메뉴 건너뛰기




Volumn 2, Issue , 2018, Pages

Knots, music and DNA

Author keywords

Category theory; Composition; Musical gesture; Synesthesia; Visual art

Indexed keywords


EID: 85056123281     PISSN: None     EISSN: 23997656     Source Type: Journal    
DOI: 10.5920/jcms.2018.02     Document Type: Article
Times cited : (18)

References (58)
  • 1
    • 0004192246 scopus 로고
    • New York: W. H. Freeman and Company
    • Adams, C. (1994). The knot book. New York: W. H. Freeman and Company.
    • (1994) The Knot Book
    • Adams, C.1
  • 3
    • 85074575002 scopus 로고    scopus 로고
    • Comparison of gestural patterning and complex notated rhythm via multimodal performance data: Brian Ferneyhough’s Lemma-Icon-Epigram, for solo piano, phases 1 and 2
    • Antoniadis, P. (2016). Comparison of gestural patterning and complex notated rhythm via multimodal performance data: Brian Ferneyhough’s Lemma-Icon-Epigram, for solo piano, phases 1 and 2. Under review.
    • (2016) Under Review
    • Antoniadis, P.1
  • 4
    • 85007548560 scopus 로고    scopus 로고
    • Processing of symbolic music notation via multimodal performance data: Brian Ferneyhough’s Lemma-Icon-Epigram for solo piano, phase 1
    • R. Hoadley, C. Nash, & D. Fober (Eds.) Cambridge, UK: Anglia Ruskin University
    • Antoniadis, P., & Bevilacqua, F. (2016). Processing of symbolic music notation via multimodal performance data: Brian Ferneyhough’s Lemma-Icon-Epigram for solo piano, phase 1. In R. Hoadley, C. Nash, & D. Fober (Eds.), Proceedings of the International Conference on Technologies for Music Notation and Representation TENOR (pp. 127–136). Cambridge, UK: Anglia Ruskin University.
    • (2016) Proceedings of the International Conference on Technologies for Music Notation and Representation TENOR , pp. 127-136
    • Antoniadis, P.1    Bevilacqua, F.2
  • 7
    • 85021814802 scopus 로고    scopus 로고
    • Composing interactive dance pieces for the MotionComposer, A device for persons with disabilities
    • E. Berdahl & J. Allison (Eds.) Louisiana, Baton Rouge: The School of Music and the Center for Computation and Technology (CCT)
    • Bergsland, A., & Wechsler, R. (2015). Composing interactive dance pieces for the MotionComposer, A device for persons with disabilities. In E. Berdahl & J. Allison (Eds.), Proceedings of the International Conference on New Interfaces for Musical Expression NIME (pp. 20–23). Louisiana, Baton Rouge: The School of Music and the Center for Computation and Technology (CCT).
    • (2015) Proceedings of the International Conference on New Interfaces for Musical Expression NIME , pp. 20-23
    • Bergsland, A.1    Wechsler, R.2
  • 9
    • 84861801070 scopus 로고    scopus 로고
    • Hybrid inverse motion control for virtual characters interacting with sound synthesis – Application to percussion motion
    • Bouënard, A., Gibet, S., & Wanderley, M. (2012). Hybrid inverse motion control for virtual characters interacting with sound synthesis – Application to percussion motion. The Visual Computer Journal, 28(4), 357–370.
    • (2012) The Visual Computer Journal , vol.28 , Issue.4 , pp. 357-370
    • Bouënard, A.1    Gibet, S.2    Wanderley, M.3
  • 10
    • 84928152970 scopus 로고    scopus 로고
    • DNA topology
    • D. Buck & E. Flapan (Eds.) California, San Diego: American Mathematical Society
    • Buck, D. (2009). DNA topology. In D. Buck & E. Flapan (Eds.), Applications of knot theory. Proceedings of symposia in applied mathematics (Vol. 66, pp. 47–80). California, San Diego: American Mathematical Society.
    • (2009) Applications of Knot Theory. Proceedings of Symposia in Applied Mathematics , vol.66 , pp. 47-80
    • Buck, D.1
  • 11
    • 21244484544 scopus 로고    scopus 로고
    • Gesture – Music
    • M. Wanderley & M. Battier (Eds.) Paris: IRCAM Centre Pompidou
    • Cadoz, C., & Wanderley, M. (2000). Gesture – Music. In M. Wanderley & M. Battier (Eds.), Trends in gestural control of music (pp. 71–94). Paris: IRCAM Centre Pompidou.
    • (2000) Trends in Gestural Control of Music , pp. 71-94
    • Cadoz, C.1    Wanderley, M.2
  • 13
    • 85067875426 scopus 로고    scopus 로고
    • Embodiment, sound and visualization: A multimodal perspective in music education
    • Fortuna, S. (2017). Embodiment, sound and visualization: A multimodal perspective in music education. Collection of papers of Academy of Arts of Novi Sad, 5, 120–131.
    • (2017) Collection of Papers of Academy of Arts of Novi Sad , vol.5 , pp. 120-131
    • Fortuna, S.1
  • 14
    • 33845440643 scopus 로고    scopus 로고
    • Imitation during phoneme production
    • Gentilucci, M., & Bernardis, P. (2007). Imitation during phoneme production. Neuropsychologia, 45(3), 608–615.
    • (2007) Neuropsychologia , vol.45 , Issue.3 , pp. 608-615
    • Gentilucci, M.1    Bernardis, P.2
  • 15
    • 85074562886 scopus 로고    scopus 로고
    • Networks of shapes and images (slides 122-123)
    • Guibas, L. (2014). Networks of shapes and images (slides 122-123). International Computer Vision Summer School. http://www.slideshare.net/milkers/lecture-07-leonidas-guibas-networksof-shapes-and-images.
    • (2014) International Computer Vision Summer School
    • Guibas, L.1
  • 19
    • 84874336562 scopus 로고    scopus 로고
    • Of memories, neurons, and rank-one corrections
    • Kirby, K. (1997). Of memories, neurons, and rank-one corrections. The College Mathematics Journal, 28(1), 2–19.
    • (1997) The College Mathematics Journal , vol.28 , Issue.1 , pp. 2-19
    • Kirby, K.1
  • 24
  • 25
    • 54149105243 scopus 로고    scopus 로고
    • What is an ∞-category?
    • Lurie, J. (2008). What is an ∞-category? Notices of the AMS, 55(8), 949–950.
    • (2008) Notices of the AMS , vol.55 , Issue.8 , pp. 949-950
    • Lurie, J.1
  • 29
    • 85067835356 scopus 로고    scopus 로고
    • Networks of music and images
    • Mannone, M. (2017b). Networks of music and images. Gli Spazi della Musica, 6(2), 38–52.
    • (2017) Gli Spazi Della Musica , vol.6 , Issue.2 , pp. 38-52
    • Mannone, M.1
  • 30
    • 85074582114 scopus 로고    scopus 로고
    • Elements of a future vocal gesture theory
    • G. Mazzola (Ed.) Heidelberg: Springer
    • Mannone, M. (2018a). Elements of a future vocal gesture theory. In G. Mazzola (Ed.), The topos of music III: Gestures (pp. 1305–1323). Heidelberg: Springer.
    • (2018) The Topos of Music III: Gestures , pp. 1305-1323
    • Mannone, M.1
  • 31
    • 85074613782 scopus 로고    scopus 로고
    • Gestural analysis and classification of a conductor’s movements
    • G. Mazzola (Ed.) Heidelberg: Springer
    • Mannone, M. (2018b). Gestural analysis and classification of a conductor’s movements. In G. Mazzola (Ed.), The topos of music III: Gestures (pp. 1277–1286). Heidelberg: Springer.
    • (2018) The Topos of Music III: Gestures , pp. 1277-1286
    • Mannone, M.1
  • 32
    • 85052293402 scopus 로고    scopus 로고
    • Introduction to gestural similarity in music. An application of category theory to the orchestra
    • to appear Accepted for publication
    • Mannone, M. (to appear 2018). Introduction to gestural similarity in music. An application of category theory to the orchestra. Journal of Mathematics and Music, Accepted for publication.
    • (2018) Journal of Mathematics and Music
    • Mannone, M.1
  • 35
    • 84875869098 scopus 로고    scopus 로고
    • Comparison of non-Markovianity criteria in a qubit system under random external fields
    • Mannone, M., Lo Franco, R., & Compagno, G. (2013). Comparison of non-Markovianity criteria in a qubit system under random external fields. Phys-ica Scripta, 2013(T153), 014047.
    • (2013) Phys-Ica Scripta , vol.2013 , Issue.T153 , pp. 014047
    • Mannone, M.1    Lo Franco, R.2    Compagno, G.3
  • 36
    • 84948947064 scopus 로고    scopus 로고
    • Hypergestures in complex time: Creative performance between symbolic and physical reality
    • T. Collins, D. Meredith, & A. Volk (Eds.) Heidelberg: Springer
    • Mannone, M., & Mazzola, G. (2015). Hypergestures in complex time: Creative performance between symbolic and physical reality. In T. Collins, D. Meredith, & A. Volk (Eds.), Mathematics and computation in music. MCM 2015 (Vol. 9110, pp. 137–148). Heidelberg: Springer.
    • (2015) Mathematics and Computation in Music. MCM 2015 , vol.9110 , pp. 137-148
    • Mannone, M.1    Mazzola, G.2
  • 38
    • 85004024952 scopus 로고    scopus 로고
    • Global functorial hypergestures over general skeleta for musical performance
    • Mazzola, G., & Mannone, M. (2016). Global functorial hypergestures over general skeleta for musical performance. Journal of Mathematics and Music, 10(3), 227–243.
    • (2016) Journal of Mathematics and Music , vol.10 , Issue.3 , pp. 227-243
    • Mazzola, G.1    Mannone, M.2
  • 40
    • 85074595189 scopus 로고    scopus 로고
    • Iconicity in language and literature 10: Semblance and signification
    • F. O. Michelucci Pascal & C. Ljungberg (Eds.) Amsterdam and Philadelphia: John Benjamins
    • Nobile, L. (2013). Iconicity in language and literature 10: Semblance and signification. In F. O. Michelucci Pascal & C. Ljungberg (Eds.), Iconicity: East meets west 9th international symposium on iconicity in language and literature (pp. 101–131). Amsterdam and Philadelphia: John Benjamins.
    • (2013) Iconicity: East Meets West 9th International Symposium on Iconicity in Language and Literature , pp. 101-131
    • Nobile, L.1
  • 42
    • 84949035933 scopus 로고    scopus 로고
    • A categorical generalization of Klumpenhouwer networks
    • T. Collins, D. Meredith, & A. Volk (Eds.) Heidelberg: Springer
    • Popoff, A., Andreatta, M., & Ehresmann, A. (2015). A categorical generalization of Klumpenhouwer networks. In T. Collins, D. Meredith, & A. Volk (Eds.), Mathematics and computation in music. MCM 2015 (Vol. 9110, pp. 303–314). Heidelberg: Springer.
    • (2015) Mathematics and Computation in Music. MCM 2015 , vol.9110 , pp. 303-314
    • Popoff, A.1    Andreatta, M.2    Ehresmann, A.3
  • 43
    • 79954536639 scopus 로고    scopus 로고
    • Calibrating the frequency of tuning forks by means of Lissajous figures
    • Quereda, J., Ramón, M., & Silva, B. (2011). Calibrating the frequency of tuning forks by means of Lissajous figures. American Journal of Physics, 79(5), 517–520.
    • (2011) American Journal of Physics , vol.79 , Issue.5 , pp. 517-520
    • Quereda, J.1    Ramón, M.2    Silva, B.3
  • 44
    • 0014300840 scopus 로고
    • Factors that influence the localization of sound in the vertical plane
    • Roffler, S., & Butler, R. (1968). Factors that influence the localization of sound in the vertical plane. The Journal of the Acoustical Society of America, 43(6), 1255–1259.
    • (1968) The Journal of the Acoustical Society of America , vol.43 , Issue.6 , pp. 1255-1259
    • Roffler, S.1    Butler, R.2
  • 45
    • 0011188256 scopus 로고
    • Chladni’s law for vibrating plates
    • Rossing, T. D. (1982). Chladni’s law for vibrating plates. American Journal of Physics, 50(3), 271–274.
    • (1982) American Journal of Physics , vol.50 , Issue.3 , pp. 271-274
    • Rossing, T.D.1
  • 46
    • 34547481449 scopus 로고    scopus 로고
    • Hearing gestures, seeing music: Vision influences perceived tone duration
    • Schutz, M., & Lipscomb, S. (2007). Hearing gestures, seeing music: Vision influences perceived tone duration. Perception, 36(6), 888–897.
    • (2007) Perception , vol.36 , Issue.6 , pp. 888-897
    • Schutz, M.1    Lipscomb, S.2
  • 48
    • 79955876295 scopus 로고    scopus 로고
    • Crossmodal correspondences: A tutorial review
    • Spence, C. (2011). Crossmodal correspondences: A tutorial review. Attention, Perception and Psychophysics, 73(4), 971–995.
    • (2011) Attention, Perception and Psychophysics , vol.73 , Issue.4 , pp. 971-995
    • Spence, C.1
  • 49
    • 85074603212 scopus 로고    scopus 로고
    • Musiques composées et musiques de protéines: Compara-ison quantitative des effets
    • Sternheimer, J. (1996). Musiques composées et musiques de protéines: Compara-ison quantitative des effets. In réponse à la Notification Officielle OEB du 18/8/95. https://www.researchgate.net/publication/279202897.
    • (1996) Réponse À La Notification Officielle OEB Du 18/8/95
    • Sternheimer, J.1
  • 51
    • 85030750109 scopus 로고    scopus 로고
    • Learning shape abstractions by assembling volumetric primitives
    • R. Chellappa, Z. Zhang, & A. Hoogs (Eds.) Honolulu, HI: IEEE
    • Tulsiani, S., Su, H., Guibas, L., Efros, A., & Malik, J. (2017). Learning shape abstractions by assembling volumetric primitives. In R. Chellappa, Z. Zhang, & A. Hoogs (Eds.), IEEE Conference on Computer Vision and Pattern Recognition (pp. 2635–2643). Honolulu, HI: IEEE.
    • (2017) IEEE Conference on Computer Vision and Pattern Recognition , pp. 2635-2643
    • Tulsiani, S.1    Su, H.2    Guibas, L.3    Efros, A.4    Malik, J.5
  • 52
    • 0346075206 scopus 로고    scopus 로고
    • Lissajous knots and billiard knots
    • Vaugans, J., & Przytycki, J. (1998). Lissajous knots and billiard knots. Knot Theory, 42(1), 145–163.
    • (1998) Knot Theory , vol.42 , Issue.1 , pp. 145-163
    • Vaugans, J.1    Przytycki, J.2
  • 53
    • 85074588509 scopus 로고    scopus 로고
    • Dynamics of a protein knot
    • Vinson, V. (2016). Dynamics of a protein knot. Science, 354(6309), 193–1934.
    • (2016) Science , vol.354 , Issue.6309 , pp. 193-1934
    • Vinson, V.1
  • 54
    • 84903977619 scopus 로고    scopus 로고
    • Gesture in performance with traditional musical instruments and electronics: Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies
    • F. Bevilacqua, S. Fdili Alaoui, J. Françoise, Pasquier, & T. Schiphorst (Eds.) New York: ACM
    • Visi, F., Schramm, R., & Miranda, E. (2014). Gesture in performance with traditional musical instruments and electronics: Use of embodied music cognition and multimodal motion capture to design gestural mapping strategies. In F. Bevilacqua, S. Fdili Alaoui, J. Françoise, P. Pasquier, & T. Schiphorst (Eds.), MOCO’14 Proceedings of the 2014 International Workshop on Movement and Computing (pp. 100–105). New York: ACM.
    • (2014) MOCO’14 Proceedings of the 2014 International Workshop on Movement and Computing , pp. 100-105
    • Visi, F.1    Schramm, R.2    Miranda, E.3
  • 55
    • 0036085460 scopus 로고    scopus 로고
    • Cellular roles of DNA topoisomerases: A molecular perspective
    • Wang, J. (2002). Cellular roles of DNA topoisomerases: A molecular perspective. Nature Reviews Molecular Cell Biology, 3(6), 430–440.
    • (2002) Nature Reviews Molecular Cell Biology , vol.3 , Issue.6 , pp. 430-440
    • Wang, J.1
  • 56
  • 58
    • 85029070740 scopus 로고    scopus 로고
    • Music, analogy, and metaphor
    • R. Ashley & R. Timmers (Eds.) New York: Routledge
    • Zbikowski, L. (2017). Music, analogy, and metaphor. In R. Ashley & R. Timmers (Eds.), The Routledge Companion to music cognition (pp. 501–512). New York: Routledge.
    • (2017) The Routledge Companion to Music Cognition , pp. 501-512
    • Zbikowski, L.1


* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.