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Volumn , Issue , 2013, Pages 46-71

Myth, melopeia, and mimesis: Black orpheus, orfeu, and internationalization in Brazilian popular music

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EID: 85047009322     PISSN: None     EISSN: None     Source Type: Book    
DOI: 10.4324/9780203462287-7     Document Type: Chapter
Times cited : (12)

References (35)
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    • (1997) Verdade tropical , pp. 252
    • Veloso, C.1
  • 3
    • 84919542188 scopus 로고
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    • ed. Michael T. Martin (Detroit: Wayne State University Press
    • Robert Stam, “Samba, Candomblé, Quilombo: Black Performance and Brazilian Cinema,�? in Cinemas of the Black Diaspora: Diversity, Dependence, and Oppositionality, ed. Michael T. Martin (Detroit: Wayne State University Press, 1995)
    • (1995) Cinemas of the Black Diaspora: Diversity, Dependence, and Oppositionality
    • Stam, R.1
  • 6
    • 0039413780 scopus 로고    scopus 로고
    • Don’t Look Back: Myths, Conceptions, and Receptions of Black Orpheus
    • Charles A. Perrone, “Don’t Look Back: Myths, Conceptions, and Receptions of Black Orpheus,�? Studies in Latin American Popular Culture 17 (1998), 155-177.
    • (1998) Studies in Latin American Popular Culture , vol.17 , pp. 155-177
    • Perrone, C.A.1
  • 15
    • 85069313502 scopus 로고    scopus 로고
    • Orfeu espera o carnaval de '98 chegar
    • September 20, Ilustrada, 4-5
    • Denise Mota, “Orfeu espera o carnaval de '98 chegar,�? Folha de São Paulo, September 20, 1997, Ilustrada, 4-5; 12.
    • (1997) Folha de São Paulo , pp. 12
    • Mota, D.1
  • 16
    • 85069326140 scopus 로고    scopus 로고
    • Diegues quer ser cineasta popular brasileiro
    • September 4
    • Marcelo Bernardes, “Diegues quer ser cineasta popular brasileiro,�? Estado de São Paulo, September 4, 1997.
    • (1997) Estado de São Paulo
    • Bernardes, M.1
  • 18
    • 85069322103 scopus 로고    scopus 로고
    • paper presented at BRASA IV conference, Brazilian Identity and Globalization, November 14
    • Camillo Penna, “Carmen Miranda: Sound-Images and Transcultural Translations,�? paper presented at BRASA IV conference, Brazilian Identity and Globalization, November 14, 1997.
    • (1997) Carmen Miranda: Sound-Images and Transcultural Translations
    • Penna, C.1
  • 21
    • 0040597914 scopus 로고
    • Le Brésil vu de Billancourt
    • reprint (New York: AMS Press, 1971)
    • Jean-Luc Godard, “Le Brésil vu de Billancourt,�? Cahiers du cinema vol. 17, no. 97 (1959); reprint (New York: AMS Press, 1971), 59-60
    • (1959) Cahiers du cinema , vol.17 , Issue.97 , pp. 59-60
    • Godard, J.-L.1
  • 23
    • 85069304660 scopus 로고
    • São Paulo: 1 BRASA, trans, of idem (Paris: Séghers, 1959)
    • Violante do Canto, Orfeu negro [fiction] (São Paulo: 1 BRASA, 1961); trans, of idem (Paris: Séghers, 1959).
    • (1961) Orfeu negro [fiction]
    • Do Canto, V.1
  • 27
  • 28
    • 61149124922 scopus 로고    scopus 로고
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    • Reily, S.A.1
  • 30
    • 85069309414 scopus 로고    scopus 로고
    • http://www.kudpc.kyoto-u.ac.jp/~yasuoka/Bonfa/Orfeu.html
  • 32
    • 85069304224 scopus 로고    scopus 로고
    • Não temos mais o direito à inocência
    • February 22
    • Hugo Sukman, “Não temos mais o direito à inocência,�? O globo, February 22, 1998.
    • (1998) O globo
    • Sukman, H.1
  • 34
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    • A segunda vinda de Orfeu
    • May
    • Maria Lucia Rangel, “A segunda vinda de Orfeu,�? Bravo!, May 1998, 93-35.
    • (1998) Bravo! , pp. 35-93
    • Rangel, M.L.1
  • 35
    • 85069319038 scopus 로고    scopus 로고
    • Um Orfeu revisitado
    • October 5
    • Pedro Butcher, “Um Orfeu revisitado,�? Jornal do Brasil, October 5, 1997.
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* 이 정보는 Elsevier사의 SCOPUS DB에서 KISTI가 분석하여 추출한 것입니다.