Combining Visual and Textual Representations for Flexible Interactive Audio Signal Processing

International Computer Music Conference, ICMC Proceedings

Volumn , Issue , 2004, Pages

  Dannenberg, Roger B ^a  

^a Carnegie Mellon University   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

AUDIO SIGNAL PROCESSING; AUDIO SYSTEMS; INSTRUMENT TESTING; SOFTWARE DESIGN;

AUDIO SOFTWARE; FIXED GRAPHS; GRAPHICAL EDITORS; INTERACTIVE AUDIO; INTERACTIVE COMPUTER MUSIC; RUN-TIME RECONFIGURATION; SIGNAL-PROCESSING; TEXTUAL REPRESENTATION; UNIT GENERATOR; VISUAL REPRESENTATIONS;

AUDIO ACOUSTICS;

EID: 85060242578     PISSN: 22233881     EISSN: None     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (29)

1. Bate, J. 1990. "UNISON - a Real-Time Interactive System for Digital Sound Synthesis." In 1990 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 172-174.
2. Bencina, R., and P. Burk. 2001. "PortAudio - An Open Source Cross Platform Audio API." In Proceedings of the 2001 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 263-266.
3. Burk, P. 1998. "JSyn - A Real-Time Synthesis API for Java." In Proceedings of the 1998 International Computer Music Conference. San Francisco: International Computer Music Conference, pp. 252-255.
4. Chaudhary, A., A. Freed, and M. Wright. 2000. "An Open Architecture for Real-Time Music Software." In Proceedings of the 2000 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 492-495.
5. Cook, P. R., and G. Scavone. 1999. "The Synthesis Toolkit (STK)." In Proceedings of the 1999 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 164-166.
6. Dannenberg, R. B. 1986. "The CMU MIDI Toolkit." In Proceedings of the 1986 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 53-56.
7. Dannenberg, R. B. 1997. "Machine Tongues XIX: Nyquist, a Language for Composition and Sound Synthesis." Computer Music Journal, 21(3), 50-60.
8. Dannenberg, R. B. 2002. "A Language for Interactive Audio Applications." In Proceedings of the 2002 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 509-515.
9. Dannenberg, R. B. 2004. "Aura II: Making Real-Time Systems Safe for Music." In (in review).
10. Dannenberg, R. B., and E. Brandt. 1996. "A Flexible Real-Time Software Synthesis System." In Proceedings of the 1996 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 270-273.
11. Dannenberg, R. B., and N. Thompson. 1997. "Real-Time Software Synthesis on Superscaler Architectures." Computer Music Journal, 21(3), 83-94.
12. Dechelle, F., R. Borghesi, M. D. Ceccco, E. Maggi, B. Rovan, and N. Schnell. 1998. "jMax: a new JAVA-based editing and control system for real-time musical applications." Computer Music Journal, 23(3), 50-58.
13. Helmuth, M. 1990. "PatchMix: A C++ X Graphical Interface to Cmix." In 1990 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 273-275.
14. Jaffe, D. A., and L. R. Boynton. 1989. "An Overview of the Sound and Music Kits for the NeXT Computer." Computer Music Journal, 13(2), 48-55.
15. Mathews, M. 1969. The Technology of Computer Music: MIT Press.
16. McCartney, J. 1996. "SuperCollider: A New Real Time Synthesis Language." In Proceedings of the 1996 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 257-258.
17. McCartney, J. 2002. "Rethinking the Computer Music Language: SuperCollider." Computer Music Journal, 26(4), 61-68.
18. Minnick, M. 1990. "A Graphical Editor for Building Unit Generator Patches." In 1990 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 253-255.
19. Pope, S. T., and C. Ramakrishnan. 2003. "The CREATE Signal Library ("Sizzle"): Design, Issues, and Applications." In Proceedings of the 2003 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 415-422.
20. Puckette, M. 1991. "Combining Event and Signal Processing in the MAX Graphical Programming Environment." Computer Music Journal, 15(3), 68-77.
21. Puckette, M. 1997. "Pure Data." In 1997 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 224-227.
22. Puckette, M. 2002a. "Max at Seventeen." Computer Music Journal, 26(4), 31-43.
23. Puckette, M. 2002b. "Using Pd as a score language." In Proceedings of the 2002 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 184-187.
24. Scaletti, C., and R. E. Johnson. 1988. "An Interactive Graphic Environment for Object-oriented Music Composition and Sound Synthesis." In Proceedings of the Conference on Object-Oriented Programming Languages and Systems. New York: ACM Press, pp. 18-26.
25. Scavone, G. P. 2002. "RtAudio: A Cross-Platform C++ Class for Realtime Audio Input/Output." In Proceedings of the 2002 International Computer Music Conference. International Computer Music Association, pp. 196-199.
26. Schottstaedt, B. 1994. "Machine Tongues XVII: CLM: Music V Meets Common Lisp." Computer Music Journal, 18(2), 30-37.
27. Vercoe, B., and D. Ellis. 1990. "Real-Time CSOUND: Software Synthesis with Sensing and Control." In 1990 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 209-211.
28. Wang, G., and P. R. Cook. 2003. "ChucK: A Concurrent, On-the-fly, Audio Programming Language." In Proceedings of the 2003 International Computer Music Conference. San Francisco: International Computer Music Association, pp. 219-226.
29. Zicarelli, D. 1998. "An Extensible Real-Time Signal Processing Environment for Max." In Proceedings of the 1998 International Computer Music Conference. International Computer Music Association, pp. 463-466.