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Volumn , Issue , 2000, Pages

Large-scale Induction of Expressive Performance Rules: First Quantitative Results

Author keywords

[No Author keywords available]

Indexed keywords

MACHINE LEARNING;

EID: 85065380348     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (19)

References (10)
  • 3
    • 0026172932 scopus 로고
    • Generative Rules for Music Performance: A Formal Description of a Rule System
    • Friberg, A. (1991). Generative Rules for Music Performance: A Formal Description of a Rule System. Computer Music Journal 15(2):56-71.
    • (1991) Computer Music Journal , vol.15 , Issue.2 , pp. 56-71
    • Friberg, A.1
  • 4
    • 0001979406 scopus 로고
    • Once Again: The Theme from Mozart's Piano Sonata in A Major (K.331)
    • A. Gabrielsson (ed), Stockholm: Royal Swedish Academy of Music
    • Gabrielsson, A. (1987). Once Again: The Theme from Mozart's Piano Sonata in A Major (K.331). In A. Gabrielsson (ed.), Action and perception in Rhythm and Music. Stockholm: Royal Swedish Academy of Music.
    • (1987) Action and perception in Rhythm and Music
    • Gabrielsson, A.1
  • 5
    • 33847785987 scopus 로고
    • Categorical Perception of Short Rhythmic Events
    • Royal Swedish Academy of Music
    • Parncutt, R. (1994). Categorical Perception of Short Rhythmic Events. Proceedings of SMAC'93, Royal Swedish Academy of Music.
    • (1994) Proceedings of SMAC'93
    • Parncutt, R.1
  • 6
    • 0013299558 scopus 로고
    • How Can Music Be Expressive?
    • Sundberg, J. (1993). How Can Music Be Expressive? Speech Communication 13:239-253.
    • (1993) Speech Communication , vol.13 , pp. 239-253
    • Sundberg, J.1
  • 7
    • 0003226222 scopus 로고
    • Common Secrets of Musicians and Listeners: An Analysis-by-Synthesis Study of Musical Performance
    • P. Howell, R. West, & I. Cross (eds), London: Academic Press
    • Sundberg, J., Friberg, A., & Frydén, L. (1991). Common Secrets of Musicians and Listeners: An Analysis-by-Synthesis Study of Musical Performance. In P. Howell, R. West, & I. Cross (eds.), Representing Musical Structure. London: Academic Press.
    • (1991) Representing Musical Structure
    • Sundberg, J.1    Friberg, A.2    Frydén, L.3
  • 8
    • 0002688440 scopus 로고
    • Modelling the Rational Basis of Musical Expression
    • Widmer, G. (1995). Modelling the Rational Basis of Musical Expression. Computer Music Journal 19(2):76-96.
    • (1995) Computer Music Journal , vol.19 , Issue.2 , pp. 76-96
    • Widmer, G.1
  • 9
    • 84993989581 scopus 로고    scopus 로고
    • Learning Expressive Performance: The Structure-Level Approach
    • Widmer, G. (1996). Learning Expressive Performance: The Structure-Level Approach. Journal of New Music Research 25(2):179-205.
    • (1996) Journal of New Music Research , vol.25 , Issue.2 , pp. 179-205
    • Widmer, G.1
  • 10
    • 0004204162 scopus 로고    scopus 로고
    • San Francisco, CA: Morgan Kaufmann
    • Witten, I.H. & Frank, E. (1999). Data Mining. San Francisco, CA: Morgan Kaufmann.
    • (1999) Data Mining
    • Witten, I.H.1    Frank, E.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.