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1
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0002880393
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Transitional objects and transitional phenomena
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London: Karnac Books 240
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D.W. Winnicott (1951), 'Transitional objects and transitional phenomena', in Through Paediatrics to Psychoanalysis: Collected Papers (London: Karnac Books, 2002). pp. 229-42, p. 240
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(1951)
Through Paediatrics to Psychoanalysis: Collected Papers
, pp. 229-242
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Winnicott, D.W.1
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2
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0003355762
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Playing: A theoretical statement
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London: Tavistock Press
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D.W. Winnicott, 'Playing: a theoretical statement', in Playing and Reality (London: Tavistock Press, 1971), pp. 38-52
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(1971)
Playing and Reality
, pp. 38-52
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Winnicott, D.W.1
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5
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4243218168
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The use of an object and relating through identifications'
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See also Winnicott, The use of an object and relating through identifications' (1968), in Through Paediatrics to Psychoanalysis, pp. 218-27
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Through Paediatrics to Psychoanalysis
, pp. 218-227
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Winnicott1
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6
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0003336625
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The location of cultural experience
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100
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Winnicot, 'The location of cultural experience' (1967), in Playing and Reality, pp. 95-103, p. 100
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(1967)
Playing and Reality
, pp. 95-103
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Winnicot1
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7
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0242263930
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The aesthetic moment and the search for transformation
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Peter L. Rudnytsky ed, New York, NY: Columbia University Press
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Christopher Bollas, 'The aesthetic moment and the search for transformation', in Peter L. Rudnytsky (ed.). Transitional Objects and Potential Spaces: Literary Uses of D. W. Winnicott (New York, NY: Columbia University Press, 1993), pp. 40-49
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(1993)
Transitional Objects and Potential Spaces: Literary Uses of D. W. Winnicott
, pp. 40-49
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Bollas, C.1
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8
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26844556330
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The role of illusion in symbol formation
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In her discussion of the aesthetic moment, 'The role of illusion in symbol formation', in Rudnytsky (ed.), Transitional Objects, pp. 13-39, Milner references Berenson's Aesthetics and History (London: Constable, 1950)
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(1950)
Transitional Objects
, pp. 13-39
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Rudnytsky1
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10
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79956722135
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Between reality and fantasy
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Grolnick and Barkin eds
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See also Werner Muensterberger, 'Between reality and fantasy', in Grolnick and Barkin (eds), Between Reality and Fantasy, pp. 5-13
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Between Reality and Fantasy
, pp. 5-13
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Muensterberger, W.1
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11
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3142778676
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Rose, 'The creativity of everyday life'. New York, NY: International Universities Press
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Rose, 'The creativity of everyday life'. See also Rose, The Power of Form: a Psychoanalytic Approach to Aesthetic Form (New York, NY: International Universities Press, 1980)
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(1980)
The Power of Form: a Psychoanalytic Approach to Aesthetic Form
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Rose1
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12
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79956722151
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Winnicott and the two-way journey
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Winnicott, 'The location of cultural experience London: Brunner-Routledge
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Winnicott, 'The location of cultural experience'; Marion Milner, 'Winnicott and the two-way journey' (1972), in The Suppressed Madness of Sane Men (London: Brunner-Routledge, 1987), pp. 246-52
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(1972)
The Suppressed Madness of Sane Men
, pp. 246-252
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Marion Milner1
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14
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79956712407
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Playing with the opposites: Symbolization and transitional space
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N. Schwartz-Salant and M. Stein eds, Wilmette, IL: Chiron Publications
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Ellen Siegelman, 'Playing with the opposites: symbolization and transitional space', in N. Schwartz-Salant and M. Stein (eds), Liminality and Transitional Phenomena (Wilmette, IL: Chiron Publications, 1991), pp. 151-68
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(1991)
Liminality and Transitional Phenomena
, pp. 151-168
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Siegelman, E.1
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16
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61149654094
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The evolution of the language of cinema
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Berkeley, CA: University of California Press, 27
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André Bazin, 'The evolution of the language of cinema', in What is Cinema? [Berkeley, CA: University of California Press, 1971), pp. 23-40, p. 27
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(1971)
What is Cinema
, pp. 23-40
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Bazin, A.1
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17
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22344436123
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Film and the new psychology
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Evanston, IL Northwestern University Press
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Maurice Merleau-Ponty, 'Film and the new psychology', in Sense and Non-sense (Evanston, IL Northwestern University Press, 1964), p. 58
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(1964)
Sense and Non-sense
, pp. 58
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Merleau-Ponty, M.1
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18
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0012003047
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London: Virago Press
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Marion Milner, A Life of One's Own (London: Virago Press, 1986), p. 224
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(1986)
A Life of One's Own
, pp. 224
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Milner, M.1
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19
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60950420318
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William Wyler, or the Jansenist of directing
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New York, NY: Routledge
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André Bazin, 'William Wyler, or the Jansenist of directing', in Bazin at Work: Major Essays and Reviews from the Forties and Fifties (New York, NY: Routledge, 1997), pp. 1-22
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(1997)
Bazin at Work: Major Essays and Reviews from the Forties and Fifties
, pp. 1-22
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Bazin, A.1
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20
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0041328835
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The ontology of the photographic image
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p. 16
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André Bazin, The ontology of the photographic image', in What Is Cinema?, pp. 1-16, p. 16
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What Is Cinema?
, pp. 1-16
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Bazin, A.1
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22
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63849171520
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The social art cinema: A moment in the history of British film and television culture
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Christopher Williams ed, London: British Film Institute
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Christopher Williams, 'The social art cinema: a moment in the history of British film and television culture', in Christopher Williams (ed.), Cinema: the Beginnings and the Future (London: British Film Institute, 1996), pp. 190-200
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(1996)
Cinema: The Beginnings and the Future
, pp. 190-200
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Williams, C.1
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23
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63849194152
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The poetry of the ordinary: Terence Davies and the social art cinema
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Martin Hunt, 'The poetry of the ordinary: Terence Davies and the social art cinema', Screen, vol. 40, no. 1 (1999), pp. 1-16
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(1999)
Screen
, vol.40
, Issue.1
, pp. 1-16
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Hunt, M.1
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25
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0030347569
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Transitional phenomena, transitional space: Creativity and spectatorship in film
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For an overview and critique of these from an object-relations standpoint, see Ira Konigsberg, 'Transitional phenomena, transitional space: creativity and spectatorship in film', Psychoanalytic Review, vol. 83, no. 6 (1996), pp. 865-89
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(1996)
Psychoanalytic Review
, vol.83
, Issue.6
, pp. 865-889
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Konigsberg, I.1
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26
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0642350992
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From mother to the world outside: The use of space during the separation-individuation phase
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Grolnick and Barkin eds, 149
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Anni Bergman, 'From mother to the world outside: the use of space during the separation-individuation phase', in Grolnick and Barkin (eds), Between Reality and Fantasy, pp. 147-65, p. 149
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Between Reality and Fantasy
, pp. 147-165
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Bergman, A.1
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27
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85138863538
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On the threshold between past and present: Alternative heritage
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Phil Powrie engages the idea of threshold to consider how Distant Voices, Still Lives and other examples of the British 'alternative heritage film' call into question fixed notions of nationhood and national history: 'On the threshold between past and present: "alternative heritage"', in Andrew Higson (ed.), British Cinema: Past and Present (London: Routledge, 2000). pp. 316-26
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(2000)
British Cinema: Past and Present
, pp. 316-326
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Higson, A.1
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28
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0004120032
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London: Hogarth Press (Balint's emphasis)
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Michael Balint, Thrills and Regressions (London: Hogarth Press, 1959), p. 26 (Balint's emphasis)
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(1959)
Thrills and Regressions
, pp. 26
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Balint, M.1
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29
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61449421824
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Mandy and possibility
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Annette Kuhn, 'Mandy and possibility', Screen, vol. 33, no. 3 (1991), pp. 233-43
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(1991)
Screen
, vol.33
, Issue.3
, pp. 233-243
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Kuhn, A.1
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