Mazzola, Galois, Peirce, Riemann, and Merleau-Ponty: A Triadic, Spatial Framework for Gesture Theory

Computational Music Science

Volumn , Issue , 2017, Pages 339-345

  Zalamea, Fernando ^a  

^a UNIVERSIDAD NACIONAL DE COLOMBIA   (Colombia)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85056125768     PISSN: 18680305     EISSN: 18680313     Source Type: Book Series    
DOI: 10.1007/978-3-319-47337-6_33     Document Type: Chapter

References (11)

1. Mazzola, G.: Towards a Galois Theory of Concepts, preprint, post-scriptum to The Topos of Music (2002)
2. Mazzola, G.: The Topos of Music. Birkhäuser-Verlag, Berlin (2002)
3. Mazzola, G.La.: vérité du beau dans la musique. Delatour-IRCAM, Paris (2007)
4. Mazzola, G., Andreatta, M.: Diagrams, gestures and formulae in music. J. Math. Music 1(3), 199–200 (2007)
5. Mazzola, G.: Categorical gestures, the diamond conjecture, Lewin’s question, and the Hammerklavier Sonata. J. Math. Music 3(1), 31–58 (2009)
6. Merleau-Ponty, M.: L’oeil et l’esprit. Gallimard, Paris (1964)
7. Merleau-Ponty, M.Le.: visible et l’invisible. Gallimard, Paris (1964)
8. Villa-Rojo, Jesús.: Notación y grafía musical en el Siglo XX. Iberautor, Madrid (2003)
9. Zalamea, F.: Peirce’s Logic of Continuity. Docent Press, Boston (2012)
10. Zalamea, F.: La emergencia abismal de la matemática moderna. (I) Galois (1811–1832), Mathesis (to appear), Mexico City, p. 20 (2015)
11. Zalamea, F.: La emergencia abismal de la matemática moderna. (II) Riemann (1826–1866), Mathesis (to appear), Mexico City, p. 24 (2015)