Mapping strategies and sound engine design for an augmented hybrid piano

Proceedings of the International Conference on New Interfaces for Musical Expression

Volumn , Issue , 2015, Pages 271-276

  Dahlstedt, Palle ^a,b  

^a UNIVERSITY OF GOTHENBURG   (Sweden)

^b AALBORG UNIVERSITY   (Denmark)

Author keywords

Augmented instrument; Hybrid instrument; Improvisation; Keyboard; Mapping; Performance; Piano

Indexed keywords

BINARY ALLOYS; MACHINE DESIGN; MUSIC; MUSICAL INSTRUMENTS; POTASSIUM ALLOYS; URANIUM ALLOYS;

AUGMENTED INSTRUMENT; CONTROL INTERFACES; ENGINE DESIGN; HYBRID INSTRUMENT; IMPROVIZATION; KEYBOARD; MAPPING STRATEGY; MAPPING TECHNIQUES; PERFORMANCE; PIANO;

MAPPING;

EID: 85049615585     PISSN: 22204792     EISSN: 22204806     Source Type: Conference Proceeding    
DOI: None     Document Type: Conference Paper

References (12)

1. Dahlstedt, P. Dynamic mapping strategies for expressive synthesis performance and improvisation. In LNCS 5493 (2009), pp. 227–242.
2. Dahlstedt, P. Between material and ideas: A process-based spatial model of artistic creativity. In Computers and Creativity, J. McCormack and M. d’Inverno, Eds. Springer, 2012.
3. Dahlstedt, P., Karlsson, P., Widell, K., and Blomdahl, T. Youhero-making an expressive concert instrument from the guitarhero controller. In NIME14 (London, U.K., 2014), pp. 403–406.
4. Dahlstedt, P., and Nilsson, P. A. Free flight in parameter space: A dynamic mapping strategy for expressive free impro. In LNCS 4974. 2008, pp. 479–484.
5. Goudeseune, C. Interpolated mappings for musical instruments. Organised Sound 7(2) (2002), 85–96.
6. McPherson, A. The magnetic resonator piano: electronic augmentation of an acoustic musical instrument. Journal of New Music Research 39 (3) (2010), 189–202.
7. McPherson, A. Touchkeys: Capacitive multi-touch sensing on a physical keyboard. In NIME12 (Ann Arbor, MI, USA, 2012).
8. McPherson, A., and Kim, Y. Augmenting the acoustic piano with electromagnetic string actuation and continuous key position sensing. In NIME10 (Sydney, Australia, 2010).
9. McPherson, A., and Kim, Y. The problem of the second performer: building a community around an augmented piano. Computer Music Journal 36 (4) (2012).
10. Nilsson, P. A. A Field of Possibilities: Designing and Playing Digital Musical Instruments. PhD thesis, University of Gothenburg, 2011.
11. Pestova, X. The Piano + LIVE Electronics Repertoire List. http://xeniapestova.com/electronicrepertoire.html, accessed 2015.01.20.
12. Pestova, X. Models of Interaction in Works for Piano and Live Electronics. PhD thesis, McGill University, Montreal, Canada, 2008.