond “The Obvious and the Code.�? In Narrative, Apparatus, Ideology: A Film Theory Reader, ed. by Philip Rosen. New York: Columbia University Press, 1986.
46. Belton, John. “Technology and Aesthetics of Film Sound.�? In Film Sound: Theory and Practice, ed. by Elisabeth Weis and John Belton. New York: Columbia University Press, 1985.
47. Benjamin, Walter. “The Work of Art in the Age of Mechanical Reproduction.�? In Illuminations, trans. by Harry Zohn. New York: Schocken, 1968.
48. Berendsen, Marjet. “The Teller and the Observer: Narration and Focalization in, Narrative Texts.�? Style 18 (Spring 1984): 140-58.
49. Biro, Yvette. “In the Spiral of Time.�? Millennium Film Journal (Fall/Winter 1984-5): 173-7.
50. Black, David Alan. “Genette and Film: Narrative Level in the Fiction Cinema.�? Wide Angle 8 (1986): 19-26.
51. Black, David Alan “Cinematic Realism and the Phonographic Analogy.�? Cinema Journal 26 (Winter 1987): 39-50.
52. Black, David Alan “Narrative Film and the Synoptic Tendency.�? Ph.D. dissertation. New York University, 1988.
53. Black, Henry Campbell. Black’s Law Dictionary. St Paul: West, 5th ed., 1979.
54. Boff, Kenneth R., Lloyd Kaufman, and James P. Thomas, eds. “Cognitive Processes and Performance.�? In Handbook of Perception and Human Performance 1. New York: John Wiley & Sons, 1986.
55. Boff, Kenneth R., Lloyd Kaufman, and James P. Thomas, eds. “Representation of Motion and Space in Video and Cinematic Displays.�? In Handbook of Perception and Human Performance 1. New York: John Wiley & Sons, 1986.
56. Booth, Wayne C. The Rhetoric of Fiction. Chicago, Ill.: University of Chicago Press, 1961.
57. Bordwell, David. The Films of Carl-Theodor Dreyer. Berkeley: University of California Press, 1981.
58. Bordwell, David “Happily Ever After, Part 2.�? Velvet Light Trap 19 (1982): 2-7.
59. Bordwell, David Narration in the Fiction Film. Madison: University of Wisconsin Press, 1985.
60. Bordwell, David “Oassical Hollywood Cinema: Narrational Principles and Procedures.�? In Narrative, Apparatus, Ideology: A Film Theory Reader, ed. by Philip Rosen. New York: Columbia University Press, 1986.
61. Bordwell, David Ozu and the Poetics of Cinema. Princeton, N.J.: Princeton University Press, 1988.
62. Bordwell, David “Approppriations and In Propprieties: Problems in the Morphology of Film Narrative.�? Cinema Journal 27 (Spring 1988): 5-20.
63. Bordwell, David “Making Meaning: Inference and Rhetoric in the Interpretation of Cinema. Cambridge, Mass.: Harvard University Press, 1989.
64. Bordwell, David “A Case for Cognitivism.�? Iris 9 (Spring 1989): 11-40.
65. Bordwell, David Reply to Seymour Chatman’s review of Bordwell’s Narration in the Fiction Film. Unpublished. Bordwell, David and Kristin Thompson. Film Art: An Introduction. New York: McGraw-Hill, 3rd ed., 1990.
66. Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. New York: Columbia University Press, 1985.
67. Bower, Gordon H. and Randolph K. Cirilo. “Cognitive Psychology and Text Processing.�? In Handbook of Discourse Analysis 1: Disciplines of Discourse, ed. by Teun A. van Dijk. New York: Academic Press, 1985.
68. Brachman, Ronald J. and Hector J. Levesque, eds. Readings in Knowledge Representation. Los Altos, Calif.: Morgan Kaufmann, 1985.
69. Branigan, Edward. “The Spectator and Film Space - Two Theories.�? Screen 22 (1981): 55-78.
70. Branigan, Edward Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film. New York and Berlin: Mouton, 1984.
71. Branigan, Edward “What Is a Camera?�? In Cinema Histories, Cinema Practices, ed. by Patricia Mellencamp and Philip Rosen. Frederick, Md.: University Publications of America, 1984.
72. Branigan, Edward “The Point-of-View Shot.�? In Movies and Methods: An Anthology 2, ed. by Bill Nichols. Berkeley and Los Angeles: University of California Press, 1985.
73. Branigan, Edward “Diegesis and Authorship in Film.�? Iris 7 (Fall 1986): 37-54.
74. Branigan, Edward“ ‘Here is a Picture of No Revolver!’: The Negation of Images, and Methods for Analyzing the Structure of Pictorial Statements.�? Wide Angle 8 (1986): 8--17.
75. Branigan, Edward “Point of View in the Fiction Film.�? Wide Angle 8 (1986): 4-7.
76. Branigan, Edward “Controversy and Correspondence: Narration Issues.�? Reply to Seymour Chatman. In Film Quarterly 41 (Fall 1987): 63.
77. Branigan, Edward Review of George M. Wilson’s Narration in Light: Studies in Cinematic Point of View. In SubStance 56 (1988): 118--21.
78. Branigan, Edward “Sound and Epistemology in Film.�? Journal of Aesthetics and Art Criticism 47 (Fall 1989): 311-24.
79. Branigan, Edward “The Space of Equinox Flower.�? In Close Viewings: An Anthology of New Film Criticism, ed. by Peter Lehman. Tallahassee: Florida State University Press, 1990.
80. Bremond, Claude. “The Logic of Narrative Possibilities.�? New Literary History 11 (Spring 1980): 387-411.
81. Brewster, Ben. “A Scene at the ‘Movies.’ “ Screen 23 (July/August 1982): 4-15.
82. Brinton, Joseph P. “Subjective Camera or Subjective Audience?�? Hollywood Quarterly 2 (July 1947): 359-65.
83. Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. New York: Knopf, 1984.
84. Brooks, Virginia. “Film, Perception and Cognitive Psychology.�? Millennium Film Journal (Falll Winter 1984-5): 105-26.
85. Browne, Nick. The Rhetoric of Filmic Narration. Ann Arbor, Mich.: UMI Research Press, 1976.
86. Bullock, Merry, Rochel Gelman, and Renee Baillargeon. “The Development of Causal Reasoning.�? In The Developmental Psychology of Time, ed. by William J. Friedman. New York: Academic Press, 1982.
87. Bunge, Mario. Causality and Modern Science. New York: Dover Publications, 3rd ed., 1979.
88. Burch, Noel. “Carl Theodor Dreyer: The Major Phase.�? In Cinema: A Critical Dictionary - The Major Film-Makers 1, ed. by Richard Roud. New York: Viking Press, 1980.
89. Burch, Noel. “Fritz Lang: German Period.�? In Cinema: A Critical Dictionary - The Major Film-Makers 2, ed. by Richard Roud. New York: Viking Press, 1980.
90. Burch, Noel. Theory of Film Practice, trans. by Helen R. Lane. Princeton, N.J.: Princeton University Press, 1981.
91. Burch, Noel. “Notes on Fritz Lang’s First Mabuse.�? Cine-Tracts 13, 4 (Spring 1981): 1-13 plus 8 unnumbered pages of stills.
92. Burch, Noel. “Primitivism and the Avant-Gardes: A Dialectical Approach.�? In Narrative, Apparatus, Ideology: A Film Theory Reader, ed. by Philip Rosen. New York: Columbia University Press, 1986.
93. Burch, Noel. Life to those Shadows, trans. and ed. by Ben Brewster. Berkeley: University of California Press, 1990.
94. Burgoyne, Robert. “The Interaction of Text and Semantic Deep Structure in the Production of Filmic Characters.�? Iris 4 (1986): 69-79.
95. Burgoyne, Robert. “The Cinematic Narrator: The Logic and Pragmatics of Impersonal Narration.�? Journal of Film and Video 42 (Spring 1990): 3-16.
96. Burgoyne, Robert, Sandy Flitterman-Lewis, and Robert Stam. New Vocabularies in Film Semiotics: Structuralism, Post-Structuralism and Beyond. London: Routledge, 1992.
97. Butzel, Marcia. Motion as Narration: Theory and Practice of Cinematic Choreography. University of Illinois Press, forthcoming.
98. Camper, Fred. “Distance and Style: The Visual Rhetoric of Max Ophuls: Letter from an Unknown Woman.�? Monogram 5 (1974): 21-4.
99. Canby, Vincent. “Film: ‘Sans Soleil,’ Views of People.�? New York Times. October 26,1983.
100. Carr, Thomas H. “Perceiving Visual Language.�? In Handbook of Perception and Human Performance 2, “Cognitive Processes and Performance,�? ed. by Kenneth R. Boff, Lloyd Kaufman, and James P. Thomas. New York: John Wiley & Sons, 1986.
101. Carroll, Noel. “Toward a Theory of Film Editing.�? Millennium Film Journal (Winter/Spring 1979): 79-99.
102. Carroll, Noel. �?Toward a Theory of Film Suspense.�? Persistence of Vision (Summer 1984): 65-89.
103. Carroll, Noel. Mystifying Movies: Fads and Fallacies in Contemporary Film Theory. New York: Columbia University Press, 1988.
104. Carroll, Noel. “Buster Keaton, The General, and Visible Intelligibility.�? In Close Viewings: An Anthology of New Film Criticism, ed. by Peter Lehman. Tallahassee: Florida State University Press, 1990.
105. Carroll, Noel.�?Toward a Theory of Point-of-View-Editing: Communication, Emotion and the Movies.�? Poetics Today (forthcoming).
106. Casebier, Allan. “A Deconstructive Documentary.�? In Journal of Film and Video 40 (Winter 1988): 34-9.
107. Caughie John, ed. Theories of Authorship: A Reader. London: Routledge & Kegan Paul, 1981.
108. Cavell, Stanley. “Psychoanalysis and Cinema: The Melodrama of the Unknown Woman.�? In Images in Our Souls: Cavell, Psychoanalysis, and Cinema, ed. by Joseph H. Smith and William Kerrigan. Baltimore, Md.: Johns Hopkins University Press, 1987.
109. Cebik, L.B. Fictional Narrative and Truth: An Epistemic Analysis. New York: University Press of America, 1984.
110. Chamblee, Robert. “Max Ophuls’ Viennese Trilogy: Communications Styles and Structures�? [sic]. Ph.D. dissertation, New York University, 1981.
111. Chatman, Seymour. “Narration and Point of View in Fiction and the Cinema.�? Poetica 1 (1974).
112. Chatman, Seymour. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca, N.Y.: Cornell University Press, 1978.
113. Chatman, Seymour. “What Is Description in the Cinema?�? Cinema Journal 23 (Summer 1984): 4-11.
114. Chatman, Seymour. “Characters and Narrators: Filter, Center, Slant, and Interest-Focus.�? Poetics Today 7 (1986): 189-204.
115. Chatman, Seymour. Review of David Bordwell’s Narration in the Fiction Film. In Wide Angle 8 (1986): 139-4l.
116. Chatman, Seymour. Review of Edward Branigan’s Point of View in the Cinema: A Theory of Narration and Subjectivity in Classical Film. In Film Quarterly 40 (Fall 1986): 45--6.
117. Chatman, Seymour. “Controversy and Correspondence: Narration Issues.�? Reply to Edward Branigan in Film Quarterly 41 (Fall 1987): 63-5.
118. Chatman, Seymour. “Who Is the Best Narrator? The Case of The Third Man.�? Style 23 (Summer 1989): 183-96.
119. Chatman, Seymour. Coming to Terms: The Rhetoric of Narrative in Fiction and Film. Ithaca, N.Y.: Cornell University Press, 1990.
120. Chomsky, Noam. Reflections on Language. New York: Pantheon, 1975.
121. Cixous, Helene. “The Character of ‘Character.’�? New Literary History 5 (Winter 1974): 383-402.
122. Clark, Andy. Microcognition: Philosophy, Cognitive Science, and Parallel Distributed Processing. Cambridge, Mass.: MIT Press, 1989.
123. Clifford, James. “On Ethnographic Surrealism.�? Comparative Studies in Society and History 23 (October 1981): 539--64.
124. Cohan, Steven and Linda M. Shires. Telling Stories: A Theoretical Analysis of Narrative Fiction. New York: Routledge, 1988.
125. Cohn, Dorrit. “Signposts of Fictionality: A Narratological Perspective.�? Poetics Today 11 (Winter 1990): 775-804.
126. Collins, Jim. Uncommon Cultures: Popular Culture and Post-Modernism. New York: Routledge, 1989.
127. Cornisky, Paul and Jennings Bryant. “Factors Involved in Generating Suspense.�? Human Communication Research 9 (Fall 1982): 49-58.
128. Coste, Didier. Narrative as Communication. Minneapolis: University of Minnesota Press, 1989.
129. Critical Inquiry 7 (Autumn 1980). Special issue on “On Narrative.�?
130. Crofts, Stephen. “Authorship and Hollywood.�? Wide Angle 5 (1983): 16-22.
131. Culler, Jonathan. Structuralist Poetics: Structuralism, Linguistics and the Study of Literature. Ithaca, N.Y.: Cornell University Press, 1975.
132. Culler, Jonathan. “Fabula and Sjuzhet in the Analysis of Narrative: Some American Discussions.�? Poetics Today 1 (1980): 27-37.
133. Culler, Jonathan. “Problems in the Theory of Fiction.�? Diacritics 14 (Spring 1984): 2-11.
134. Cunningham, Donna S. “Dear Dad: A Daughter’S Discourse in Letter from an Unknown Woman.�? Unpublished paper. Los Angeles: University of Southern California, 1989.
135. Currie, Gregory. The Nature of Fiction. New York: Cambridge University Press, 1990.
136. Danto, Arthur C. Narration and Knowledge. Including the integral text of Analytical Philosophy of History. New York: Columbia University Press, 1985.
137. Davis, Howard. “Form and the Function of the Father: An Alternative Analysis of Max Ophuls’ Letter from an Unknown Woman.�? MA dissertation. Los Angeles: University of California, 1983.
138. Davis, Howard. “The Unconscious Subject in Letter from an Unknown Woman.�? Unpublished paper. Los Angeles: University of California, 1984.
139. Dayan, Daniel with Brian Henderson. “The Tutor Code of Classical Cinema.�? Film Quarterly 28 (Fall 1974): 22-31.
140. de Beaugrande Robert. Text, Discourse, and Process: Toward a Multidisciplinary Science of Texts. Norwood, N.J.: Ablex, 1980.
141. de Lauretis Teresa. Alice Doesn’t: Feminism, Semiotics, Cinema. Bloomington: Indiana University Press, 1984.
142. de Lauretis Teresa., Technologies of Gender: Essays on Theory, Film, and Fiction. BlOOmington: Indiana University Press, 1987.
143. Derry, Charles. “Towards a Categorization of Film Narrative.�? Film Reader 2 (1977): 111-22.
144. Desser, David. The Samurai Films of Akira Kurosawa. Ann Arbor, Mich.: UMI Research Press, 1983.
145. Deutelbaum, Marshall. “Finding the Right Man in The Wrong Man.�? In A Hitchcock Reader, ed. by Marshall Deutelbaum and Leland Poague. Ames: Iowa State University Press, 1986.
146. Diacritics 7 (Spring 1977). Issue on Bremond and Greimas.
147. Diawara, Manthia. “Oral Literature and African Film: Narratology in Wend Kuuni.�? Presence Africaine 142 (1987): 36-49.
148. Dmytryk, Edward. On Film Editing: An Introduction to the Art of Film Construction. Boston, Mass.: Focal Press, 1984.
149. Doane, Mary Ann. The Desire to Desire: The Woman’s Film of the 1940s. Bloomington: Indiana University Press, 1987.
150. Doane, Mary Ann. “The Voice in the Cinema: The Articulation of Body and Space.�? Yale French Studies 60 (1980): 33-50.
151. Dolezel, Lubomir. “A Scheme of Narrative Time.�? In Semiotics of Art: Prague School Contributions, ed. by Ladislav Matejka and Irwin R. Titunik. Cambridge, Mass.: MIT Press, 1976.
152. Dowling, William C. Jameson, Althusser, Marx: An Introduction to “The Political Unconscious.�? Ithaca, N.Y.: Cornell University Press, 1984.
153. Dreamworks 1 (Spring 1980). Special issue on “Dream and Film.�?
154. Ducrot, Oswald and Tzvetan Todorov. Encyclopedic Dictionary of the Sciences of Language, trans. by Catherine Porter. Baltimore, Md.: Johns Hopkins University Press, 1979.
155. Dummett, Michael. “Frege: Sense and Reference.�? In Philosophy Through Its Past, ed. by Ted Honderich. New York: Penguin, 1984.
156. Durgnat, Raymond. The Strange Case of Alfred Hitchcock, or The Plain Man’s Hitchcock. Cambridge, Mass.: MIT Press, 1974.
157. Ďurovi�?ová, Nataša. “Letter to an Unknown Woman: Reading Markers in Sans Soleil.�? Unpublished paper. Los Angeles: University of California, 1989.
158. Dyer, Richard. Stars. London: British Film Institute, 1979.
159. Eagle, Herbert, ed. Russian Formalist Film Theory. Ann Arbor: University of Michigan Press, 1981.
160. Eberwein, Robert T. Film and The Dream Screen: A Sleep and a Forgetting. Princeton, N.J.: Princeton University Press, 1984.
161. Eberwein, Robert T. “The Filmic Dream and Point of View.�? Literature/Film Quarterly 8 (1980): 197-203.
162. Eco, Umberto. A Theory of Semiotics. Bloomington: Indiana University Press, 1976.
163. Edmiston, William F. “Focalization and the First-Person Narrator: A Revision of the Theory.�? Poetics Today 10 (Winter 1989): 729-44.
164. Eisenstein, Sergei. The Film Sense, trans. by Jay Leyda. New York: Harcourt, Brace & World, 1947.
165. Eisenstein, Sergei. “A Dialectic Approach to Film Form.�? In Film Form: Essays in Film Theory, trans. by Jay Leyda. New York: Harcourt, Brace & World, 1949.
166. Eisenstein, Sergei. “Dickens, Griffith, and the Film Today.�? In Film Form: Essays in Film Theory, trans. by Jay Leyda. New York: Harcourt, Brace & World, 1949.
167. Eisenstein, Sergei. “The Fourth Dimension in Cinema.�? In S.M. Eisenstein: Selected Works 1, Writings 1922-34, trans. by Richard Taylor. BlOOmington: Indiana University Press, 1988.
168. Eisenstein, Sergei. “The Dramaturgy of Film Form (The Dialectical Approach to Film Form).�? In S.M. Eisenstein: Selected Works 1, Writings 1922-34, trans. by Richard Taylor. Bloomington: Indiana University Press, 1988.
169. Elgin, Catherine Z. With Reference to Reference. Indianapolis, Ind.: Hackett, 1983.
170. Fischer, Lucy. Shot/Countershot: Film Tradition and Women’s Cinema. Princeton, N.J.: Princeton University Press, 1989.
171. Fleischman, Suzanne. Tense and Narrativity: From Medieval Performance to Modern Fiction. Austin: University of Texas Press, 1990.
172. Fodor, Jerry. The Modularity of Mind. Cambridge, Mass.: Bradford Books/MIT Press, 1983.
173. Forster, E.M. Aspects of the Novel. New York: Harcourt, Brace, 1927.
174. Frawley, William. Text and Epistemology. Norwood, N.J.: Ablex, 1987.
175. Frye, Northrop. Fables of Identity: Studies in Poetic Mythology. New York: Harcourt, Brace & World, 1963.
176. Gardner, Howard. “From Melvin to Melville: On the Relevance to Aesthetics of Recent Research on Story Comprehension.�? In The Arts, Cognition, and Basic Skills, ed. by Stanley S. Madeja. St Louis, Mo.: Cemrel, 1978.
177. Gardner, Howard. Frames of Mind: The Theory of Multiple Intelligences. New York: Basic Books, 1983.
178. Gardner, Howard. The Mind’s New Science: A History of the Cognitive Revolution. New York: Basic Books, expanded ed., 1987.
179. Gaudreault, Andre. “Narration and Monstration in the Cinema.�? Journal of Film and Video 39 (Spring 1987): 29-36.
180. Gee, James Paul and François Grosjean. “Empirical Evidence for Narrative Structure.�? Cognitive Science 8 (January-March 1984): 59-85.
181. Genette, Gerard. ‘Boundaries of Narrative,�? trans. by Ann Levonas. New Literary History 8 (Autumn 1976): 1-13.
182. Genette, Gerard. Narrative Discourse: An Essay in Method, trans. by Jane E. Lewin. Ithaca, N.Y.: Cornell University Press, 1980.
183. Genette, Gerard. Narrative Discourse Revisited, trans. by Jane E. Lewin. Ithaca, N.Y.: Cornell University Press, 1988.
184. Gerrig, Richard J. “Reexperiencing Fiction and Non-Fiction.�? Journal of Aesthetics and Art Criticism 47 (Summer 1989): 277-80.
185. Goffman, Erving. Frame Analysis: An Essay on the Organization of Experience. Cambridge, Mass.: Harvard University Press, 1974.
186. Goldman, Alvin I. Epistemology and Cognition. Cambridge, Mass.: Harvard University Press, 1986.
187. Goodman, Nelson. Languages of Art: An Approach to a Theory of Symbols. Indianapolis, Ind.: Hackett, 2nd ed., 1976.
188. Goodman, Nelson. Ways of Worldmaking. Indianapolis, Ind.: Hackett, 1978.
189. Goodman, Nelson. Fact, Fiction, and Forecast. Cambridge, Mass.: Harvard University Press, 4th ed., 1983.
190. Goodman, Nelson. Of Mind and Other Matters. Cambridge, Mass.: Harvard University Press, 1984.
191. Goodman, Nelson and Catherine Z. Elgin. Reconceptions in Philosophy and Other Arts and Sciences. Indianapolis, Ind.: Hackett, 1988.
192. Gorbman, Oaudia. Unheard Melodies: Narrative Film Music. Bloomington: Indiana University Press, 1987.
193. Gossman, Lionel. “History and Literature.�? In The Writing of History: Literary Form and Historical Understanding, ed. by Robert H. Canary and Henry Kozicki. Madison: University of Wisconsin Press, 1978.
194. Graesser, Arthur C. and Leslie F. Oark. Strudures and Procedures of Implicit Knowledge. Norwood, N.J.: Ablex, 1985.
195. Greenspun, Roger. “Corrections: Roger Greenspun on Letter from an Unknown Woman.�? Film Comment 11 (January-February 1975): 89-92.
196. Greimas, Algirdas Julien. On Meaning: Selected Writings in Semiotic Theory, trans. by Paul J. Perron and Frank H. Collins. Minneapolis: University of Minnesota Press, 1981.
197. Greimas, Algirdas Julien and François Rastier. “The Interaction of Semiotic Constraints.�? Yale French Studies 41 (1968): 86-105.
198. Greimas, Algirdas Julien and Joseph Courtes. “The Cognitive Dimension of Narrative Discourse.�? New Literary History 7 (Spring 1976): 433-47.
199. Greimas, Algirdas Julien and Joseph Courtes. “The Cognitive Dimension of Narrative Discourse.�? Reprinted in special issue on “Greimassian Semiotics�? in New Literary History 20 (Spring 1989): 563-79.
200. Grimes, Joseph E. The Thread of Discourse. The Hague: Mouton, 1975.
201. Gulich, Elisabeth and Uta M. Quasthoff. “Narrative Analysis.�? In Handbook of Discourse Analysis 2: Dimensions of Discourse, ed. by Teun A. van Dijk. New York: Academic Press, 1985.
202. Guynn, William. A Cinema of Nonfiction. London and Toronto: Associated University Presses, 1990.
203. Hale, Norman. “Letter from an Unknown Woman: The Dance of Time and Space.�? Cinemonkey 5 (Winter 1979): 11-14.
204. Hamburger, Kate. The Logic of Literature, trans. by Marilynn J. Rose. Bloomington: Indiana University Press, 2nd rev. ed., 1973.
205. Hamon, Philippe. “Rhetorical Status of the Descriptive.�? Yale French Studies 61 (1981): 1-26.
206. Harding, D. W. “Psychological Processes in the Reading of Fiction.�? British Journal of Aesthetics 2 (April.1962): 133-47.
207. Hamad, Stevan, ed. Categorical Perception: The Groundwork of Cognition. New York: Cambridge University Press, 1987.
208. Hartman, Geoffrey H. “The Voice of the Shuttle: Language from the Point of View of Literature.�? In Beyond Formalism: Literary Essays 1958-1970. New Haven, Conn.: Yale University Press, 1970.
209. Haskell, Molly. From Reverence to Rape: The Treatment of Women in the Movies. Chicago, Ill.: University of Chicago Press, 2nd ed., 1987.
210. Haslett, Beth. “A Developmental Analysis of Children’s Narratives.�? In Contemporary Issues in Language and Discourse Processes, ed. by Donald G. Ellis and William A. Donohue. Hillsdale, N.J.: Erlbaum, 1986.
211. Hastie, Reid. “Schematic Principles in Human Memory.�? In Social Cognition: The Ontario Symposium 1, ed. by E. Tory Higgins, C. Peter Herman, and Mark P. Zanna. Hillsdale, N.J.: Erlbaum, 1981.
212. Hayward, Albert W. Review of L.B. Cebik’s Fictional Narrative and Truth: An Epistemic Analysis. In Journal of Aesthetics and Art Criticism 45 (Winter 1986): 205-9.
213. Heath, Stephen. “Film and System: Terms of Analysis 1.�? Screen 16 (Spring 1975): 7-77.
214. Heath, Stephen. “Film and System: Terms of Analysis 2.�? Screen 16 (Summer 1975): 91-113.
215. Heath, Stephen. “Touch of Evil, the Long Version - a Note.�? Screen 17 (Spring 1976): 115-17.
216. Heath, Stephen. “Postscript.�? In Ophuls, ed. by Paul Willemen. London: British Film Institute, 1978.
217. Heath, Stephen. “The Question Oshima.�? In Ophuls, ed. by Paul Willemen. London: British Film Institute, 1978.
218. Heath, Stephen. “Body, Voice.�? In Questions of Cinema. New York: Macmillan, 1981.
219. Heath, Stephen. “Contexts.�? In Questions of Cinema. New York: Macmillan, 1981.
220. Heath, Stephen. “Narrative Space.�? In Questions of Cinema. New York: Macmillan, 1981.
221. Heath, Stephen. “The Question Oshima.�? In Questions of Cinema. New York: Macmillan, 1981.
222. Hedges, Inez. Breaking the Frame: Film Language and the Experience of Limits. Bloomington: Indiana University Press, 1991.
223. Hobbs, Jerry R. Literature and Cognition. Stanford, Calif.: Center for the Study of Language and Information, 1990.
224. Hoberman, J. “Dis Orient, Dat Occident.�? Village Voice. November 1, 1983.
225. Hochberg, Julian E. Perception. Englewood Cliffs, N.J.: Prentice-Hall, 2nd ed., 1978.
226. Hochberg, Julian E. “Representation of Motion and Space in Video and Cinematic Displays.�? In Handbook of Perception and Human Performance 1, ed. by Kenneth R. Boff, Lloyd Kaufman, and James P. Thomas. New York: John Wiley & Sons, 1986.
227. Holland, Norman N. “Film Response from Eye to I: The Kuleshov Experiment.�? South Atlantic Quarterly 88 (Spring 1989): 415-42.
228. Hume, David. A Treatise of Human Nature 1, ed. by L.A. Selby-Bigge. London: Oxford University Press, 1951.
229. Iser, Wolfgang. The Act of Reading: A Theory of Aesthetic Response. Baltimore, Md.: Johns Hopkins University Press, 1978.
230. Iser, Wolfgang. “Narrative Strategies as a Means of Communication.�? In Interpretation of Narrative, ed. by Mario J. Valdes and Owen J. Miller. Toronto: University of Toronto Press, 1978.
231. Jackendoff, Ray. Consciousness and the Computational Mind. Cambridge, Mass.: MIT Press, 1987.
232. Jakobson, Roman. ‘Visual and Auditory Signs.�? In Selected Writings 2. The Hague: Mouton, 1971.
233. Jakobson, Roman. “Linguistics and Poetics.�? In The Structuralists: From Marx to Levi-Strauss, ed. by Richard and Femande de George. Garden City, N.Y.: Doubleday, 1972.
234. James, William. The Principles of Psychology 1. Cambridge, Mass.: Harvard University Press, 1981.
235. Jarvie, Ian. Philosophy of the Film: Epistemology, Ontology, Aesthetics. New York: Routledge & Kegan Paul, 1987.
236. Jesionowski, Joyce E. Thinking in Pictures: Dramatic Structure in D. W. Griffith’s Biograph Films. Berkeley: University of California Press, 1987.
237. Johnson, Mark. The Body in the Mind: The Bodily Basis of Meaning, Imagination, and Reason. Chicago, Ill.: University of Chicago Press, 1987.
238. Kaplan, E. Ann. Women and Film: Both Sides of the Camera. New York: Methuen, 1983.
239. Kaplan, E. Ann. “Introduction: From Plato’s Cave to Freud’s Screen.�? In Psychoanalysis & Cinema, New York: Routledge, 1990.
240. Kaplan, E. Ann, ed. Psychoanalysis & Cinema. New York: Routledge, 1990.
241. Kaufmann, Morgan. Knowledge and Representation, ed. by Beatrice de Gelder. London: Routledge & Kegan Paul, 1982.
242. Kawin, Bruce. Mindscreen: Bergman, Godard, and First-Person Film. Princeton, N.J.: Princeton University Press, 1978.
243. Kawin, Bruce. “An Outline of Film Voices.�? Film Quarterly 38 (Winter 1984-5): 38-46.
244. Kay, Paul. “Linguistic Competence and Folk Theories of Language: Two English Hedges.�? In Proceedings of the Ninth Annual Meeting of the Berkeley Linguistics Society. Berkeley, Calif.: Berkeley Linguistics Society, 1983.
245. Kermode, Frank. The Sense of an Ending: Studies in the Theory of Fiction. New York: Oxford University Press, 1967.
246. Kermode, Frank. “Sensing Endings.�? Nineteenth-Century Fiction 33. Gune 1978: 144-58.
247. Kestner, Joseph. “Secondary illusion: The Novel and the Spatial Arts.�? In Spatial Form in Narrative, ed. by Jeffrey R. Smitten and Ann Daghistany. Ithaca, N.Y.: Cornell University Press, 1981.
248. Khatchadourian, Haig. “Space and Time in Film.�? British Journal of Aesthetics 27 (Spring 1987): 169-77.
249. Kinder, Marsha. “The Subversive Potential of the Pseudo-Iterative.�? Film Quarterly 43 (Winter 1989-90): 3-16.
250. Kinneavy, James L. A Theory of Discourse: The Aims of Discourse. New York: W.W. Norton, 1971.
251. Kolers, Paul A. and Henry L. Roediger. “Procedures of Mind.�? Journal of Verbal Learning and Verbal Behavior 23 (August 1984): 425-49.
252. Kozloff, Sarah Ruth. Review of David Bordwell’s Narration in the Fiction Film. In Film Quarterly 40 (Fall 1986): 43-5.
253. Kozloff, Sarah Ruth. “Narrative Theory and Television.�? In Channels of Discourse: Television and Contemporary Criticism, ed. by Robert C. Allen. Chapel Hill: University of North Carolina Press, 1987.
254. Kozloff, Sarah Ruth. Invisible Storytellers: Voice-Over Narration in American Fiction Film. Berkeley: University of California Press, 1988.
255. Kurzon, Dennis. “How Lawyers Tell Their Tales: Narrative Aspects of a Lawyer’s Brief.�? Poetics 14 (December 1985): 467-81.
256. Labov, William. The Social Stratification of English in New York City. Washington, D.C.: Center for Applied Linguistics, 1966.
257. Labov, William. Language in the Inner City. University Park: University of Pennsylvania Press, 1972.
258. Lacan, Jacques. “The Insistence of the Letter in the Unconscious.�? Yale French Studies 36/37 (1966): 112-47.
259. Lakoff, George. Women, Fire, and Dangerous Things: What Categories Reveal about the Mind. Chicago, ill.: University of Chicago Press, 1987.
260. Lakoff, George and Mark Johnson. Metaphors We Live By. Chicago, TIL: University of Chicago Press, 1980.
261. Lanser, Susan Sniader. The Narrative Act: Point of View in Prose Fiction. Princeton, N.J.: Princeton University Press, 1981.
262. Laplanche, J. and J.B. Pontalis. The Language of Psycho-Analysis, trans. by Donald Nicholson-Smith. New York: W.W. Norton, 1973.
263. Leff, Leonard. “Reading Kane.�? Film Quarterly 39 (Fall 1985): 10-20.
264. Leondar, Barbara. “Hatching Plots: Genesis of Storymaking.�? In The Arts and Cognition, ed. by David Perkins and Barbara Leondar. Baltimore, Md.: Johns Hopkins University Press, 1977.
265. Levi-Strauss, Claude. Structural Anthropology, trans. by Claire Jacobson and Brooke Grundfest Schoepf. Garden City, N.Y.: Doubleday, 1967.
266. Levinson, Jerrold. ‘The Place of Real Emotion in Response to Fictions.�? Journal of Aesthetics and Art Criticism 48 (Winter 1990): 79-80.
267. Lightman, Herb A. “The Technique Of The Documentary Film.�? American Cinematographer 26 (November 1945): 371, 378, 402.
268. Lipton, Lenny. Independent Filmmaking. San Francisco, Calif.: Straight Arrow Books, rev. ed., 1973.
269. Livingstone, Margaret S. “Art, lllusion and the Visual System.�? Scientific American 258 Ganuary 1988: 78-85.
270. Lloyd, Dan. Simple Minds. Cambridge, Mass.: MIT Press, 1989.
271. Lubbock, Percy. The Craft of Fiction. New York: Charles Scribner & Sons, 1921.
272. Luhr, William. “Raymond Chandler and ‘The Lady in the Lake.’ “ Wide Angle 6 (1984): 28-33.
273. MacCabe, Colin. “Realism and the Cinema: Notes on some Brechtian Theses.�? Screen 15 (Summer 1974): 7-27.
274. MacCabe, Colin. “The Politics of Separation.�? Screen 16 (Winter 1975-6): 46-57.
275. MacCabe, Colin. “Days of Hope - a Response to Colin McArthur.�? Screen 17 (Spring 1976): 98-10l.
276. MacCabe, Colin. “Theory and Film: Principles of Realism and Pleasure.�? Screen 17 (Autumn 1976): 7-27.
277. MacCabe, Colin. “The Discursive and the Ideological in Film: Notes on the Conditions of Political Intervention.�? Screen 19 (Winter 1978-9): 29-43.
278. MacCabe, Colin. Tracking the Signifier: Theoretical Essays: Film, Linguistics, Literature. Minneapolis: University of Minnesota Press, 1985.
279. McCarten, John. Review of Lady in the Lake. The New Yorker. February 1, 1947.
280. MacDougall, David. “Beyond Observational Cinema.�? In Movies and Methods: An Anthology 2, ed. by Bill Nichols. Berkeley: University of California Press, 1985.
281. Macksey, Richard and Eugenio Donato, eds. “To Write: An Intransitive Verb?�? In The Structuralist Controversy: The Languages of Criticism and the Sciences of Man. Baltimore, Md.: Johns Hopkins University Press, 1972: 134-45.
282. McVay, Douglas. “Letter from an Unknown Woman.�? Focus on Film 35 (April 1980): 28-30.
283. Mancuso, James c. “The Acquisition and Use of Narrative Grammar Structure.�? In Narrative Psychology: The Storied Nature of Human Conduct, ed. by Theodore R. Sarbin. New York: Praeger, 1986.
284. Mandelker, Steven. “Searle on Fictional Discourse: A Defense Against Wolterstorff, Pavel and Rorty.�? British Journal of Aesthetics 27 (Spring 1987): 156-68.
285. Mandler, George. Cognitive Psychology: An Essay in Cognitive Science. Hillsdale, N.J.: Erlbaum, 1985.
286. Mandler, Jean Matter. Stories, Scripts, and Scenes: Aspects of Schema Theory. Hillsdale, N.J.: Erlbaum, 1984
287. Mandler, Jean Matter. “On the Psychological Reality of Story Structure.�? Discourse Processes 10 (january-March 1987): 1-29.
288. Marchessault, Janine. “Sans Soleil.�? CineAction! 5 (Spring 1986): 2-6.
289. Margolin, Uri. “Individuals in Narrative Worlds: An Ontological Perspective.�? Poetics Today 11 (Winter 1990): 843-71.
290. Margolis, Joseph. Art and Philosophy: Conceptual Issues in Aesthetics. Brighton, Sussex: Harvester, 1980.
291. Marker, Chris. “Sunless.�? Semiotext(e) 4 (1984): 33-40.
292. Marr, David. Vision: A Computational Investigation into the Human Representation and Processing of Visual Information. San Francisco, Calif.: W.H. Freeman, 1982.
293. Marshall, Stuart. “Lady in the Lake: Identification and the Drives.�? Film Form 1 (Autumn 1977): 34-50.
294. Martin, Wallace. Recent Theories of Narrative. Ithaca, N.Y.: Cornell University Press, 1986.
295. Metz, Christian. Film Language: A Semiotics of the Cinema, trans. by Michael Taylor. New York: Oxford University Press, 1974.
296. Metz, Christian The Imaginary Signifier: Psychoanalysis and the Cinema, trans. by Celia Britton, Annwyl Williams, Ben Brewster and Alfred Guzzetti. Bloomington: Indiana University Press, 1982.
297. Metz, Christian “The Impersonal Enunciation, or the Site of Film (In the margin of recent works on enunciation in cinema).�? New Literary History 22 (Summer 1991): 747-72.
298. Meyer, Bonnie J.F. The Organization of Prose and its Effects on Memory. Amsterdam: North-Holland, 1975.
299. Miller, Michael W. “Creativity Furor: High-Tech Alteration of Sights and Sounds Divides the Arts World.�? Wall Street Journal 117. September 1, 1987.
300. Mink, Louis O. “Narrative Form as a Cognitive Instrument.�? In The Writing of History: Literary Form and Historical Understanding, ed. by Robert H. Canary and Henry Kozicki. Madison: University of Wisconsin Press, 1978.
301. Minsky, Marvin. The Society of Mind. New York: Simon & Schuster, 1986.
302. Mitchell, W.J.T., ed. On Narrative. Chicago, ill.: University of Chicago Press, 1981.
303. Modleski, Tania. “Time and Desire in the Woman’s Film.�? Cinema Journal 23 (Spring 1984): 19-30.
304. Moreno, Julio L. “Subjective Cinema: And the Problem of Film in the First Person.�? Quarterly of Film, Radio and Television 7 (1952-3): 341-58.
305. Mulvey, Laura. Visual and Other Pleasures. Bloomington: Indiana University Press, 1989.
306. Miinsterberg, Hugo. The Film: A Psychological Study: The Silent Photoplay in 1916. New York: Dover, 1970.
307. Naremore, James. Acting in the Cinema. Berkeley: University of California Press, 1988.
308. Nelles, William. “Getting Focalization into Focus.�? Poetics Today 11 (Summer 1990): 365-82.
309. New Literary History 6, 11 (Winter 1975 and Spring 1980). Special issues on “On Narrative and Narratives.�?
310. Nichols, Bill. Ideology and the Image: Social Representation in the Cinema and Other Media. Bloomington: Indiana University Press, 1981.
311. Nichols, Bill ‘The Voice of Documentary.�? In Movies and Methods: An Anthology 2, ed. by Bill Nichols. Berkeley: University of California Press, 1985.
312. Nichols, Bill “History, Myth, and Narrative in Documentary.�? Film Quarterly 41 (Fall 1987): 9-20.
313. Nichols, Bill “Form Wars: The Political Unconscious of Formalist Theory.�? South Atlantic Quarterly 88 (Spring 1989): 487-515.
314. Nichols, Bill and Susan J. Lederman. “Flicker and Motion in Film.�? In The Cinematic Apparatus, ed. by Teresa de Lauretis and Stephen Heath. New York: St Martin’s Press, 1980.
315. Nietzsche, Friedrich. Beyond Good and Evil: Prelude to a Philosophy of the Future, trans. by Walter Kaufmann. New York: Vintage, 1966.
316. Nizhny, Vladimir. Lessons with Eisenstein, trans. by Ivor Montagu and Jay Leyda. London: George Allen & Unwin, 1962.
317. PaImer, F.R. Semantics: A New Outline. London: Cambridge University Press, 1976.
318. Parsons, Terence. “A Meinongian Analysis of Fictional Objects.�? In Grazer Philosophische Studien 1 (1974).
319. Parsons, Terence Nonexistent Objects. New Haven, Conn.: Yale University Press, 1980.
320. Pavel, Thomas G. The Poetics of Plot: The Case of English Renaissance Drama. Minneapolis: University of Minnesota Press, 1985.
321. Pavel, Thomas G. Fictional Worlds. Cambridge, Mass.: Harvard University Press, 1986.
322. Penley, Constance, ed. Feminism and Film Theory. New York: Routledge, 1988.
323. Perkins, V.F. “Letter from an Unknown Woman.�? Movie (Summer 1982): 61-72.
324. Peterson, James. “The Artful Mathematicians of the Avant-Garde.�? Wide Angle 7 (1985): 14-23.
325. Peterson, James. “Bruce Conner and the Compilation Narrative.�? Wide Angle 8 (1986): 53-62.
326. Piaget Jean. Structuralism, trans. by Chaninah Maschler. New York: Harper & Row, 1970.
327. Pieraut-Le Bonniec Gilberte. The Development of Modal Reasoning: Genesis of Necessity and Possibility Notions. New York: Academic Press, 1980.
328. Pipolo, Tony. “The Aptness of Terminology: Point of View, Consciousness and Letter from an Unknown Woman.�? Film Reader 4 (1979): 166-79.
329. Planalp, Sally. “Scripts, Story Grammars, and Causal Schemas.�? In Contemporary Issues in Language and Discourse Processes, ed. by Donald G. Ellis and William A. Donohue. Hillsdale, N.J.: Erlbaum, 1986.
330. Plantinga, Carl. “Defining Documentary: Fiction, Non-Fiction, and Projected Worlds.�? Persistence of Vision 5 (Spring 1987): 44-54.
331. Plantinga, Carl. “The Mirror Framed: A Case For Expression in Documentary.�? Wide Angle 13 (April 1991): 40-53.
332. Plaus, F. Xavier. “Freudian Drive Theory and Epistemology.�? In The Psychology of Knowing, ed. by Joseph R. Royce and William W. Rozeboom. New York: Gordon & Breach, 1972.
333. Pleh, Csaba. “On 1;1ormal- and Content-Based Models of Story Memory.�? In Literary Discourse: Aspects of Cognitive and Social Psychological Approaches, ed. by Laszlo Halasz. New York: Walter de Gruyter, 1987.
334. Poetics 15 (April 1986). Special issue on “Narrative Analysis: An Interdisciplinary Dialogue.�?
335. Poetics Today 11, 12 (Summer and Winter 1990, Fall 1991). Special issues on “Narratology Revisited.�?
336. Polan, Dana. Power and Paranoia: History, Narrative, and the American Cinema. 1940-1950. New York: Columbia University Press, 1986.
337. Prado, C.G. Making Believe: Philosophical Reflections on Fiction. Westport, Conn.: Greenwood Press, 1984.
338. Pratt, Mary Louise. Toward a Speech Act Theory of Literary Discourse. Bloomington: Indiana University Press, 1977.
339. Prince, Gerald. A Grammar of Stories: An Introduction. The Hague: Mouton, 1973.
340. Prince, Gerald. “Aspects of a Grammar of Narrative.�? Poetics Today 1 (1980): 49-63.
341. Prince, Gerald. Narratology: The Form and Functioning of Narrative. New York: Mouton, 1982.
342. Prince, Gerald. A Dictionary of Narratology. Lincoln: University of Nebraska Press, 1987.
343. Propp, Vladimir. Morphology of the Folktale, trans. by Laurence Scott, rev. and ed. by Louis A. Wagner. Austin: University of Texas Press, 2nd ed., 1968.
344. Pylyshyn, Zenon W. “Metaphorical Imprecision and the ‘Top-Down’ Research Strategy.�? In Metaphor and Thought, ed. by Andrew Ortony. New York: Cambridge University Press, 1979.
345. Quine, W.V. Quiddities: An Intermittently Philosophical Dictionary. Cambridge, Mass.: Harvard University Press, 1987.
346. Rabkin, Eric S. “Spatial Form and Plot.�? In Spatial Form in Narrative, ed. by Jeffrey R. Smitten and Ann Daghistany. Ithaca, N.Y.: Cornell University Press, 1981.
347. Rafferty, Terrence. “Marker Changes Trains.�? Sight and Sound 53 (Autumn 1984): 284-8.
348. Reddy, Michael J. “The Conduit Metaphor - A Case of Frame Conflict in Our Language about Language.�? In Metaphor and Thought, ed. by Andrew Ortony. New York: Cambridge University Press, 1979.
349. Reisz, Karel. “Ophuls and La Ronde.�? Sequence Ganuary 1952: 33-5.
350. Reisz, Karel and Gavin Millar. The Technique of Film Editing. New York: Hastings House, 2nd ed., 1968.
351. Renov, Michael. “Documentaryrrechnoiogyllmmediacy: Strategies of Resistance.�? Unpublished paper. Los Angeles: University of Southern California, 1986.
352. Renov, Michael. “Re-thinking Documentary: Toward a Taxonomy of Mediation.�? Wide Angle 8 (1986): 71-7.
353. Riffaterre, Michael. Fictional Truth. Baltimore, Md.: Johns Hopkins University Press, 1990.
354. Rimmon-Kenan, Shlomith. Narrative Fiction: Contemporary Poetics. New York: Methuen, 1983.
355. Robbe-Grillet, Alain. “Nature, Humanism, Tragedy.�? In For A New Novel: Essays on Fiction, trans. by Richard Howard. New York: Grove, 1965.
356. Rodowick, D.N., “The Difficulty of Difference.�? Wide Angle 5 (1982): 4-15.
357. Ronen, Ruth. “Paradigm Shift in Plot Models: An Outline of the History of Narratology.�? Poetics Today 11 (Winter 1990): 817-42.
358. Rorty, Richard. “Is There a Problem about Fictional Discourse?�? In Consequences of Pragmatism. Essays: 1972-1980. Minneapolis: University of Minnesota Press, 1982.
359. Rosen, Philip. “History of Image, Image of History: Subject and Ontology in Bazin.�? Wide Angle 9 (1987): 7-34.
360. Rothman, William. Hitchcock - The Murderous Gaze. Cambridge, Mass.: Harvard University Press, 1982.
361. Rush, Jeffrey S. “‘Lyric Oneness’: The Free Syntactical Indirect and the Boundary Between Narrative and Narration.�? Wide Angle 8 (1986): 27-33.
362. Russell, Bertrand. Mysticism and Logic and other Essays. London: George Allen & Unwin, 1949.
363. Russell, Bertrandk., Logic and Knowledge. Essays, 1901-1950, ed. by Robert Charles Marsh. New York: Macmillan, 1956.
364. Russell, Bertrandk., The Problems of Philosophy. London: Oxford University Press, 1972.
365. Ruthrof, Horst. The Reader’s Construction of Narrative. London: Routledge & Kegan Paul, 1981.
366. Ryan, Marie-Laure. “Fiction as a LOgical, Ontological, and Illocutionary Issue.�? Style 18 (Spring 1984): 121-39.
367. Ryan, Marie-Laure., “Stacks, Frames and Boundaries, or Narrative as Computer Language.�? Poetics Today 11 (Winter 1990): 873-99.
368. Ryle, Gilbert. “Imaginary Objects.�? In Proceedings of the Aristotelian Society. Supplementary 12 (1933): 18-43.
369. Ryle, Gilbert “Knowing How and Knowing That.�? In Proceedings of the Aristotelian Society 46 (1945-6): 1-16.
370. Ryle, Gilbert The Concept of Mind. London: Hutchinson, 1949.
371. Said, Edward W. Beginnings: Intention and Method. New York: Basic Books, 1975.
372. Salt, Barry. Film Style and Technology: History and Analysis. London: Starword, 1983.
373. Sarbin, Theodore R., ed. Narrative Psychology: The Storied Nature of Human Conduct. New York: Praeger, 1986.
374. Schank, Roger C. and Robert P. Abelson. Scripts, Plans, Goals and Understanding. Hillsdale, N.J.: Erlbaum, 1977.
375. Scheuer, Stephen H., ed. Movies On TV: 1982-1983 Edition. New York: Bantam, 9th rev. ed., 1981.
376. Schiffrin, Deborah. “Multiple Constraints on Discourse Options: A Quantitative Analysis of Causal Sequences.�? Discourse Processes 8 (July-September 1985): 281-303.
377. Seamon, Roger. “The Story of the Moral: The Function of Thematizing in Literary Criticism.�? Journal of Aesthetics and Art Criticism 47 (Summer 1989): 229-36.
378. Searle, John R. “The Logical Status of Fictional Discourse.�? New Literary History 6 (Winter 1975): 319-32.
379. Sesonske, Alexander. “Cinema Space.�? In Explorations in Phenomenology, ed. by David Carr and Edward S. Casey. The Hague: Martinus Nijhoff, 1973.
380. Sesonske, Alexander “Time and Tense in Cinema.�? Journal of Aesthetics and Art Criticism 38 (Summer 1980): 419-26.
381. Shusterman, Richard. “Interpretation, Intention, and Truth.�? Journal of Aesthetics and Art Criticism 46 (Spring 1988): 399-411.
382. Silverman, Kaja. The Subject of Semiotics. New York: Oxford University Press, 1983.
383. Silverman, Kaja “Dis-Embodying the Female Voice.�? In Re-Vision: Essays in Feminist Film Criticism, ed. by Mary Ann Doane, Patricia Mellencamp and Linda Williams [The American Film Institute Monograph Series 3]. Frederick, Md.: University Publications of America, 1984.
384. Silverman, Kaja The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema. Bloomington: Indiana University Press, 1988.
385. Simmons, Steven. “Man Without a Country.�? The Movies (November 1983).
386. Sjogren, Britta, “Sustaining Difference: The Female Voice-Off in Letter from an Unknown Woman.�? Unpublished paper. Los Angeles: University of California, 1990.
387. Slater, Hartley. “Fictions.�? British Journal of Aesthetics 27 (Spring 1987): 145-55.
388. Sobchack, Vivian. The Address of the Eye: A Phenomenology of Film Experience. Princeton, N.J.: Princeton University Press, forthcoming.
389. Staiger, Janet. Interpreting Films: Studies in the Historical Reception of American Cinema. Princeton, N.J.: Princeton University Press, 1992.
390. Stam, Robert and Ella Shohat. “Zelig and Contemporary Theory: Meditation on the Chameleon Text.�? Enclitic 17/18 (1987): 176-93.
391. Stein, Nancy L. “The Comprehension and Appreciation of Stories: A Developmental Analysis.�? In The Arts, Cognition, and Basic Skills, ed. by Stanley S. Madeja. St Louis, Mo.: Cemrel, 1978.
392. Stein, Nancy L. and Christine G. Glenn. “Children’s Concept of Time: The Development of a Story Schema.�? In The Developmental Psychology of Time, ed. by William J. Friedman. New York: Academic Press, 1982.
393. Steiner, Peter. Russian Formalism: A Metapoetics. Ithaca, N.Y.: Cornell University Press, 1984.
394. Stenning. Keith and Lynn Michell. “Learning How to Tell a Good Story: The Development of Content and Language in Children’s Telling of One Tale.�? Discourse Processes 8 (july-September 1985): 261-79.
395. Stephenson, Ralph and Jean R. Debrix. The Cinema as Art. Baltimore, Md.: Penguin, 2nd ed., 1976.
396. Steranko, Jim. “Who is Scorpio?�? In Nick Fury, Agent of S.H.I.E.L.D. 1. Marvel Comics, June 1968.
397. Sternberg, Meir. Expositional Modes and Temporal Ordering in Fiction. Baltimore, Md.: Johns Hopkins University Press, 1978.
398. Sternberg, Meir. “Telling in Time (I): Chronology and Narrative Theory.�? Poetics Today 11 (Winter 1990): 901-48.
399. Stewart, Garrett. “Singer Sung: Voice as Avowal in Streisand’s Yentl.�? Mosaic 18 (Fall 1985): 135-58.
400. Stewart, Garrett “Photo-gravure: Death, Photography, and Film Narrative.�? Wide Angle 9 (1987): 11-31.
401. Stewart, Garrett Reading Voices: Literature and the Phonotext. Berkeley: University of California Press, 1990.
402. Strawson, P.F. “On Referring.�? Mind 59 (July 1950): 320-44.
403. Studlar, Gaylyn. “Masochism and the Perverse Pleasures of the Cinema.�? Quarterly Review of Film Studies 9 (Fall 1984): 267-82.
404. Sutton-Smith, Brian. “Children’s Fiction Making.�? In Narrative Psychology: The Storied Nature of Human Conduct, ed. by Theodore R. Sarbin. New York: Praeger, 1986.
405. Tannen, Deborah. “What’s in a Frame? Surface Evidence for Underlying Expectations.�? In New Directions in Discourse Processing, ed. by Roy O. Freedle. Norwood, N.J.: Ablex, 1979.
406. Taylor, Richard. “Introduction.�? In S.M. Eisenstein: Selected Works 1.
407. Writings 1922-34, trans. by Richard Taylor. Bloomington: Indiana University Press, 1988.
408. Telotte, J.P. “The Detective as Dreamer: The Case of The Lady in the Lake.�? Journal of Popular Film and Television 12 (Spring 1984): 4-15.
409. Thompson, Kristin. Eisenstein’s Ivan the Terrible: A Neoformalist Analysis. Princeton, N.J.: Princeton University Press, 1981.
410. Thompson, Kristin, “The Concept of Cinematic Excess.�? In Narrative, Apparatus, Ideology: A Film Theory Reader, ed. by Philip Rosen. New York: Columbia University Press, 1986.
411. Thompson, Kristin, Breaking the Glass Armor: Neoformalist Film Analysis. Princeton, N.J.: Prince. ton University Press, 1988.
412. Todorov, Tzvetan. “The Two Principles of Narrative.�? Diacritics 1 (Fall 1971): 37-44.
413. Todorov, Tzvetan The Fantastic: A Structural Approach to a Literary Genre, trans. by Richard Howard. Ithaca, N.Y.: Cornell University Press, 1975.
414. Todorov, Tzvetan The Poetics of Prose, trans. by Richard Howard. Ithaca, N.Y.: Cornell University Press, 1977.
415. Todorov, Tzvetan “Categories of the Literary Narrative,�? trans. by Ann Goodman. Film Reader 2 (1977): 19-37.
416. Todorov, Tzvetan Introduction to Poetics, trans. by Richard Howard. Minneapolis: University of Minnesota Press, 1981.
417. Todorov, Tzvetan, ed. French Literary Theory Today: A Reader, trans. by R. Carter. Cambridge: Cambridge University Press, 1982.
418. Tomasulo, Frank P. “Narrate and Describe? Point of View and Narrative Voice in Citizen Kane’s Thatcher Sequence.�? Wide Angle 8 (1986): 45-52.
419. Toolan, Michael J. Narrative: A Critical Linguistic Introduction. New York: Routledge, 1988.
420. Truffaut, François. Hitchcock. New York: Simon & Schuster, rev. ed., 1984.
421. Turim, Maureen. “The Place of Visual illusions.�? In The Cinematic Apparatus, ed. by Teresa de Lauretis and Stephen Heath. New York: St Martin’s Press, 1980.
422. Turim, Maureen. “Symmetry/Asymmetry and Visual Fascination.�? Wide Angle 4 (1980): 38-47.
423. Turim, Maureen. Flashbacks in Film: Memory and History. New York: Routledge, 1989.
424. Turner, Dennis. “Film Noir and the Apparatus of the Fetish: Introduction to ‘Flickerings of Black and White.’ “ Structuralist Review 2 (Spring 1984): 34-43.
425. Turner, Victor. “Social Dramas and Stories about Them.�? Critical Inquiry 7 (Autumn 1980): 141-68.
426. Utne Reader 34 (July/August 1989): 50-76. Special section on “Postmodernism and beyond…. “
427. van Dijk, Teun A. and Walter Kintsch. Strategies of Discourse Comprehension. New York: Academic Press, 1983.
428. Vaughn Vaughan Dai “Arms and the Absent.�? Sight and Sound 48 (Summer 1979): 182-7.
429. Vaughn Vaughan Dai “The Space Between Shots.�? In Movies and Methods: An Anthology 2, ed. by Bill Nichols. Berkeley: University of California Press, 1985.
430. Viberg, Ake. “The Verbs of Perception: A Typological Study…. “ In Explanations for Language Universals, ed. by Brian Butterworth, Bernard Comrie, and Osten Dahl. New York: Mouton, 1984.
431. Vygotsky, L.S. Thought and Language, trans. by Alex Kozulin. Cambridge, Mass.: MIT Press, rev. ed., 1986.
432. Walker, Michael. “Ophuls in Hollywood.�? Movie (Summer 1982): 39-48.
433. Walsh, Michael. “Around the World, Across All Frontiers: Sans Soleil as Depays.�? CineAction! (Fall 1989): 29-36.
434. Walton, Kendall L. “What is Abstract About the Art of Music?�? Journal of Aesthetics and Art Criticism 46 (Spring 1988): 351-64.
435. Waugh, Thomas. “Beyond Verite: Emile de Antonio and the New Documentary of the Seventies.�? In Movies and Methods: An Anthology 2, ed. by Bill Nichols. Berkeley: University of California Press, 1985.
436. Wexman, Virginia Wright. “The Transfiguration of History: Ophuls, Vienna, and Letter from an Unknown Woman.�? In Letter from an Unknown Woman, ed. by Virginia Wright Wexman with Karen Hollinger. New Brunswick, N.J.: Rutgers University Press, 1986.
437. White, Hayden. “The Fictions of Factual Representation.�? In Tropics of Discourse: Essays in Cultural Criticism. Baltimore, Md.: Johns Hopkins University Press, 1978.
438. White, Hayden. “The Historical Text as Literary Artifact.�? In The Writing of History: Literary Form and Historical Understanding, ed. by Robert H. Canary and Henry Kozicki. Madison: University of Wisconsin Press, 1978.
439. White, Hayden. “The Narrativization of Real Events.�? Critical Inquiry 7 (Summer 1981): 793-8.
440. White, Hayden. “The Value of Narrativity in the Representation of Reality.�? In The Content of the Form: Narrative Discourse and Historical Representation. Baltimore, Md.: Johns Hopkins University Press, 1987.
441. White, Hayden. “Historiography and Historiophoty.�? American Historical Review 93 (December 1988): 1193-9.
442. White, James Boyd. Heracles’ Bow: Essays on the Rhetoric and Poetics of the Law. Madison: University of Wisconsin Press, 1985.
443. Wicker, Brian. The Story-Shaped World: Fiction and Metaphysics: Some Variations on a Theme. London: Athlone Press, 1975.
444. Wide Angle 8 (1986). Special issue on “NarrativelNon-Narrative.�?
445. Willemen, Paul. ‘The Ophuls Text: A Thesis.�? In Ophuls, ed. by Paul Willemen. London: British Film Institute, 1978.
446. Willemen, Paul. “Cinematic Discourse: The Problem of Inner Speech.�? Screen 22 (1981): 63-93.
447. Williams, Alan Larson. “Is Sound Recording Like a Language?�? Yale French Studies 60 (1980): 55-61.
448. Williams, Alan [Larson]. Max Ophuls and the Cinema of Desire: Style and Spectacle in Four Films, 1948-1955. New York: Arno Press, 1980.
449. Williams, Christopher, ed. Realism and the Cinema: A Reader. London: Routledge & Kegan Paul, 1980.
450. Williams, Linda. ‘When the Woman Looks.�? In Re-Vision: Essays in Feminist Film Criticism, ed. by Mary Ann Doane, Patricia Mellencamp, and Linda Williams [The American Film Institute Monograph Series 3]. Frederick, Md.: University Publications of America, 1984.
451. Wilson, George M. Narration in Light: Studies in Cinematic Point of View. Baltimore, Md.: Johns Hopkins University Press, 1986.
452. Winnett, Susan. “Coming Unstrung: Women, Men, Narrative, and Principles of Pleasure.�? PMLA 105 (May 1990): 505-18.
453. Winograd, Terry. “Frame Representations and the Dec1arativeIProcedural Controversy.�? In Representation and Understanding: Studies in Cognitive Science, ed. by Daniel G. Bobrow and Allan Collins. New York: Academic Press, 1975.
454. Wittgenstein, Ludwig. Philosophical Investigations, trans. by G.E.M. Anscombe. New York: Macmillan, 3rd ed., 1958.
455. Wolfe, Charles. “Voice-over in the Classical Documentary Film.�? Unpublished paper. Santa Barbara: University of California, 1991.
456. Wollen, Peter. “Introduction to Citizen Kane.�? Film Reader 1 (1975): 9-15.
457. Wollen, Peter. “The Hermeneutic Code.�? In Readings and Writings: Semiotic CounterStrategies. London: Verso, 1982.
458. Wood, Robin. Personal Views: Explorations in Film. London: Gordon Fraser, 1976.
459. Wright, Will. Six Guns and Society: A Structural Study of the Western. Berkeley: University of California Press, 1975.
460. Youdelman, Jeffrey. “Narration, Invention, and History: A Documentary Dilemma.�? Cineaste 12 (1982): 8-15.