Defining art, defending the canon, contesting culture

British Journal of Aesthetics

Volumn 44, Issue 4, 2004, Pages 361-377

  Crowther, Paul ^a  

^a JACOBS UNIVERSITY BREMEN   (Germany)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85047697857     PISSN: 00070904     EISSN: None     Source Type: Journal    
DOI: 10.1093/bjaesthetics/44.4.361     Document Type: Review

References (13)

1. Keith Moxey, The Practice of Persuasion; Paradox and Power in Art History (Ithaca, NY and London, Cornell U.P., 2001), p.126
2. Pierre Bourdieu. Vision and Difference; Femininity, Feminism, and the Histories of Art (London, Routledge, 1988)
3. The Field of Cultural Production (Oxford, Polity Press, 1993)
4. Thierry de Duve's Kant After Duchamp (Cambridge, MA and London: MIT Press, 1997)
5. Susan M. Vogel, Baule: African Art/Western Eyes (New Haven, CT and London, Yale U.P., 1997), p. 83
6. Modern Japanese Aesthetics: A Reader, ed. Michele Marra (Honolulu, University of Hawaii Press, 2003)
7. Philosophy After Postmodernism; Civilized Values and the Scope of Knowledge (London, Routledge, 2003)
8. Art and Embodiment; From Aesthetics to Self-consciousness (Oxford, Clarendon Press, 1993)
9. 'The Metaphysical Hypothesis' in Art (London: Chatto & Windus, 1914)
10. 'Cultural Exclusion, Normativity, and the Definition of Art' in the Journal of Aesthetics and Art Criticism, vol. 61 no. 2 (2003), pp. 121-131
11. The Transhistorical Image; Philosophizing Art and its History (Cambridge: Cambridge U.P., 2002)
12. The Language of Twentieth-century Art; A Conceptual History (New Haven, CT and London, Yale U.P., 1997)
13. Parul Dave Mukherji 'Visual Politics and the Binary Logic of Art History: From Maillard's "Western Misunderstandings" to Bryson's "Gaze and the Glance".' This was presented at a symposium hosted by the Slovene Society of Aesthetics in October 2002