Contemporary Literature, Post-Industrial Capital, and the UK Creative Industries

Literature Compass

Volumn 5, Issue 1, 2008, Pages 122-133

  Brouillette, Sarah ^a  

^a MASSACHUSETTS INSTITUTE OF TECHNOLOGY   (United States)

Author keywords

[No Author keywords available]

Indexed keywords

EID: 85044811289     PISSN: None     EISSN: 17414113     Source Type: Journal    
DOI: 10.1111/j.1741-4113.2007.00506.x     Document Type: Article

References (25)

1. Bauman, Zygmunt. Liquid Modernity. Cambridge: Polity Press, 2000.
2. Bell, Daniel. The Coming of Post-Industrial Society: A Venture in Social Forecasting. New York, NY: Basic Books, 1973.
3. Bell, Daniel. The Cultural Contradictions of Capitalism. New York, NY: Basic Books, 1978.
4. Castells, Manuel. ‘European Cities, the Informational Society, and the Global Economy’. New Left Review 1/204 (1994): 18–32.
5. Castells, Manuel. Convictions. Belfast: Tinderbox Theatre Company, 2000.
6. DCMS. International Strategy 2006. 15 June 2007 .
7. Demos. Cultural Diplomacy. London: Demos, 2007.
8. Edmund, John. Cultural Tourism: Developing Belfast's Opportunity. Belfast: Belfast City Council, Tourism Unit, 2002.
9. Florida, Richard. The Rise of the Creative Class: And How It's Transforming Work, Leisure, Community and Everyday Life. Boston: Basic Books, 2002.
10. Foreign and Commonwealth Office. Public Diplomacy Review. 20045. 15 June 2007. < http://www.fco.gov.uk/servlet/Front?pagename=OpenMarket/Xcelerate/ShowPage&c=Page&cid=1007029395249 >.
11. Hardt, Michael and Antonio Negri. Empire. Cambridge, MA: Harvard UP, 2000.
12. Hartley, John. ‘Creative Industries’. Creative Industries. Ed. J. Hartley. Malden, MA: Blackwell, 2005. 1–40.
13. Harvey, David. ‘The Art of Rent: Globalization and the Commodification of Culture’. Spaces of Capital. New York, NY: Routledge, 2001.
14. Harvey, David. The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change. Cambridge, MA: Blackwell, 1989.
15. Heelas, Paul. ‘Work Ethics, Soft Capitalism and the “Turn to Life”’. Cultural Economy. Eds. Paul Du Gay and Michael Pryke. London: Sage, 2002. 78–96.
16. Leadbeater, Charles and Kate Oakley. The Independents: Britain's New Cultural Entrepreneurs. London: Demos, 1999.
17. McRobbie, Angela. ‘Clubs to Companies’. Creative Industries. Ed. John Hartley. Malden, MA: Blackwell, 2005. 375–90.
18. McRobbie, Angela. ‘From Holloway to Hollywood: Happiness at Work in the New Cultural Economy?’ Cultural Economy. Eds. Paul Du Gay and Michael Pryke. London: Sage, 2002. 97–114.
19. Miège, Bernard. The Capitalization of Cultural Production. New York, NY: International General, 1989.
20. Miller, Toby. ‘A View from a Fossil: The New Economy, Creativity and Consumption – Two or Three Things I Don't Believe in’. International Journal of Cultural Studies 7 (2004): 55–65.
21. Oakley, Kate. ‘Not so Cool Britannia: The Role of the Creative Industries in Economic Development’. International Journal of Cultural Studies 7 (2004): 67–77.
22. Rose, Nikolas. ‘Inventiveness in Politics’. Economy and Society 28.3 (1999): 467–93.
23. Smith, Chris. Creative Britain. London: Faber and Faber, 1998.
24. Volkerling, Michael. ‘From Cool Britannia to Hot Nation: Creative Industries Policies in Europe, Canada and New Zealand’. International Journal of Cultural Policy 7 (2001): 437–55.
25. Yúdice, George. The Expediency of Culture: Uses of Culture in the Global Era. Durham, NC: Duke UP, 2003.