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Volumn , Issue , 2017, Pages 25-29

The self-resonating feedback cello: Interfacing gestural and generative processes in improvised performance

Author keywords

Active Acoustics; Actuated Musical Instruments; Dynamical Systems; Hybrid Instruments; Live Coding

Indexed keywords

DYNAMICAL SYSTEMS; MECHANICAL ACTUATORS; MUSIC; MUSICAL INSTRUMENTS;

EID: 85057969333     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper
Times cited : (21)

References (12)
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  • 3
    • 24744451750 scopus 로고    scopus 로고
    • Sound is the interface: from interactive to ecosystemic signal processing
    • (03)
    • A. Di Scipio. Sound is the interface: from interactive to ecosystemic signal processing. Organised Sound, 8(03):269–277, 2003.
    • (2003) Organised Sound , vol.8 , pp. 269-277
    • Di Scipio, A.1
  • 6
    • 85038355449 scopus 로고    scopus 로고
    • Feedback lap steel: Exploring tactile transducers as string actuators
    • The School of Music and the Center for Computation and Technology (CCT), Louisiana State University
    • J. Harriman. Feedback lap steel: Exploring tactile transducers as string actuators. In Proceedings of the international conference on New Interfaces for Musical Expression, pages 178–179. The School of Music and the Center for Computation and Technology (CCT), Louisiana State University, 2015.
    • (2015) Proceedings of the international conference on New Interfaces for Musical Expression , pp. 178-179
    • Harriman, J.1
  • 7
    • 84886387028 scopus 로고    scopus 로고
    • The threnoscope: A musical work for live coding performance
    • 2013
    • T. Magnusson. The threnoscope: A musical work for live coding performance. In ICSE. Live 2013, 2013.
    • (2013) ICSE. Live
    • Magnusson, T.1
  • 8
    • 78249251522 scopus 로고    scopus 로고
    • The magnetic resonator piano: Electronic augmentation of an acoustic grand piano
    • A. McPherson. The magnetic resonator piano: Electronic augmentation of an acoustic grand piano. Journal of New Music Research, 39(3):189–202, 2010.
    • (2010) Journal of New Music Research , vol.39 , Issue.3 , pp. 189-202
    • McPherson, A.1
  • 10
    • 79960342147 scopus 로고    scopus 로고
    • Advancements in actuated musical instruments
    • D. Overholt, E. Berdahl, and R. Hamilton. Advancements in actuated musical instruments. Organised Sound, 16(2):154, 2011.
    • (2011) Organised Sound , vol.16 , Issue.2 , pp. 154
    • Overholt, D.1    Berdahl, E.2    Hamilton, R.3
  • 11
    • 34249353550 scopus 로고    scopus 로고
    • David Tudor as Composer/Performer in Cage’s Variations ii
    • J. Pritchett. David Tudor as Composer/Performer in Cage’s Variations ii. Leonardo music journal, 14:11–16, 2004.
    • (2004) Leonardo music journal , vol.14 , pp. 11-16
    • Pritchett, J.1
  • 12
    • 84881429214 scopus 로고    scopus 로고
    • Feedback systems: An analytical framework
    • D. Sanfilippo and A. Valle. Feedback systems: An analytical framework. Computer Music Journal, 37(2):12–27, 2013.
    • (2013) Computer Music Journal , vol.37 , Issue.2 , pp. 12-27
    • Sanfilippo, D.1    Valle, A.2


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.